The Sisters

Jonas Hassen Khemiri, Transl. Rachel Willson-Broyles
83 pages2-hour read
Fiction
Novel
Adult
Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of racism.

The Curse

The family curse is a central motif representing the destructive nature of intergenerational trauma. Selima’s belief that “everything [they] love will get taken from [them]” functions as a self-fulfilling prophecy that her daughters internalize throughout their lives (53). This inherited narrative of loss shapes their identities and sabotages their relationships, demonstrating the theme of Breaking Cycles of Intergenerational Trauma. The sisters interpret misfortune through the lens of the curse, which provides a framework for their fear of happiness and commitment. For Ina, it manifests as hyper-vigilance and a fear of abandonment, while for Evelyn, it fuels a pattern of flight and emotional detachment. Anastasia’s self-destructive tendencies can also be seen as a way of preemptively destroying what she loves before the curse can take it from her.


The curse’s influence extends beyond the psychological, dictating the family’s physical reality. Their constant moving is a tangible manifestation of Selima’s attempt to outrun this inherited trauma, creating a life of instability that her daughters are forced to navigate. The novel ultimately suggests that confronting and rewriting this foundational story is the only way to escape its hold. When Jonas’s father reveals that Selima’s sister is the one who believes she was cursed, the narrative shifts, revealing memory to be a subjective and unreliable force. The curse, therefore, is less a fixed truth and more a powerful story that the family must learn to deconstruct to achieve freedom.

Rockefeller Center/Lunch Atop a Skyscraper

The family myth that the Mikkola sisters’ great-grandfather is one of the men in the iconic photograph Lunch Atop a Skyscraper is a symbol of their yearning for a stable, heroic, and affirmative identity. This fabricated piece of history is a direct counternarrative to the chaos and trauma of the family curse. Evelyn proudly tells a young Jonas, “One of those guys on the beam is my dad’s dad’s dad” (51). This act of storytelling is a formative moment, showing how the sisters construct an aspirational identity to cope with the challenges of their reality. The myth provides them with a tangible connection to a grand American story of progress, industry, and courage, offering a powerful alternative to their actual messy heritage of migration, instability, and fear.


The symbol’s meaning deepens when Evelyn finally visits New York. Her pilgrimage to Rockefeller Center is an attempt to connect with this foundational myth, a search for roots in a story of her family’s own making. The building itself comes to represent the alluring possibility of reinvention and belonging that America promises, particularly for the children of immigrants straddling two cultures. This invented lineage highlights the theme of The Subjective Nature of Memory, showing how families edit their pasts and create powerful fictions to survive. The skyscraper myth is thus an essential tool for identity construction, a source of pride and resilience against the inherited belief that they’re destined only for loss.

Basketball

Basketball is a symbol of connection, identity, and escape for the immigrant children at the heart of the novel. In the housing project of Drakenberg, the shared interest in the American sport provides a common ground where Jonas and the Mikkola sisters can forge an identity outside their complicated family dynamics and the cultural confusion of racial exclusion. The basketball court is a space where Ina, who often feels awkward and out of place due to her height, can be powerful and respected. Jonas notes that “it d[oes]n’t seem believable that a fifteen-year-old girl could be that tall and be that good at basketball” (38), showing how the court becomes a domain where she can transform her perceived weakness into a formidable strength. For the sisters and Jonas, the court is a sanctuary from the adult world of curses, instability, and parental absence.


Furthermore, basketball symbolizes a connection to a wider, inclusive culture. While navigating the pressures of being both Swedish and of Tunisian descent, the characters find a sense of belonging in a sport that has a global, modern identity. The games are a space of pure competition and camaraderie, temporarily freeing them from the weight of their inherited traumas and the feeling of being outsiders. Later, when Ina receives a scholarship to play in the US, basketball becomes a vehicle for escape and reinvention. The sport shows a meritocratic world where skill matters more than origin, offering a promise of belonging that is often denied to them elsewhere, thereby exploring The Challenges for Immigrant Children Straddling Two Cultures.

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