Daughters of the Sun and Moon

Lisa See

Daughters of the Sun and Moon

Lisa See
55 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, death, rape, sexual violence, child sexual abuse, child abuse, physical abuse, emotional abuse, racism, gender discrimination, and pregnancy loss.

Part 3: “January-August 1871 and From 1926”

Part 3, Chapter 23 Summary: “Moon: Remembering”

In 1926, Moon names three items she wants buried with her: her former dog Winter Melon’s collar, an embroidery made by Dove, and her wedding ring. She remembers 1871, recalling the escalating anti-Chinese sentiment following the completion of the transcontinental railroad. She notes the legal acts that restricted Chinese immigration, like the Page Act and the later Chinese Exclusion Act, and the 1873 Supreme Court decision that denied Chinese people constitutional protections. She states that, of the 34 Chinese women in Los Angeles, none had come by choice—about half were trafficked into sexual exploitation, and the others were sold by their parents to unknown husbands. She also remembers her husband Gene’s white patient, Mrs. Grascy, and her son, whose disrespect highlighted the growing chasm between white and Chinese women. Moon concludes that despite being unwanted, Chinese women learned how to persist and endure.

Part 3, Chapter 24 Summary: “Dove: A Maiden of Ancient Times”

In January 1871, during a rainy spell, Dove crosses the muddy Calle de los Negros to get to her husband’s shop, which is a challenge because of her bound feet and the necessity for her to look perfect. She secretly collects coins dropped by customers. 


Tensions are rising between the Nin Yung Tong, led by Headman Sam, and the Hong Chow Tong, led by Headman Yo, after Sam raised rents on Hong Chow affiliates. The conflict erupts into a public brawl between the two tongs. Dove watches from the shop, where she’s maintaining a punitive silence toward Old Man Sing, who slapped her the previous night, citing jealousy.

Part 3, Chapter 25 Summary: “Moon: Remembering”

In 1926, Moon recalls the Chinese New Year party on February 19, 1871, hosted by Old Man Sing. A rare social occasion where wives were invited, Moon attended with Gene and Winter Melon. Headman Sam arrived with four women from his brothel: Orchid, Lily, Peony, and Petal. Dove welcomed Petal to sit with her—breaking Chinese social taboos between wives and non-wives—and slipped something to her. Ah Mouie, a laundryman’s wife, also encouraged all the women to socialize together. Headman Yo and his wife, Silver Shimmer, arrived uninvited. To avert a conflict, Moon befriended Silver Shimmer. The women playfully compared Moon, Dove, Petal, and Silver Shimmer to the Four Great Beauties of Chinese lore. Their husbands joined in with poetic praise, diffusing the tension. After hearing his words, Moon felt that she understood better why Gene loved her.

Part 3, Chapter 26 Summary: “Petal: A Moment of Euphoria”

In early March 1871, Petal tends to Lily, who’s dying of tuberculosis, at the Midnight Garden. Petal saves tips to pay for her brother Ah Loo’s passage from China. She has also been secretly growing medicinal herbs for Gene on her windowsill. After a successful exchange of a radish for more seeds, she’s confronted by Auntie Fong. Expecting punishment, Petal is surprised when Auntie Fong offers to help Petal cultivate the plants in a sunnier location in exchange for a share of the profits, as she also hopes to buy her own freedom.

Part 3, Chapter 27 Summary: “Dove: White as a Bowl of Milk”

On March 7, 1871, Dove is abducted by Three-Finger Lee. He takes her to a justice of the peace and, using a marriage license and an interpreter who deliberately mistranslates, forces her to marry him. Old Man Sing files legal complaints, and Headman Sam offers a bounty of $100 to any policeman who finds Dove. The police soon locate her, and she’s rescued. Before another magistrate, Moon translates for Dove as she identifies Sing as her husband and personally vouches for the marriage, influencing the judge to return Dove to him. A courtroom brawl follows, and Headman Yo’s men kidnap Dove a second time, before the police rescue her again. Fearing for their safety, Sing and Dove accept Moon and Gene’s offer to stay in their apartment.

Part 3, Chapter 28 Summary: “Moon: Remembering”

In 1926, Moon recalls her conversation with Dove following the abduction. Dove confirmed that she wasn’t raped but was furious that her husband seemed more concerned with his reputation than with her suffering. In the middle of the night, the police arrived with a writ of habeas corpus obtained by Three-Finger Lee and took Dove to District Judge Morrison’s courtroom. Moon and Gene, arriving on foot, were blocked at the door by armed policemen on Headman Yo’s payroll. Old Man Sing, searching for his lawyer, was also absent when the judge, after being shown the American marriage certificate, awarded custody of Dove to Lee.

Part 3, Chapter 29 Summary: “Dove: A Hummingbird’s Song”

From March 8 to April 11, 1871, Dove is held captive in a well-appointed room in a house near Poundcake Hill. Headman Yo’s wife, Silver Shimmer, explains the situation: Because the couple have no children, Dove will be raped by Yo to bear a son. If she succeeds, she can return home in 40 weeks. Yo had first tried to acquire Petal for this purpose. That night, Yo rapes Dove. Afterward, Dove realizes that she’s already pregnant with Old Man Sing’s child, a development that terrifies her and complicates her imprisonment.

