The Score

Elle Kennedy

56 pages 1-hour read

Elle Kennedy

The Score

Fiction | Novel | Adult | Published in 2016

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Chapters 9-17Chapter Summaries & Analyses

Content Warning: This section of the guide references sexual content, cursing, substance use, and illness or death.

Chapter 9 Summary: “Allie”

Allie cues up an episode of Solange, a French soap opera she’s using for language immersion. Allie’s surprised when Dean asks to be caught up on the plot so far—none of her other friends have agreed to watch with her, but Allie is thoroughly hooked.


She gives him all the soapy details: The title character is being stalked by a man hired by Solange’s own mother, Marie-Thérèse, who changed her appearance with plastic surgery so she could pose as Solange’s colleague. During the recap, Allie learns Dean’s full name—Dean Sebastian Kendrick Heyward-Di Laurentis. Each middle name honors one of his grandfathers.


“Dean”


Dean admits to himself he’s hooked on both Allie and her French soap opera and texts Logan to say he won’t make it to Malone’s. Together, Dean and Allie deduce that Marie-Thérèse resents Solange for inheriting the family cosmetic company. When Sean texts Allie asking to meet, Dean tells her to ignore him and pitches his “Life of Dean” philosophy—doing what she wants without worrying about others’ opinions. He encourages her to take the salsa dancing lessons she has always wanted but been too self-conscious to pursue alone. Sexual tension builds between them, and Allie orders Dean to leave before things escalate.

Chapter 10 Summary: “Dean”

Dean leaves his International Relations lecture alongside Sabrina James, a classmate who habitually taunts him for his wealth and privilege. She implies he’s an entitled fraud who cheats his way through school. He shuts her down by reminding her he outscored her on the LSAT.


Dean drives to Hastings Elementary for his first session as volunteer assistant coach of the Hurricanes, the youth hockey team assigned to him by Coach O’Shea. Head coach Doug Ellis assigns Dean to work with the defensemen. The kids’ passion moves Dean, reminding him of his own childhood love of hockey. After practice, he learns that seventh-grader Robbie Olsen stays late because his mother works evenings and the family lives outside the bus route. In the bleachers, Dean meets Dakota, Robbie’s sharp, quick-witted ten-year-old sister, and helps her finish a homework assignment.


“Allie”


Allie’s out with her friend Megan when Dean texts an invitation to Malone’s. On the drive, Allie learns Megan’s secret boyfriend is Trevor, a 37-year-old divorced surgeon whose young daughter he now wants Megan to meet. Allie advises her to enjoy her senior year rather than rushing into something serious. At the packed bar, Dean pulls them into a large booth with several teammates. When Allie orders water, Dean pointedly suggests tequila—a loaded reference to their hookup—and Allie tenses, worried he is about to expose their secret.

Chapter 11 Summary: “Allie”

Allie receives explicit texts from Dean across the booth, referencing their first night together and detailing what he intends to do next time. She texts dismissive replies, but her body reacts. Table conversation turns to drama department gossip about Megan’s assigned playwright, who insists on being called Slade and no longer responds to his real name.


Dean’s sexting continues for over an hour. Finally, he gets up to play a song on the jukebox. His song choice—Cheap Trick’s “I Want You to Want Me”—makes Allie laugh privately. She counters by queuing Pink’s “U and UR Hand.” Megan drags her to the dance floor, and Dean watches with obvious arousal. Back at the booth, his final text warns that the next time she dances for him, she had better be naked.

Chapter 12 Summary: “Allie”

Back at her dorm after midnight, Allie is too wired to sleep. Images of Dean keep interrupting her thoughts, eventually taking over entirely. Her fantasy ends in an intense climax, though she notes it still falls short of the real thing.


Afterward, Allie works through her ambivalence using syllogistic reasoning: the sex is exceptional, neither of them wants a relationship, therefore a casual fling is rational. She decides the arrangement must remain a secret, though she cannot fully explain why. She texts Dean, arranging for him to come to her dorm the following night. When he asks what changed her mind, she says she has decided to live the Life of Dean.

