The Phoenix Pencil Company

Allison King

59 pages 1-hour read

Allison King

The Phoenix Pencil Company

Fiction | Novel | Adult | Published in 2025

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Chapters 15-21Chapter Summaries & Analyses

Chapter 15 Summary

Monica’s grandmother’s condition continues to deteriorate. On the way to a doctor’s appointment, her grandmother panics when her grandfather scrapes his hand, speaking in a language neither of her loved ones recognize and begging them not to take her away. At the clinic, Dr. Wu, a memory disorder specialist, runs tests and gives Monica caregiver resources. Monica immerses herself in EMBRS coding to cope. One night, she overhears her grandfather harshly telling her father he’s selfish for delaying his return and forcing Monica to sacrifice her youth as a caregiver. When he emerges, Monica offers to reduce her other commitments, but he insists she continue her studies and says he wants to meet Louise. A new medication helps her grandmother improve temporarily and resume writing.


Monica feeds her journal entries into EMBRS as test data. The system returns a single match, a 1954 newspaper article about a house fire in California where large quantities of pencils were found. The address leads Monica to discover the property belonged to a high-ranking Nationalist military officer whose division ran an intelligence network to purge dissidents. Disturbed, she shuts down the program. Despite her growing fear of what she might learn, she asks her grandmother if Louise can interview her. Her grandmother hesitantly agrees to think about it but warns that preserving stories isn’t always a good thing.

Chapter 16 Summary

The narrative returns to Yun’s youth in Shanghai. A year after the Japanese surrender, her father returns home. Mr. Gao wants to publicize the Phoenix Pencil Company’s wartime contributions, but the mothers refuse, wanting to keep their abilities secret. The civil war between the Nationalists and Communists brings hyperinflation to Shanghai, and Yun’s father suggests they may need to leave. Meng argues that the mothers, not the men, built their comfortable life, provoking her uncle’s rage as he describes his harrowing wartime experiences.


Meng announces that her boyfriend’s family is fleeing to Hong Kong and that he’s asked her to join him. She refuses to leave Shanghai but becomes deeply depressed after his departure. Feeling guilty, Yun confesses to using Reforging to extract words from the boy’s pencil and gives Meng his notebook. Meng reads it, then coldly accuses Yun of being a liar and slams the door.


Yun’s grandmother dies peacefully. At the funeral Yun’s father bows to Meng and her mother in a gesture of reconciliation. Then, at the end of 1948, Yun’s father announces they’re leaving for Taiwan as the Nationalists lose battle after battle. Mr. Gao begs Meng’s mother to join him, but she refuses, claims her late husband’s Communist ties will shield her and her daughter, and destroys all evidence of her relationship with Mr. Gao. Before Yun’s family departs, the cousins finish their shared story together. Yun promises to return in a few months, but this is the last time she sees Meng.

Chapter 17 Summary

Louise arrives in Cambridge. Monica’s grandparents are immediately charmed by her, and Louise surprises her grandmother with a bag of Arby’s roast beef sandwiches. When her grandmother momentarily mistakes Louise for Hannah, Monica’s estranged mother, her grandfather gently corrects her.


Monica takes Louise on a bike ride to an MIT classroom where her grandfather once taught. She gives Louise a lesson on git rebase, demonstrating how code history can be reordered to create a cleaner narrative that differs from the order in which events actually unfolded. They write a story together about two girls on a quest, basing the characters on each other, and they use the tale to point out traits they admire in one another. After they finish the story, Louise suddenly pins Monica against the wall. Monica touches Louise’s neck and compliments her haircut, but Louise abruptly pulls away and suggests they leave.


At dinner, Louise eats instant oatmeal instead of rice, baffling Monica’s grandmother. Louise tells Monica she must leave early the next morning to meet her volleyball team, which disappoints her. After Louise goes to bed, Monica receives a cryptic email from her grandmother containing only the words “kuai dian” and kissing emojis, which alarms her.

