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Content Warning: This section of the guide includes discussion of graphic violence, sexual violence, rape, physical abuse, emotional abuse, animal cruelty, animal death, sexual content, and cursing.
Steven returns to the plant’s slaughter room to find Cripps waiting alone with a cow. After Steven non-lethally wounds the animal with a boltgun, Cripps cuts off the top of its head and performs a sexual act with its brain. Afterward, a group of 10 cows emerges from the darkness and surrounds them. Cripps urges Steven to shoot the animals, but Steven instead shoots Cripps in the knee, revealing his allegiance with the cows. He tells Cripps that he needs a more significant kill than Gummy or his mother to maintain his sense of power and that the cows want revenge.
The cows, led by the Guernsey, take the captive Cripps through ventilation ducts to their underground chamber. In front of the entire assembled herd, Steven stakes Cripps to the ground. Cripps, far from being afraid, expresses pride, seeing Steven’s actions as the ultimate fulfillment of the philosophy of self-actualization through violence that he taught him. Steven then systematically tortures Cripps to death with an electric flensing knife. The act restores Steven’s confidence and feeling of control. Afterward, the entire herd—except for the Guernsey—kneels and bows to him. As the Guernsey leads Steven back to a storm drain exit, it warns him that the herd now reveres him and will summon him again. However, Steven is unconcerned, worried only about returning home.
For a time, Steven’s life with Lucy is peaceful and orderly, mirroring the domestic ideal he sees on television. However, he grows to despise his menial job at the meat plant, feeling it is beneath a man capable of murder. When his rage becomes unbearable, the Guernsey reappears and takes him back to the underground chamber. The Guernsey explains that the herd is now lost and anxious; having spent so long hating Cripps, his death has removed their sense of identity. They now expend their energy in chaotic, circular stampedes.
In the chamber, the herd is in a violent frenzy around Cripps’s skeleton. When they see Steven, they stop, and he addresses them from the Guernsey’s back. He tells them they have become “urban cows” who can no longer be satisfied with old pastoral dreams. He claims he can lead them and show them how to embrace their new, aggressive nature. His words spark another frenzy. The Guernsey, who has remained apart, tells Steven it “evolved faster” than the others and knew this would happen. It reveals its own ambition for power and demands to know what Steven wants in return for his leadership. Steven admits he wants money to quit his job and build a perfect TV-style life with Lucy. The herd, having calmed down, accepts Steven as their leader.
When Steven returns home, he finds Lucy washing clothes. She has become absorbed in domestic chores to distract herself from her inner turmoil and has isolated herself in their home, terrified by the pain she perceives in other people. She tells Steven she felt the baby move, and he is overjoyed, seeing the child as a key piece of his idealized family. However, Lucy is despondent, telling him that their attempt to create a normal life is failing. She believes a “poison” is building inside her and that parents inevitably destroy their children.
Steven tries to reassure her, insisting their love and protected home will heal her, but he feels a tremor of doubt. That night, Lucy questions what will happen when their life becomes routine, suggesting that “just living” will not be enough for them in the long run. Steven lies awake, planning how he will use the cows to finance his future. The next morning, he leaves to meet the Guernsey.
Steven meets the Guernsey, who has a plan for a robbery. They will raid a construction site’s payroll office, located in a Portakabin in a deserted skyscraper basement accessible via a tunnel. The Guernsey makes it clear that this is a temporary arrangement until Steven has enough money, as the herd must ultimately be led by a cow.
In the main chamber, the herd is tense and ready. Steven leads them on a high-speed run through the tunnels to the skyscraper. He unleashes the herd, which stampedes out of the tunnel and smashes through the Portakabin, killing two men inside instantly. A third man escapes the wreckage and runs for a staircase. Steven, feeling a primal certainty, chases him down and begins to kill him with his bare hands. Before he can finish, the Guernsey intervenes and crushes the man’s skull with its hoof, stealing the kill. Steven is furious, but the Guernsey claims it was just “helping.” They find a cash box in the rubble, and Steven takes the money. The herd, exultant in its newfound power, celebrates by trampling the bodies.
Back in the chamber, Steven watches the cows celebrate their violent victory. He addresses the grateful herd, promising to take lead them to a new version of themselves. He thinks of the Sunday sermons he sees on TV and the praise Jesus gets, comparing it to his own. In response, the cows lick him affectionately, and a small roan female presents herself to him. Understanding this is a gift to seal their pact, Steven has sex with her in front of the cheering herd.
Afterward, the Guernsey, which remained aloof during the event, carries Steven out of the chamber. On the ride back, Steven feels plotted against. He worries that Lucy’s instability and the Guernsey’s ambition are twin threats to the perfect life he is building. He fears Lucy will become dysfunctional and destroy his home life, while the Guernsey will move to seize control of the herd before he has acquired enough money. Overwhelmed by anger and fear, Steven recognizes that both the cow and his partner could ruin everything.
Steven returns home to find Lucy naked from the waist down, having used an endoscope on herself. She tells him that the “poison” inside her is still growing and that their attempts to pretend things are good with each other is not working. Steven, terrified, insists their life is perfect and throws the stolen money on the bed, promising to get more so they will never have to go outside again. He pleads with her to believe that the baby will make them a happy, normal family.
Seeing her weakness, Steven’s panic turns to confidence; he realizes she is too dependent on the life he has constructed for her to ever leave. That night, she tells him that true happiness is impossible for people like them and that the only solution is to “cut out” the poison. Later, Steven wakes to find her watching graphic surgical videos on TV.
