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Content Warning: This section of the guide includes discussion of child death, graphic violence, and death.
Although Sage is reluctant to get out of bed, she is also somewhat optimistic about her day with Aunt Ini. They decide to have an adventure to make the most of a sunny spring day, despite the sadness they both feel. Aunt Ini laments that her tulips at Harlem Meer have not bloomed yet, speaking of the public garden as if it were her own.
Sage and Aunt Ini visit Chelsea Market, where they browse and people-watch. Sage admits to Aunt Ini that she constantly misses her friend. Aunt Ini offers a candid and comforting perspective on grief, telling the narrator that she will miss her friend for the rest of her life, but that the memories will eventually bring comfort as well as pain. She reveals that she still misses her own sister—Sage’s grandmother—every day, even 40 years after her death. Aunt Ini calls this lasting love “a beautiful thing” (41), which makes Sage reflect on the fact that she never knew her grandmother.
Returning to school on Monday is difficult for Sage. She finds it hard to walk the halls without her best friend and is pained by the reactions of her classmates; some she doesn’t know give her pitying looks, while those she does know avoid her gaze altogether. She recalls Ms. Carver explaining that grief can make people uncomfortable, even for Sage’s friends. Ms. Carver also advised her to be patient with herself and others, acknowledging that death is difficult for everyone.
By contrast, Ebony and DD treat Sage normally, inviting her to sit with them in the cafeteria. When Ebony asks about her weekend, Sage lies about staying home, having previously told Ebony she had fun plans. To deflect attention, Sage asks about DD’s weekend. DD explains that she was preparing for a memorial service for her brother, Nathan Morris, on the first anniversary of his murder. She matter-of-factly recounts how police officers killed Nathan during a traffic stop, mistaking his asthma inhaler for a gun. Sage considers the new, tragic vocabulary DD has been forced to learn.
Sage presents a list of words from her own new vocabulary, learned after her best friend’s death. The list reveals that the friend was killed in a hit-and-run, leading to legal terms like vehicular manslaughter. Sage also grapples with the vocabulary of the funeral and its aftermath, including words like cremation, wake, urn, and bereavement. The list concludes with the word “loss” repeated three times.
Sage recalls that she and her best friend “loved the ocean” and would spend a week every summer in Montauk (49). She remembers their last trip, when her friend, not wanting the day to end, begged to stay on the beach and wished she could stay there “forever.”
Sage reveals that her friend, who died at 12, was cremated. Her ashes were then put into the Atlantic Ocean. Sage reflects that it is now her friend’s “home” and Sage’s “new favorite place” (50).
In math class, Sage feels a sense of comfort and control. She loves the subject because it provides definite formulas and correct answers. This contrasts sharply with the unanswerable questions she has about the random, tragic nature of her best friend’s death.
This chapter provides definitions for two geometric terms. Parallel lines are defined as multiple lines that will never intersect, while a transversal line intersects other lines.
During a grief support group meeting, Ms. Carver asks the members to share a memory of their lost loved one. Ana talks about being with her twin sister during her final moments in hospice. Zay remembers his grandmother’s faith and how her last act resembled a wave goodbye. DD shares a funny memory of her brother’s ability to burp the alphabet. Ebony recalls her father surprising her with a trip to a burger joint. When it is Sage’s turn, she is overwhelmed by a flood of memories and begins to cry, unable to speak.
Sage reflects on her memories of her friend, which range from gentle and happy to overwhelming and destructive. She recalls not only the good times but also a period when they began to grow into different people, straining their friendship.
As they walk, Sage is lost in memories of her friend. DD observes that Sage seems to dislike the other girls in their grief group, Ana and Zay. Ebony agrees, joking about the intense way Sage looks at them by saying, “If looks could…” (60). She stops, intending to say the word “kill” but stopping herself.
This brief, parenthetical chapter consists of a single observation: Many phrases, like the one Ebony almost said, make light of death.
Sage responds to Ebony’s question, insisting that she likes Ana and Zay but noting that they don’t understand “how good they have it” because of the way their loved ones died (62).
At Morningside Park, the girls watch boys play basketball. A boy named Kofi makes a shot and winks in their direction. Ebony and DD tease Sage about him, encouraging her to embrace happiness alongside her sadness by quoting Ms. Carver’s advice to feel all emotions. They then convince a blushing Sage to go over and talk to him.
Sage reflects on Kofi’s comment that she hasn’t been to the park. She knows that it has been exactly “one month / and one week” since her friend’s death (66). She recognizes that it still feels like it just happened, as those around her continue as if nothing is wrong.
Sage wishes time would slow down. She fears that the more time passes, the more she will forget her friend. She also feels the growing expectation to return to normal life and resents the idea of making new memories without her.
Sage’s father reminds her that her “Fly Girl” pilot program is starting soon. Sage says she no longer wants to go. Her mother gets on the phone and insists, citing the cost and the benefit of a new routine. Her father encourages her by reminding her that being a pilot is her dream. Sage reluctantly agrees, admitting to herself that she still wants to go, just not yet.