Chapter 18 Summary

Yun’s family arrives in Taiwan, where the Nationalist government houses them in a Japanese-style home in recognition of their service. Yun’s mother, who never cooked in Shanghai, struggles to prepare basic meals. Yun writes censored letters to Meng and attempts to send a pencil with rice packages. Her father gets a job in the Nationalist intelligence division and announces the government will fund a new Phoenix Pencil Company in Taiwan. Setting up the store briefly gives Yun purpose, but on opening day, she realizes she’ll never return home when she hears the Communists have taken Shanghai. The company operates a fake recycling program to collect used pencils for surveillance. The constant work takes a severe physical toll on Yun’s mother, who advises Yun to find a different way to live and never share her Reforging abilities.


At a government-sponsored event, Yun meets Torou Tsai, a local teenager who studies secure communication and dreams of attending MIT to escape Taiwan’s political repression. He asks her to speak uninterrupted for five minutes, and she tells him about Shanghai and her longing for Meng. He promises to visit the pencil company.

Chapter 19 Summary

Monica, her grandparents, and Louise attend Louise’s volleyball game. When her grandfather cheers loudly and they wave a homemade tiger banner, Louise’s team responds with their own cheers, and Louise blows a kiss toward them. After her team wins, Monica admits she likes Louise, and Louise replies that she likes Monica, too.


Afterward, Louise asks Monica to walk with her to the Charles River. She explains she’s been thinking about how different Monica’s loving family is from her own parents, who made her feel inadequate compared to her brothers, who are both doctors. Monica shares that her parents left when she was young, affecting her self-esteem. Louise proposes they reframe each other’s life stories. Monica reframes Louise’s negative self-narrative positively, and Louise in turn casts Monica as beloved by her grandparents and the latest in a line of story preservers, connecting her technology work to the family’s pencil-making heritage. Monica accepts this reframing, voices her fears about her grandmother’s memory loss and mortality, and admits she’s avoided learning to Reforge out of fear of what she might discover about her grandmother’s past. They return home and play mahjong with Monica’s grandparents. Under the table, Louise holds Monica’s hand.

Chapter 20 Summary

Reflecting on Monica and Louise, Yun recalls her early relationship with Torou. He begins studying regularly in the shop. One day, Yun finds him using a Phoenix Pencil and snatches it away to protect him from government surveillance. As compensation, he convinces her to see a movie with him. Yun asks her mother if a pencil can be made unreforgeable, but her mother, believing their surveillance work is noble, does not understand. Yun Reforges Torou’s pencil and finds only math equations and a feeling of love for his work. Her mother encourages the relationship, noting how unhappy Yun has been since leaving Shanghai. When Torou returns, he brings books as a gift, and they begin kissing while studying together.


Their physical relationship escalates over subsequent visits. One evening, alone in the shop, Yun experiences an involuntary Reforging through sexual climax, discovering the second method of Reforging Meng once mentioned. The phoenix on her arm becomes pale, meaning Torou’s story has been released and lost. Yun is mentally transported during the involuntary Reforging, and Torou becomes concerned. Panicked, she tells him that she has a strange family sickness. When he asks if he would learn the secret if they married, she dismisses the idea, saying they’re “only enjoying each other” (217). Hurt, Torou says he’s wasted too much time and must focus on reaching America. He leaves, seemingly for good, and Yun is left heartbroken.

Chapter 21 Summary

On the final morning of Louise’s visit, Monica wakes early to make shaobing. Louise joins her in the kitchen, and Monica impulsively asks her to stay another day, but Louise says her parents expect her home. At breakfast, Louise asks to interview Monica’s grandmother about Shanghai. Her grandmother grows tense and refuses, saying people might not want to remember the city’s past. She also tells Louise that, if she knows Meng’s story, she knows hers, too.


Afterward, Louise blames herself for upsetting Yun. Monica comforts her, saying Louise is the only person she’s wanted to open up to and offering to prove it. At the train station, Monica shows Louise a text from her grandmother reminding her that this is her last chance to kiss Louise. Louise laughs and teases that her grandmother is trying to set them up. As the final boarding call is announced, Louise backs toward the train, thanks Monica for understanding her so well, blows her a kiss, and boards just as the doors close. Monica reflects that she no longer needs EMBRS to understand Louise and decides to focus on the joy their relationship brings.

