64 pages 2-hour read

The Ritual

Fiction | Novel | Adult | Published in 2011

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Part 2, Chapters 46-58Chapter Summaries & Analyses

Content Warning: This section includes discussion of death, graphic violence, physical abuse, animal cruelty and death, and imprisonment.

Part 2: “South of Heaven”

Part 2, Chapter 46 Summary

Luke can hear the voices of two young men and a young woman speaking a foreign language. He realizes he is lying in a bed, but his eyes are crusted over and won’t open. Later, he hears an elderly voice and feels a wrinkled hand touch his cheek.

Part 2, Chapter 47 Summary

After sleeping for a while, he wakes up from thirst. He isn’t afraid because he thinks he has been rescued. With painful effort, he is able to open his eyes and sees his bandage. The bed he is in smells terrible, is filled with lice, and he has urinated on himself. Moving the bandage, he looks at the eiderdown over him and the coffin-like box bed. There is a jug and cup of water on a table next to the bed; he is able to quench his thirst. This action exhausts him. Luke cries, thinking he has been saved, and falls asleep again.

Part 2, Chapter 48 Summary

Luke dreams about an old man and woman touching him in a metal tub and speaking in a foreign language. Above the ceiling, there is a rapping noise, and the old people move away from him. He realizes his ankles are tied together and his wrists are tied to a hook in the ceiling. A creature starts to enter the room on all fours.


Luke wakes up, and calls out to his mother. He slowly realizes he is still in the box bed and that the experience was a dream. This makes him feel safe and he falls asleep again.

Part 2, Chapter 49 Summary

Metal music wakes up Luke, and it takes him a moment to realize that it is music. He pulls off his bandage and sees three figures in the room. They are humans with animal heads. One has a goat head, the second has a hare head, and the third has a lamb head. The human wearing the goat head takes it off, revealing white and black make-up. Luke sees a closed door behind the people, and a window that is too small for him to squeeze through. The man who was wearing the goat head welcomes him to “south of heaven” (259).


The person wearing the lamb’s head takes it off and laughs. He is also wearing make-up. They are both probably teenagers. They claim to be the Oskerai: the wild hunt. The person wearing the hare head takes it off. It is a teenage girl, also wearing make-up, but hers is more elaborate. Luke asks them to take him to a hospital and touches the large cut in his head. The man holding the goat’s head says Luke will have help soon. The woman holding the hare’s head sticks out her tongue at Luke. They leave the room.


Luke tells the third person that his friends are dead and he needs to talk to the police. The young man holding the lamb’s head says there are no police or hospitals near them, but someone is going for help. He leaves, taking the old CD player with him and locks Luke in the bedroom.

Part 2, Chapter 50 Summary

Luke tries to stand and stumbles into the table, knocking over the jug and cup. An old woman enters the room and guides him back to the bed. The young man who wore the lamb’s head is also in the room. Luke starts to salivate and the young man says he won’t come near Luke if he is about to vomit. The young man puts down a tray holding a bowl of stew on the bed. Luke sees that the man has runes and inverted crosses tattooed on his arms, as well as a knife on his belt.


Luke introduces himself and the man says his name is Fenris, which means “wolf.” He says the other man is Loki, which means “devil,” and the young woman is named Surtr, which means “fire.” When asked, Luke says he is from London and went vacationing in the woods. Fenris laughs, which makes Luke angry. He says his friends were killed by a creature, but won’t share their names. Fenris asks about Luke’s job, and he explains that he works at a CD shop. Fenris asks if Luke knows about various black metal bands. Luke lists some, and Fenris says that Blood Frenzy, his band, is the best. Fenris is Norwegian.


Luke says he needs to urinate and the old woman brings him a bucket. The other youth calls out in Norwegian from downstairs. Fenris and the old woman leave, locking the door behind them.

