Away

Megan E. Freeman
78 pages2-hour read
Fiction
Novel/Book in Verse
Middle Grade
Published in 2025

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Symbols & Motifs

Water

Water is an evolving symbol throughout Away, shifting from a background element of environmental distress to the central motive for the entire conspiracy. Initially, the narrative establishes water scarcity as a consistent pressure on Colorado life, with news reports discussing drought and wildfire as realities of daily life and Grandin’s family unable to save a cow from dying of dehydration. Water scarcity has always been a fact of life in the American West, and the novel posits a future in which climate change and population growth make the lack of water an ever greater problem. The revelation of a massive, criminal to steal Colorado’s water for California is reminiscent of the real-life “water wars” of the 1920s, when the Los Angeles Department of Water and Power, run by chief engineer William Mulholland, built a dam and aqueduct to siphon water from the Owens River Valley all the way to Los Angeles, more than 200 miles south. The project led to widespread desertification in the Owens Valley and the ruin of many local farms. Valley residents felt that their water had been stolen, leading to a years-long conflict in which activists repeatedly dynamited the dam.


In Away, the symbolic importance of water directly fuels the novel’s core themes, illustrating how a resource essential for life can be commodified to the point of justifying widespread deception and human suffering. The conspiracy to steal the Eldorado River is not just about profit; it is about seizing control of life itself. When the children finally piece the puzzle together, Grandin’s declaration, “Water. That’s what’s more valuable than oil or gas. This whole charade is over water” (306), marks the climax of their investigation. This realization reframes the government’s narrative of a chemical “contamination” as a cruel irony, a lie designed to mask the theft of the purest, most vital element. Ultimately, the symbol of water elevates the stakes of the children’s fight, transforming their quest for truth into a battle to protect the foundational source of life for their entire region from institutional greed.

The Wizard of Oz

The Wizard of Oz is a recurring literary motif that provides the novel’s primary framework for understanding displacement, community, and the nature of power. This intertextual lens is established early, when Teddy remarks during the chaotic evacuation, “We’re off to see the Wizard” (64), immediately casting their journey as a quest into a strange and deceptive new world. The children’s found family mirrors the alliance of Dorothy and her companions, highlighting the theme of Community as a Source of Resilience. Their secret headquarters, a dilapidated green hut, is named the “Emerald City” (155), a symbolic destination where truths are sought: The children retreat to their Emerald City to uncover the conspiracy behind the false narrative of contagion, just as Dorothy and her friends uncover the ordinary man behind the supposedly all-powerful Wizard of Oz. The motif’s most significant function, however, is to shape the central conflict around Coming of Age as Learning to Question Authority. The children’s mission evolves into a quest to expose the powerful figures orchestrating the deception. Teddy makes this parallel explicit, stating that “no one questioned the Wizard of Oz either, until Dorothy showed up and pulled back the curtain” (294). This comparison solidifies their investigation as a moral imperative to dismantle a corrupt system built on lies, showing that the path home requires not magic, but the courage to confront and reveal the Wizard.

The Camp Rogers Gazette

The Camp Rogers Gazette is a symbol representing the power of a free press and the children’s agency in a world designed to render them helpless. As a self-published zine, it is their primary weapon against the state-sponsored misinformation that keeps the camp’s adult population passive and compliant. The Gazette directly embodies The Power of a Free Press in Combatting Disinformation through citizen journalism. Harmony, inspired by historical muckrakers, recognizes that creating their own media is an essential act of resistance. Her declaration, “That’s why we’re going to publish this zine! The truth will set us free” (211), underscores the group’s belief that disseminating truth is a liberatory act. By documenting camp life and, eventually, the details of their investigation, they build a platform and a readership, countering the official narrative one story at a time. The physical zine, printed on an old copier in their secret “Emerald City” headquarters, is a tangible symbol of their defiance. Ultimately, the Gazette transcends its role as a camp newsletter to become the linchpin in the novel’s climax. The bright orange newspapers, held up by residents in the supposedly “uninhabitable zones,” provide the undeniable, date-stamped proof needed to expose the conspiracy, proving that a small, independent publication can indeed be a powerful tool for holding authority accountable.

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