Feeling his money will not last forever, Steven returns to the underground tunnels. The main chamber is now clean and orderly, with a mound of earth at one end serving as a throne. The Guernsey is on the mound with the roan female, presiding over the calm herd. The Guernsey reveals that in Steven’s absence, the herd needed more action, so it led them on another raid, killing a group of sewer engineers.
As the herd begins to chant Steven’s name, his confidence returns. The Guernsey, seeing its own authority challenged, reveals a plan for the next raid: An underground train station. It mocks Steven, saying the cows need violence, not money. Steven agrees to the plan and, to the herd’s delight, announces he has returned to lead them. He mounts the Guernsey and leads the charge to the station.
At the station, Steven ignores the Guernsey’s tactical plan and orders an immediate, chaotic assault. The herd plows into the dozen or so people on the platform, crushing them against a wall. During the impact, Steven holds a woman’s head and crushes it, killing her. The act recharges him.
Afterward, Steven encourages the herd to smear themselves with the blood and remains of the dead. The Guernsey warns Steven that he is becoming like Cripps and that the herd will eventually turn on him. It then calls the herd away, refusing to carry Steven back. However, the roan female offers to carry him instead. He makes her wait behind with him while he collects pieces of human flesh in a makeshift sack, then quickly rides her out of the tunnel, away from an oncoming train.
Cripps’s death at Steven’s hands cements the transfer of his monstrous ideology. Before his ritualistic murder, Cripps declares, “You are my proof. When a man is truly free he is capable of anything that serves him” (130). Cripps interprets his murder as proof that his teachings have succeeded, ironically underscoring the fact that even in killing his mentor, Steven remains governed by the worldview that Cripps taught him. The act itself, a slow, systematic torture with a flensing knife performed as a public ceremony for the cow herd is a public ceremony that allows Steven to change from apprentice to messianic leader. For him, the killing is a necessary transaction to restore the sense of control he lost after murdering his mother. This gory spectacle provides a stark illustration of Cruelty and Violence as Futile Attempts Toward Agency; the power Steven gains is a fleeting high that requires increasingly extreme acts of violence to maintain. The herd kneeling before him confirms his change, but his new identity is now inseparable from the violence through which he obtained it.
While Steven consolidates his power underground, his domestic life with Lucy disintegrates, revealing the fissures in his idealized vision of normality. Lucy’s assertion that “it isn’t going to work” (159) directly challenges the fragile world Steven has built. Her secret use of an endoscope to explore her own body is a desperate, invasive act of self-diagnosis, externalizing the internal “poison” she feels is consuming her. This stands in sharp contrast to Steven’s efforts to create a perfect, clean home, a project funded by robbery and murder. His belief that money and a child can sanitize their lives and make them like the families on television exposes the core delusion of The Illusion of the American Dream: He continues to mistake the outward components of happiness for happiness itself. Lucy’s conclusion that for people like them, the only solution is to “cut it out” (161), said with her watching graphic surgery videos, creates a dark inversion of the television imagery associated with Steven’s fantasy. Where Steven looks to screens for images of an ideal external life, Lucy uses them to search for a way to repair what she believes is internally corrupted.
The raids on the construction site and the underground station mark the violent fulfillment of the new creed Steven preaches to the cows. These massacres are brutal rituals intended to forge a new identity for the herd as “urban cows” who thrive on aggression. For Steven, the attack on the station shows how he has assumed the role once occupied by Cripps. Where Cripps initiated him into violence as a method of self-realization, Steven now teaches the cows to discover their supposed potential through domination. His decision to ignore the Guernsey’s tactical plan in favor of a chaotic, headlong charge emphasizes his growing embrace of instinct over reason. His own participation leaves him “recharged by murder” (174), again reducing violence to a temporary source of psychological energy. The herd’s subsequent immersion in the blood and gore of the physical aftermath of the attack is a grotesque baptism, sealing their transformation.
As a key work of transgressive fiction, the novel uses this escalation to chart its protagonist’s horrifying self-actualization. Transgressive fiction (see: Background) often follows alienated characters who violate social and moral boundaries in attempts to rebel against forces that constrain them, and Steven increasingly treats taboo acts as a means of defining himself outside the world that has rendered him powerless. His progression from victim to perpetrator initially appears to fulfill this promise, as violence allows him to reject the identities imposed upon him and experience himself as powerful rather than passive. However, this moment complicates the liberating potential of transgression by showing Steven reproduce the structures he rebels against. Having escaped the Hagbeast’s domination and Cripps’ authority, he now establishes his own system of control over the herd. His rebellion against powerlessness is achieved through the total abandonment of empathy and morality, creating a new, more monstrous form of entrapment. The freedom he seeks becomes inseparable from his need to dominate others and continually reaffirm his power through violence.
The cow herd, which once offered Steven the opportunity to end Cripps’s violence, now begins to replicate the hierarchies and power struggles of the human world. This is shown through the immediate political rivalry with the Guernsey. The Guernsey’s act of “stealing the kill” (153) at the construction site challenges Steven’s authority, while its later creation of a throne-like mound reveals its own ambitions within the herd. The Guernsey’s mocking dismissal of Steven’s need for money—“We don’t need money, man. Are you blind? We’re fucking cows” (170)—exposes the fundamental conflict in their goals. Steven partially uses the herd as a means to a materialistic, human end, while the Guernsey seeks to shape the cows’ future around its own interests. The final break, when the Guernsey abandons Steven at the train station, solidifies their conflict, foreshadowing the setting of the underground tunnels as a site where two opposing forms of leadership are poised for a violent confrontation.



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