Daughters of the Sun and Moon

Lisa See

Daughters of the Sun and Moon

Lisa See
55 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of illness, sexual violence, physical abuse, emotional abuse, and gender discrimination.

The Medicinal Garden

The medicinal garden is a recurring symbol of healing, resilience, and female agency. Initially just a few tin cans on Petal’s windowsill in the Midnight Garden, the garden is a small but defiant act. It reverses the image of the brothel’s name, whose “flowers” are trafficked women surviving captivity and exploitation. The increase of Petal’s garden in size and success mirrors the increasing collaboration between the women and their growing hopes for freedom. For Petal, a farmer’s daughter with the “gift of growing” (10), the garden is a way to reclaim her identity and assert her intrinsic value as opposed to her commodification. It begins as a clandestine collaboration with Gene, who sees that “Petal has an affinity with the earth, sun, and water” (223). This recognition of her skill offers Petal her first real opportunity in the US, transforming her knowledge into an essential asset. The garden symbolizes the women’s tenacious will to survive and create meaning, even within the confines of captivity.


After the massacre, the garden becomes the foundation of a new life for the three women, supporting and paralleling the women’s growing independence. It becomes the practical center of their household, providing the herbs for Moon’s apothecary and generating income that allows them to support their children. This enterprise is a powerful manifestation of Survival Through Female Solidarity, as Petal’s agricultural knowledge, Moon’s medical expertise, and Dove’s domestic labor combine to create a self-sufficient and healing community. Through the plants she grows, Petal is able to manage the long-term symptoms of syphilis, making the garden a direct means of reclamation and renewal against the effects of her traumatic past. The garden is a symbol of rootedness and hope, representing the women’s ability to cultivate a future for themselves and their descendants from the blood-soaked soil of Los Angeles.

Blood

Blood is one of the novel’s most insistent motifs, threading together violence, kinship, and reckoning. It appears in the bodily costs exacted on the women of the Midnight Garden—the blood of childbirth, beatings, and the medical procedures Gene performs—and reaches its apex in the massacre, when the streets of Los Angeles become blood-soaked soil. In these moments, blood indicts a city and a country that profit from Chinese labor while treating Chinese lives as expendable, insisting that the violence cannot be washed away or narrated into invisibility.


Blood also signifies femininity and family, aligning with the theme of Survival Through Female Solidarity. The novel details the women’s experiences of their menstrual cycles, especially as a means to track potential pregnancy, a biological function that largely defines their role and status in the traditional Chinese communities in which they live. After they escape this life, the symbol evolves through the children born to Moon and Dove, with their “bloodline” signifying that their household stands outside the normal patrilineal family structures of and authority.

The Moon

The moon is a motif in the novel that draws on its traditional Chinese meanings of femininity, harmony, reunion, and the passing of time. Referenced in the novel’s title, the moon’s centrality is shown by See’s choice of it as Moon’s name in English, a direct translation of the character’s Chinese name, Yue. See’s choice of name is deliberate and fictional, as Dr. Tong’s historical wife was named Tong Yu. In naming her character “Moon,” See emphasizes her position as the women’s informal leader and the matriarch of the alternative family that they create in the novel’s last chapters. 


The novel invokes the moon motif in moments significant to the women’s identity, such as the Moon Festival, when the trafficked women are given traditional mooncakes by Auntie Fong and some clients. The mooncakes create an intense cultural connection for these women dislocated from their past lives and also provide an opportunity for them to “honor the Moon Lady and hope she would answer [their] most secret wishes” (112), foreshadowing Petal’s eventual escape. The name of Petal’s home village, Moon Pond Village, strengthens this meaning.

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