Part 2, Chapter 51 Summary

Luke eats the food while listening to the youths yell, stomp around, and bang furniture. He wonders if Fenris and the others killed his friends, but decides they didn’t. When Luke hears the group go outside, he watches them out of the window. They are building a pyre and playing metal music on the CD player. He sees another small house or shed across from the house he is in. Fenris and Loki take off their shirts to reveal more tattoos. Surtr runs outside only wearing the hare’s head. As the drunken youths light the pyre, Luke longs for a cigarette.


He is weak and has to lie down. Luke finally realizes he isn’t safe and wonders if the youths are going to burn him with the pyre. He also wonders if the music will attract the creature in the woods and longs for it to stop. After some consideration, Luke thinks the youths are too dorky to hurt him and the old woman will stop them. He falls asleep.

Part 2, Chapter 52 Summary

Fenris comes into Luke’s room and drunkenly sits on the bed, knocking Luke’s head into the side of it. After apologizing, Fenris shows Luke pictures of his band, which includes not only Fenris and Loki, but also a third, unknown man. Luke is puzzled as to why people living in the “social utopia of Scandinavia” (281) would create Satanic black metal. Fenris gives Luke one of his CDs, then slaps Luke across the face and insults him. Luke gets angry, insults the black metal genre, and wants to hurt Fenris.


Fenris gets angry and says they worship Odin, aka Wotan, not Satan. Odin requires blood sacrifices and destruction. Luke gets out of bed. Fenris is obsessed with Ragnarök and Vikings. He plans to summon Odin.


Luke hits Fenris with the water jug twice and Fenris falls. Surtr, wearing the hare head, comes running in. She punches and kicks Luke repeatedly. He passes out when she hits his head wound.

Part 2, Chapter 53 Summary

When Luke regains consciousness, Surtr is screaming and kicking as Loki holds her. He drags her away from Luke as she demands to cut Luke. He says it’s not time yet. Fenris moans on the floor.

Part 2, Chapter 54 Summary

Loki, Surtr, and Fenris go downstairs. Surtr and Loki continue to argue, but Luke can’t hear Fenris. Luke is bleeding profusely, but isn’t feeling pain because of the endorphins from the fight. He curses Hutch’s shortcut, and longs to know where on the map he is.


When Loki knocks on the door, Luke holds the jug. However, Loki doesn’t enter. Through the door, he tells Luke that Fenris has killed before and is now mad at Luke. Luke asks if Loki and the others killed his friends, and Loki says that they didn’t, and he wants to see the creature that did.


Loki tells Luke that Surtr has killed people by chopping them into pieces and now wants to kill Luke. Loki asks Luke to stop fighting and agrees to bring him water. However, Loki refuses to bring Luke a bandage, painkillers, or cigarettes. Loki also refuses to call an ambulance. Luke drinks water and wonders why the people took all his clothes except for his underwear. He is angry at himself for believing he was safe and cries on the floor.

Part 2, Chapter 55 Summary

Luke hears people walking around the house, but can’t see much in the dark, since it is night and the house has no electricity. He falls asleep and dreams about turning around and looking at a bright moon. When he wakes up, he hears something in the attic above him, and thinks it sounds like children walking. The noise stops and Luke searches for a way out of the room. The door is solid and heavy, the window is small, and the floorboards can’t be pried up. He considers breaking the jug and using the shards to cut into the walls.


The noises above him start up again, and he tries saying hello. There are more noises above, as if there are more children shuffling around above him. Luke wonders if the teens have captured children as well as him. His head hurts, and he is exhausted from moving around, so he lies down and plans to attempt his escape in the morning.

Part 2, Chapter 56 Summary

Luke dreams that he is looking out the window at a huge moon. A “little person” (303) is in the room behind him and says things that sound sensible. Outside, he sees little white people in the tree line behind a clearing. They are dancing, so it’s hard to see them clearly, but he hears them call for him to come down. The child-like figures start making barking noises. Luke can see that they have many teeth in wide mouths, and are holding long bones. The bones are taken inside a stone chamber. Then, he is inside the chamber with the bones.