Chapter 13 Summary: “Allie”

After rehearsal, Allie takes a call from her agent, Ira Goldstein, who wants her to read for a dim-witted character in a Fox comedy pilot. Allie resents being typecast as ditzy—precisely the image she’s trying to avoid. The audition conflicts with dress rehearsals for her school play, so Ira promises to talk to the producers about her schedule. Allie privately half-hopes they will refuse, despite recognizing the importance of the opportunity.


She spends the afternoon getting ready for Dean. He arrives a little late, and Allie hides his coat and boots to eliminate any evidence of his visit. After a brief standoff in which Dean refuses to make the first move, Allie initiates a kiss that quickly turns urgent. As they start to have sex, Hannah’s voice sounds in the hallway—she has returned for forgotten sheet music. As Allie tries to speak through the locked door, Dean continues, causing her to moan.

Chapter 14 Summary: “Dean”

As Dean and Allie have sex, Allie bites his lip hard enough to draw blood, but Dean just laughs at the wound. They lie in bed talking. Dean mentions his Hurricanes coaching role and the unexpected pride he felt when Robbie scored the winning goal. Allie shares that she volunteered at a drama camp in Brooklyn in high school. She sets a reminder to book a Thanksgiving train ticket to visit her father—a retired Bruins scout whose playing career ended prematurely with an ACL injury. As they continue to joke around, Dean discovers her vibrator in the nightstand, which she has named Winston, and she pries out of him that he calls his own anatomy Little Dean.

Chapter 15 Summary: “Dean”

Saturday’s game against Yale starts promisingly, but Yale ties the score and then dominates the third period, converting on power plays generated by foolish penalties from Logan and Dean. Briar loses 3-6.


After the game, Coach O’Shea confronts Dean over an Instagram photo of the team drinking at Malone’s, invoking the school’s no-alcohol policy for athletes. Dean argues they are all of legal age, then undermines O’Shea by suggesting head coach Jensen should handle it. O’Shea retaliates by citing Dean’s history with alcohol abuse—a reference to one teenage incident that Dean and O’Shea’s daughter, Miranda.


On the ride home, Dean searches Facebook for Miranda and sends her a friend request without fully understanding the impulse. He texts Allie for a late-night visit, but she refuses because Hannah is home.

Chapter 16 Summary: “Dean”

After Hurricanes practice, Dean is in the equipment room with Dakota, who asks why he has no girlfriend, then reveals Robbie is secretly dating an eighth grader. Dean reflects that coaching is the first activity he has felt genuinely passionate about—more so than playing hockey or the law school path his family has always planned for him. Dakota asks him to teach her to skate, explaining her mother could only afford lessons for one child and chose Robbie. Dean, who grew up without financial constraints, feels sharply guilty. He locates a pair of boys’ skates, but Dakota refuses them, insisting on girl skates. He promises to find some.


That evening, with his housemates out of the house, Dean texts Allie, who agrees to come over and arrives nursing a back injury from overdoing it at the gym. Dean runs a hot bubble bath. He returns to find Allie undressed with Winston in hand. In the bath, they trade sex stories from their pasts as footsteps suddenly sound on the stairs.

Chapter 17 Summary: “Dean”

Logan barges into the bathroom mid-rant about a forgotten wallet and stops short at the sight of Dean in a bubble bath with Winston on the tub’s edge. He retreats fast, announcing he will stay at Grace’s. After he leaves, Allie steps out from behind the door. Dean is annoyed she hid rather than identifying herself, but she apologizes, saying she wants to protect the secrecy of their relationship.


In Dean’s bedroom afterward, they agree the fling is exclusive, and Allie asks him to send a text ending their arrangement if that ever changes. Dean privately wonders whether he will ever want it to stop.


“Allie”


During an off-book rehearsal of her senior play, Allie’s scene partner is catastrophically unprepared, and the director ends the session an hour early. Allie calls Ira back and learns that a play she had been hoping to audition for has an all-male cast. She texts Dean about her rough day—and when he doesn’t reply for over ten minutes, she realizes she reached out for emotional comfort rather than sex, behaving like someone in a relationship rather than someone having a casual fling. She immediately calls Hannah, who mentions that there’s a woman trying to make out with Dean at the bar. Allie goes cold with fury.