Chapters 15-21 Analysis

The juxtaposition of the digital data motif against embodied, analog relationship-building defines the structure of these chapters. Monica initially relies on technology as an emotional shield, feeding her own diary into the EMBRS application to avoid the mounting pressure of her grandmother’s cognitive decline. However, this algorithmic approach to history quickly breaks down when EMBRS unearths a 1954 newspaper article linking the family to a California house fire and a Nationalist intelligence operation. Monica’s immediate rejection of this data highlights a central tension regarding Reconciling Human Connection in an Era of Technology. The novel underscores the limitations of digital manipulation during Monica’s lesson on git rebasing, a coding process that reorders events to produce a “clean history” (177) at the expense of factual accuracy. While the two young women use the digital lesson to playfully co-write a story, it is the physical world—Louise suddenly pinning Monica to the classroom wall—that creates genuine vulnerability. Ultimately, Monica pivots away from algorithmic connection. By the end of Louise’s visit, Monica realizes she does not need EMBRS to categorize or understand Louise, signaling a shift toward authentic, unmediated intimacy grounded in shared physical space.


The historical backdrop of the Chinese Civil War and the subsequent Nationalist exodus to Taiwan radically shifts the function of the Phoenix pencils. Following the Japanese surrender, hyperinflation and the escalating conflict with Communist forces rip Shanghai apart. After Yun’s family relocates to Taiwan, the Nationalist government establishes martial law and aggressively purges suspected dissidents. The family’s new pencil factory operates a deceptive recycling program to harvest the private writings of ordinary citizens. Yun absorbs the fear and desperation of the Taiwanese people, transforming her magical inheritance into an ethically compromised act of espionage. Yun foreshadows this dynamic in Shanghai when she secretly Reforges the intimate notebook of Meng’s departing boyfriend, committing a betrayal of trust that shatters the cousins’ bond before their physical separation.


The magical element of Reforging further illuminates the physical and emotional toll of this ethical compromise. In Taiwan, Yun’s mother physically deteriorates from the sheer volume of mandated extraction, directly warning her daughter to hide her abilities. This climate of fear impacts Yun’s developing relationship with Torou Tsai, a young student studying secure communication. When Yun discovers Torou writing with one of her family’s pencils, she snatches it away to protect him from government surveillance. The danger of her secret isolates her. When a physical encounter between Yun and Torou culminates in an unexpected, painless release of Torou’s absorbed story through sexual climax, the event fundamentally alters the mechanics of the family’s magic. As Yun realizes the magic has faded and “[h]is story was lost to the world” (215), she panics and claims she has a family sickness. Her refusal to explain the truth drives Torou away to America, demonstrating how silence and concealment—initially intended as self-preservation—ultimately breed isolation. Yun’s internalized shame mirrors her granddaughter’s contemporary anxieties about uncovering the family’s hidden past.


To counter the destructive potential of erased or compromised histories, the narrative positions collaborative storytelling as a restorative practice. After fleeing Shanghai, Meng and Yun repair their fractured relationship by finishing their co-authored story before they separate. Decades later, Monica and Louise echo this collaborative healing by the Charles River, where they actively reframe each other’s life narratives to emphasize resilience rather than inadequacy. Louise’s reframing helps Monica contextualize her grandparents’ sacrifices, allowing her to view herself not as an abandoned child, but as the latest in a lineage of story preservers. Quiet, analog moments—such as the family gathering around the mahjong table or grandfather loudly cheering at a volleyball game—anchor these restored connections. Even as her grandmother’s mind fails, resulting in her warning that “[p]reserving stories is not always a good thing” (153) and refusing an interview, the family’s legacy of connection persists. The cryptic text message of emojis that Monica shows Louise at the train station serves as a modern, digital evolution of the cousins’ secret pencil messages, proving that genuine affection can endure despite linguistic, generational, and cognitive barriers.

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