Sage recalls a story their mother frequently tells about their infancy. When she would take Sage for walks in a stroller, Sage would become incredibly excited by planes or helicopters in the sky. Based on this behavior, the mother always tells Sage, “You were born to fly” (69), and expresses her firm belief that she will one day “soar.”
Sage attends the memorial for DD’s brother, Nathan, at the Adam Clayton Powell Plaza with her dad and Aunt Ini. Ebony and her mom stand next to them. The plaza is filled with people honoring Nathan. The speakers, including Nathan’s mother, focus on sharing positive and humorous memories of his life. There is no mention of his murder by police or of injustice; the event is solely a celebration of who he was.
Sage imagines the speech she would give at a memorial for her best friend. She would share memories of their adventures, like watching the sunrise from a rooftop and laughing after missing a bus. She would also recount how her friend, despite being terrified of roller coasters, always rode them at Coney Island just for her. Sage concludes that much of their friendship consisted of her friend doing things to make her happy.
Aunt Ini gives Sage her first example of what grief can look like across an entire lifetime, emphasizing his lasting presence but also giving Sage hope that she can survive with it. Rather than promising that Sage will eventually stop missing her friend, Aunt Ini admits that she still misses her own sister 40 years after her death. Chapter 31 catalogues the full life Aunt Ini has lived in those four decades—raising children, working, celebrating, and grieving—to underscore all the things Aunt Ini has done through her grief. Sage’s refrain, “and every day she got up / and every day she got up” (42), shifts the emphasis from overcoming grief to continuing alongside it. This develops the theme of The Nonlinear Nature of Grief beyond the emotional unpredictability established earlier: Grief may become less consuming without reaching a definite endpoint. Aunt Ini also expands Finding Community After Loss by offering Sage something her peers cannot—a compassionate, long-term perspective on grief. Ultimately, Aunt Ini introduces the idea that remembering someone and building a meaningful life without them are not mutually exclusive.
This idea is further emphasized through the sharing of stories within the grief group. Chapter 40, which places each girl’s memory beside the others without ranking them, begins to challenge the hierarchy of loss Sage created within the group. Their stories differ in tone and circumstance, ranging from final moments in hospice to funny memories of burgers and burping the alphabet. When Sage cannot speak because too many memories arrive at once, the group simply allows her to cry. The girls are in different stages of grief, yet they all built lives with and without their loved ones that they will slowly learn how to live.
Nathan’s later memorial further extends this emphasis on remembrance beyond the support group. Although he was killed by police, the speakers focus on his personality and the joy he brought to others rather than allowing the circumstances of his death to define the event. This prompts Sage to imagine what she would say at a memorial for her own friend, remembering simple moments of joy like taking the wrong bus or riding rides at Coney Island. Together, these scenes show her beginning to understand community as creating space for different ways of remembering the dead—rather than finding people whose grief exactly matches hers.
Watson also contrasts Sage’s desire for explanations with experiences that inherently resist explanation, an idea that is emphasized through the novel’s verse form and structural variations. This formal variety serves as a direct representation of Sage’s fractured, trauma-informed consciousness. Chapter 34 presents a stark, untitled list of words—“hit & run,” “cremation,” “bereavement,” “loss / loss / loss” (48)—that have been forced into her vocabulary, illustrating how tragedy imposes a new, clinical language on a child. At the same time, the repetition of “loss” at the list’s end exposes the limits of this new language: Sage can learn definitions for these words but knowing this does not explain why her friend died or help her cope with it. Conversely, math provides Sage with a comforting experience, as its rules produce definite answers. This makes the lesson on transversal and parallel lines especially significant; parallel lines never meet, while a transversal crosses other lines and changes the relationships among them. The geometry offers Sage a language of order and intersection that contrasts with the randomness of the hit-and-run. This use of form demonstrates the nonlinear nature of grief, as there is no equally neat formula for grief. Instead, the mathematical imagery emphasizes how strongly Sage wants patterns and explanations for events that cannot be made logical.
As Sage begins participating in life again, the theme of Coping With Survivor’s Guilt takes on a new form. Earlier, her guilt centered on responsibility for the accident. Now, she also feels uneasy about experiencing a future her friend cannot share. Flirting with Kofi briefly makes her happy, but the passage of time soon becomes threatening: Every new experience increases the distance between Sage’s present life and the memories she made with her friend. Her fear of forgetting explains why returning to her Fly Girl program feels more complicated than simply resuming an activity. Flying represents a dream that belongs specifically to Sage and therefore requires her to imagine a future of her own. Her mother’s reminder that she was “born to fly” reconnects Sage with an identity that existed before the accident (69). Importantly, Sage admits that she still wants to attend the program—“just not now, not yet” (69). Her hesitation shows her internal conflict beginning to shift, as the question becomes how to pursue a future without feeling that doing so leaves her friend behind.



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