When Luke wakes up, Fenris, Loki, and Surtr are around his bed and tie up his wrists. They say they found his friend, Dom. Fenris pushes Luke down the stairs to the first floor, where there is a kitchen and parlor. Fenris pushes Luke out the front door. The old woman is on the porch. Dom’s mutilated corpse is strung up in the trees nearby. Fenris claims to have summoned the god with his black metal music. Luke faints and falls.


Loki talks about the extreme remoteness of the area, which allows them to summon an old god. He and Fenris discuss how Luke’s friends were sacrifices. The old woman speaks in Norwegian, which Loki translates: “[W]hat once was given, is missing. One will come to fetch it back” (310).


Luke jumps up and runs past the house, a truck, and an orchard toward a clay track. Surtr runs after him, and Fenris moves to cut off Luke. When Surtr knocks into him, he kicks her in the stomach and falls over. Fenris laughs and starts kicking Luke in the head. Surtr pulls his hair and opens up his head wound. Luke punches her in the chin. Fenris stomps on Luke’s face, breaking his nose. Surtr straddles Luke’s head and repeatedly smashes it into the ground. Loki pulls her off Luke and holds a gun. Luke feels hopeless.

Part 2, Chapter 57 Summary

Loki puts Luke back in the bed. Several hours later, Loki returns, drunk, and sets a gun next to the door. Luke feels like he won’t survive and angrily starts insulting Loki’s tattoos because they are a mix of pagan and Christian symbols. Next, Luke insults the actions of Loki and his friends.


Loki calls Luke a “sheep” and says he is asleep to the truth. Loki admits that he regrets burning old churches, and wishes he had burned Scientology’s churches. Loki says he wants to show his friends “real magic” (319). He describes Fenris killing animals and priests, and says being a Viking is to be truly evil. Loki and his friends have killed nine people, and will summon Odin.


Luke laughs and asks what happened to the spoiled kid named Loki, and why he rebelled in a country with a high quality of life. Loki continues to call Luke a sleeping sheep. Luke says Surtr and Fenris need psychological medication, and insists that magic isn’t real: Everything is a mess. Loki agrees, gives Luke a drink of moonshine, and explains that it doesn’t matter who he and his friends kill. They started out as Satanists, but then evolved into following Odin. He wishes they had burned the buildings of many different religions, and rants about Ragnarök.


Luke insults Loki again. Loki insists they all came to the forest for a reason: the wild hunt. Luke says the creature is unnatural but not a god. Loki says Luke is destined to be given to the creature as a sacrifice. Luke says the old religion is dead, and old gods have no future. Luke says Loki and his friends will end up in prison, and they deserve the death penalty.

Part 2, Chapter 58 Summary

Luke overhears the old woman chastising Fenris, Loki, and Surtr downstairs. They come upstairs and Fenris cuts the ties around Luke’s ankles. The old woman, Fenris, and Loki lead Luke upstairs to the attic. It smells like petrified flesh. Fenris puts his hand over Luke’s mouth and Loki shines his lantern around the room. Luke sees the little people propped up and in caskets surrounded by boxes of bones. They have animal legs. The old woman stands by two little figures in chairs. Loki and Fenris speak in Norwegian. The desiccated little people whisper and move. Loki says they are “the ancient ones.”


The old woman draws an old knife. Loki and Fenris argue in Norwegian, and the old woman growls at them. Fenris pulls Luke back and out of the attic. Luke falls at the bottom of the stairs, hitting his broken nose, and faints for a moment. He hears more animal sounds and a voice that he guesses belongs to the old woman.