Chapters 9-17 Analysis

As both protagonists confront unexpected professional crossroads, both Allie and Dean begin to reject inherited expectations in favor of authentic self-actualization, highlighting the novel’s thematic emphasis on Choosing Personal Fulfillment Over Obligation. Allie resists auditioning for a Fox pilot that would typecast her as a dim-witted character, recognizing that the role conflicts with her desire for dramatically substantive work despite the network opportunity’s commercial value. Simultaneously, Dean discovers genuine fulfillment while coaching the middle-school Hurricanes, noting that their “enthusiasm is downright contagious” (104) and fulfills him in ways his predetermined law school trajectory never has. When Dean learns that Dakota, a talented 10-year-old, cannot afford proper skates because her family could only finance lessons for one child, his concern awakens a sense of purpose that fundamentally contradicts the privileged assumptions shaping his expected future.


Dean’s articulated personal philosophy, which he calls the Life of Dean, acts as a mechanism for emotional avoidance disguised as empowerment. When Allie struggles to ignore messages from her ex-boyfriend, Dean advises her to adopt his mindset, declaring, “I do what I want, when I want it. And I don’t give a shit what other people think about me” (97). Later, Allie invokes this exact philosophy to rationalize their secret relationship, texting Dean that she has decided to embrace his lifestyle. For Dean, this mantra initially operates as protective armor against vulnerability, framing it as a liberating choice rather than a reflection of his fear of commitment. When Allie appropriates the phrase to justify their hookup arrangement, she adopts his emotional shield to protect herself from the complex psychological fallout of her recent breakup. This philosophical motif establishes the central tension in their developing dynamic, illustrating how both characters use the rhetoric of casual, consequence-free pleasure to mask deeper anxieties about intimacy and commitment.


Allie and Dean’s slow progression from clandestine sex to emotional intimacy underscores the novel’s thematic exploration of Moving Beyond Socially Prescribed Norms in Romantic Relationships. Early in their relationship, Dean admits to arousal from the possibility of discovery, saying he avoids having sex in the privacy of his bedroom because “like[s] the idea of getting caught” (124). Embracing this practice leads to precarious near misses with Hannah nearly discovering them in Allie’s dorm and Logan interrupting them in the house’s communal bathroom. However, it’s in Dean’s private bedroom that they eventually establish a strictly exclusive arrangement. Dean’s preference for semi-public, high-risk environments initially underscores his desire to keep encounters transactional and performative. The transition into his private bedroom marks a subtle erosion of these boundaries. By retreating to this traditionally private space to establish exclusivity, the physical environment mirrors their deepening, albeit unacknowledged, emotional attachment. This progression reinforces the traditional reformed playboy trope by demonstrating how sustained physical intimacy inevitably breaches emotional defenses, complicating their attempts to preserve a purely physical relationship.


The introduction of Coach O’Shea introduced Dean’s unresolved history to advance the theme of Confronting Grief as a Step Toward Emotional Growth. Following a demoralizing loss to Yale, O’Shea disciplines Dean over an Instagram photo showing the team drinking beers, opaquely alluding to a teenage incident involving alcohol and Dean’s fraught past relationship with O’Shea’s daughter, Miranda. This calculated hostility forces Dean to confront a painful, unresolved chapter from his youth that directly contradicts his carefree campus persona. By weaving this past conflict into Dean’s present-day athletic career, Kennedy signals that confronting pain rather than avoiding it will be central to Dean’s transformation.


Allie’s emerging instinct to turn to Dean for support dismantles her own rationalizations about the nature of their relationship. After a frustrating rehearsal where her scene partner arrives catastrophically unprepared, Allie instinctively texts Dean seeking emotional comfort rather than physical connection. When he fails to respond promptly and Hannah reports that another woman is pursuing Dean at the bar, Allie experiences immediate, visceral fury. This jealous reaction exposes the fallacy of her earlier syllogistic reasoning that positioned their arrangement as purely physical and mutually convenient. Despite explicitly defining their connection as a secret casual fling requiring no emotional investment, her expectation of his availability for support and her territorial response to potential competition reveal subconscious reliance on him as a surrogate boyfriend. The immediate onset of possessiveness shatters the carefully constructed boundary between physical gratification and romantic investment, forcing her to recognize that her pre-existing relationship habits and emotional dependencies cannot be easily overridden by a theoretical commitment to no-strings fun.

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