Part 3, Chapter 30 Summary: “Petal: A Dream Walking”

Petal comforts Lily on her deathbed. Lily asks Petal to send her savings home and ensure that she’s buried with her pouch of home-village soil. A few hours after Petal returns to her room, Headman Sam’s men drag Lily’s still-living body away. When undressing at night, Petal discovers that she has signs of syphilis. 


The next morning, the household is thrown into chaos upon discovering that Orchid has run away. Gene arrives and uses the situation to propose a deal to the furious Headman Sam. Citing the death of Lily, the escape of Orchid (whom he reveals is pregnant), and Peony’s visible illness, he offers to provide medical care for all the women. In exchange, he asks that Petal be allowed to grow medicinal herbs for him on a nearby plot of land he has rented. To guarantee that Petal will not escape, Gene shows a letter from her family. It reports that Petal’s sister has died, that her mother is dying, and that her brother is coming to Los Angeles. Convinced that Petal will wait for her brother, Sam agrees. Petal is left to process the news.

Part 3, Chapter 31 Summary: “Dove: A Yoke of Bells and Ribbons”

Four weeks into her captivity, Silver Shimmer confirms that Dove is pregnant. Believing the child to be Headman Yo’s, she improves Dove’s conditions until, 11 weeks into captivity and roughly 17 weeks pregnant, Dove suffers a miscarriage. Dove’s guard, Three-Finger Lee, tends to her with unexpected gentleness. He reveals that his own wife died after miscarrying, creating a moment of connection. The loss plunges Dove into despair, as she realizes that Yo will try to impregnate her again. Observing Lee’s growing affection for her, Dove considers whether she can use it to her advantage. 


Over the following months, Dove retreats into the fantasy world of the elaborate embroidery scenes she sees on her wall. She asks Three-Finger Lee for embroidery supplies, convincing him to visit her friend Petal at the Midnight Garden brothel to get thread. Lee agrees and heads to the brothel.

Part 3 Analysis

The Chinese New Year party hosted by Old Man Sing is an important scene in which numerous women characters converge and socialize across the rigid social lines separating wives from those trafficked into sex work. At the party, the laundryman’s wife, Ah Mouie, explicitly rejects these traditional taboos, declaring, “We’re all women. We don’t have to follow the ways of a grand compound back home” (183). Her call for unity, along with Dove’s gracious welcome of Petal and Moon’s diplomatic engagement with Silver Shimmer, demonstrates the theme of Survival Through Female Solidarity. These social alliances are practical and life sustaining. Dove later discreetly slips Petal money, Auntie Fong partners with Petal in her medicinal herb business for mutual profit, and Petal promises to safeguard the savings of the dying Lily. Moon’s 1926 narration frames this commonality within a broader historical context, noting that the 1873 Supreme Court decision formally denied constitutional protections to Chinese people. She notes that “not one of the thirty-four Chinese women in Los Angeles came here by choice” (172). These female relationships form an essential support network in a world where husbands, tongs, and the law present a threat to female welfare rather than protection. This solidarity is a form of resistance, creating a shared community of experience and mutual aid that allows the women to endure systemic violence and exploitation.


Petal’s secret cultivation of herbs on her windowsill develops the symbol of the medicinal garden, which represents her tenacious will to heal and create life in a destructive environment. In this section, the garden expands in scope and meaning when Gene negotiates with Headman Sam for a proper plot of land, increasing Petal’s freedoms and underpinning the theme of The Assertion of Chinese Women’s Humanity. The garden becomes a place of economic self-determination, as seen in her partnership with Auntie Fong, and for communal cultural memory. When Auntie Fong suggests adding the soil from the pouches of women who have died at the Midnight Garden, the plants become living memorials, allowing the lost women to “have a chance to live again” (218). The garden acts as a conceptual counterpoint to the symptoms of syphilis that Petal notices, symbolizing wellness, a future she can nurture, and a possible method of treatment for herself and others.


The narrative continues to explore The Commodification of Female Beauty. Old Man Sing initially displays Dove in his shop window like a prized possession, and this visibility makes her a target for the rival tong. Her abduction is explicitly a dispute over a beautiful “object,” reducing her to a marker of male wealth and power. Sing’s increased control and cruelty to her following the first abduction help the book critique acts of victim-blaming, in which shame attaches to the (female) victim of sexualized crime. The second abduction develops the book’s patterning of events in which a woman’s perceived aesthetic value makes her a target for male ownership and control. Dove’s subsequent imprisonment and rape by Headman Yo are the ultimate expression of this commodification, as her body is treated as a reproductive instrument, valued only for its potential to produce a son. Dove’s retreat into fantasy and her encouragement of Three-Finger Lee’s affection to acquire embroidery materials are presented as survivalism: an attempt to reclaim an inner life within a reality that has stripped her of all external agency.

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