Part 2, Chapters 46-58 Analysis

In this section, dreams switch from the second person to the third person. Luke’s dream in Chapter 48 uses you/your pronouns. However, Luke’s dream in Chapter 56 uses he/him pronouns. This lessens the separation between dreams and reality, as dreams are described in the same way as the events outside of dreams, merging the two worlds grammatically. These dreams, and most of Part 2, take place in the unnamed old woman’s house. Unlike the house that the four friends stay at earlier in the novel, this house has living inhabitants who interact with Luke. The setting is still old and seems to grow from the woods: “Everything around here was morbidly aged and neglected. The very smells of the place were alien to him. The house smelled of the forest” (273-74). It is not a dwelling that is part of civilization, but a dwelling outside of civilization that is more permanent than a tent.


Luke initially thinks he is safe in this house, and is calm. However, when he discovers he is being kept as a sacrifice, he becomes angry, developing the theme of The Complicated Nature of Anger. While up until this point in the novel, Luke’s anger has been a destructive force in his life, here it becomes a survival instinct and a source of strength. He prefers anger to fear and anxiety: “[T]he sharpness of rage was welcome compared to the anxiety he could not swallow” (267). Anger is a form of protection, in his mind. His violent outburst against Fenris improves Luke’s emotional state, as it gives him a sense of power and agency as a prisoner. However, it doesn’t improve his external condition because it results in more restrictions, which make it more difficult for him to escape.


Luke can be compared and contrasted with Fenris and Loki, developing the theme of Masculinity In and Out of Civilization. Luke rejects the norms of getting married, having children, and achieving monetary success. This puts him at ideological odds with the people who aim for those ideals, such as Dom, and often means he has lashed out violently against them. However, Luke doesn’t destroy, or want to destroy, religious buildings or institutions. His anger comes from his envy of those who seem to have attained a good life within the confines of social norms for men. In this way, his anger and rebellion are directed more at himself than at others—he feels that his failure to conform to the ideals of modern, urban masculinity is something shameful and embarrassing.


Loki and Fenris, by contrast, seem to resent everything associated with modernity and civilization, seeking to actively harm others and destroy whatever they can. The members of the band Blood Frenzy leave the modern world behind to seek the old god Odin. Loki says he decides “to show the others what real magic is” (319). This magic can only be found in the wilderness. Before they come to the virgin forest, Blood Frenzy destroys monuments of civilization, such as churches. Their obsession with the Vikings and with Ragnarök invokes an older, and far more violent, idea of masculinity, one that is entirely outside of the bounds of more empathetic and moderate modes of behavior. Their idea of masculinity thus becomes a truly destructive force that poses a direct threat to others, like Luke.


Loki also describes what he believes the creature is, developing the theme of The Clash Between Modernity and Ancient Beliefs. He refers to it as the “Black Yule Goat” (325); it is a cross between a human and a goat. It thrives where there are only a few humans who worship it. Fenris explains that, “There is no police here. No doctors. You are many miles away from such things” (261). Human institutions of medicine and law enforcement are not part of the ancient forest that the creature rules. The large creature has small offspring, such as the human figures that seem to have the limbs of animals “stitched into their groins” (335) in the old woman’s attic. At first, these offspring seem dead, but they move, shocking Luke. The forest is a place where the divide between human and animal is lessened or no longer exists.


The ocean symbolism appears again in these chapters. The old woman’s house can be compared to the two tents used by Luke and his friends. The structure is “like an old sailing ship” (297, emphasis added). It is a human construction in a place that is not conducive to human life. The ship of the house exists within the “great ocean of never-ending trees” (303, emphasis added). The vastness of the forest is like the vastness of the sea; the end of both is hard, and sometimes impossible, to see.


The symbols of runes and crosses appear together in Fenris and Loki’s tattoos. Their bodies are covered with these contradictory symbols: “[I]nk crawled in black vines around circular runes. On the inside of one forearm was a Thor’s hammer. A badly drawn inverted crucifix disfigured the back of a slender hand” (265). Satan, represented by the inverted cross, is a Christian figure, while Thor is a pre-Christian god. The combination of symbols from two different belief systems represent how Fenris and Loki are not completely loyal to either system. Their crosses are dissimilar to the ones at the first house that Luke and his friends see in the forest.

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