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Content Warning: The source material and guide feature depictions of graphic violence, child abuse, child death, suicidal ideation, self-harm, physical abuse, emotional abuse, sexual content, mental illness, illness, and death.
Although writing is often seen as an act of creation, Verity explores how writing can erode trust and destroy relationships by blurring the line between fiction and reality. Lowen and Verity’s shared status as authors positions them as foil characters and key figures in this theme. Hoover reveals how both writers possess the power to rewrite reality in positive and negative ways. Verity’s success as a writer built the house that she lived in with Jeremy and her children, but she later blamed that success for the disintegration of her relationship with Jeremy. She’s famous for creating “realistic, terrifying characters in [her] novels” (300), and her words ultimately convince Jeremy and Lowen that she is a cold-blooded villain like the ones in her thrillers. Through her “autobiography,” she constructs herself as a Medea figure who will murder her own children to stay close to her husband. Though this construction is a fictional exercise she uses to explore her own guilt and trauma over the deaths of her children, her words are so convincing to Lowen and Jeremy that they kill her because of them. Verity’s skillful blurring of the line between fiction and reality leads to her being demonized and destroyed like one of her fictional villains, giving the novel its central tragic irony.
Hoover uses Lowen’s character arc to offer another angle on the theme. Lowen begins the novel as a self-effacing and professionally stunted writer who refuses to step into her full potential. Lowen’s writing abilities allow her to dismantle Verity’s life one piece at a time and rewrite the Crawford family’s story with herself as the leading lady. She begins this process by becoming the author of Verity’s book series. By the end of the novel, Lowen is the mother to Verity’s child and the lover to her husband while Lowen casts Verity in the role of villain. From one angle, Lowen’s character arc is an example of growth and empowerment. From another, it is a nearly vampiric transformation, an example of a younger woman stepping into the life created by a successful older woman. Lowen slowly builds her new life by inserting herself into the shell left by Verity, and she takes the ultimate step into this new life by encouraging Jeremy to kill her. Through Lowen’s ascent and Verity’s tragic demise, Hoover explores how the written word can manipulate the line between fiction and reality.
In Verity, the three primary characters are locked in a web of desire, grief, and envy from which the only release is violence. Lowen and Jeremy’s romance sparks after a deadly accident, immediately establishing the novel’s link between violence and emotional release. Lowen also relies on violence to express her jealousy, fear, and anger toward Verity. After attempting to navigate the tense environment of the Crawfords’ Vermont home and succumbing to her desire for Verity’s husband, she menaces Verity with a knife. By the end of the novel, the seemingly caring, rational protagonist is complicit in the story’s most brutal act of violence, the murder of Verity.
Even Jeremy, a devoted husband and father, engages in acts of extreme violence that result in the injury and death of his wife. In the depths of despair and anger, Jeremy chokes Verity twice to express his unbridled emotions. His decision to kill his wife stems from powerful, pent-up emotions, especially his misguided sense of righteous outrage over his daughter’s death and his love for another woman.
Although Verity doesn’t engage in actual physical violence, she writes detailed, fictionalized accounts of attempts to murder her own children to seek release from her feelings of grief and guilt following the twins’ deaths. Verity creates a fictionalized version of herself that engages in dark and horrific behavior as a means of releasing the torrent of deep emotions she wades in after the death of her daughters. By constructing flawed but well-intentioned characters who seek an outlet for the onslaught of emotions that overwhelm them, Hoover argues that violence is innate to human nature.
All of Hoover’s characters carry with them a burden that hinders them from connecting in meaningful ways. The long-lasting effects of these traumas impact each character’s ability to communicate effectively and build strong relationships. Ultimately, the impact of trauma leads to both the novel’s central romance and tragedy.
Verity’s tragic downfall is intrinsically linked to her experience of trauma. Even though the sudden, back-to-back deaths of her twins were accidents, she blames herself. This is especially true of Harper’s drowning because Verity was present but unable to save her daughter. Verity attempts to process her grief and guilt by creating a fictionalized account of her family’s lives in which all their tragedies and traumas are the result of her villainous plots. While this is intended to be a therapeutic writing exercise, her own husband takes it for a true confession, showing how trauma can warp people’s understandings of one another. The devastating losses Verity and Jeremy experience drive them apart, and this distance ultimately leads to her death at his hands.
As the protagonist of the novel, Lowen is also deeply shaped by her painful history. She navigates the trauma of her mother’s recent death, her experiences as a caregiver in the last year of her mother’s life, and her ostracization as a child due to her sleepwalking. These experiences render Lowen detached from the world around her. She praises the anonymity of New York City as it offers her the ability to avoid connecting with those around her. She limits her success as a writer due to the fear of rejection she carries from childhood. This all changes when Lowen is forced to accept her new role as a co-writer for Verity. She is removed from her comfortable environment into the less crowded setting of Vermont, where she faces the direct consequences of her trauma responses.
The novel’s love story is founded on Lowen and Jeremy’s shared experiences as survivors of trauma. He understands her feelings of loss due to the deaths of his daughters, and the commonality in their experiences allows them to find refuge in each other. However, Hoover complicates the conventional narrative of love offering healing and redemption to those impacted by trauma. In this thriller, Lowen and Jeremy’s traumatic experiences damage their trust in others and darken their view of the world, making them more susceptible to mistaking Verity’s fictionalized “autobiography” for an authentic confession of guilt. As a result, Verity’s murder is a misguided attempt to avenge Harper’s traumatic death and claim connection after the isolation they’ve suffered. Hoover’s novel offers a cautionary tale about the far-reaching effects of trauma on individuals’ self-images, relationships with others, and even their sense of morality.



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By Colleen Hoover