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Content Warning: This section of the guide includes discussion of illness and cursing.
Six days after breaking up with Stewart, Dolly learns from Izzy that Stewart has secretly paid for the sleeping porch’s renovation as a surprise. To avoid the memories of Stewart in the house, Dolly spends the rest of the summer sleeping in her childhood bedroom. Back in her Boston apartment, she trims her hair and confesses to her friends Layla and Kim that the breakup is a “code red,” but she plans to simply get over it.
In November, the family returns to Whitfield for Thanksgiving. Dolly sees the completed sleeping porch for the first time, and its copper fasteners remind her of Stewart’s kitchen. Gus asks for permission to contact Stewart, who is a yacht club member, to sponsor him for a sailing race. Though heartbroken, Dolly agrees, certain that Stewart will respond to Gus.
During Thanksgiving, Patsy reveals she is in therapy partly because of their difficult family dynamic. She confronts Dolly, explaining that Dolly is trapped in a self-imposed “fix-it-all” role and resents Patsy. Dolly admits it is true, confessing that her need to be a caretaker began as a way to feel safe from their mother’s emotional instability before she abandoned them.
Later, Patsy mentions seeing Busy in town. This prompts Dolly to tell Patsy the entire story of her relationship and painful breakup with Stewart. Inspired by her honest conversation with Patsy, Dolly tells Gus on the drive home that she wants to move back to Whitfield full-time. Gus is ecstatic and talks about joining the school hockey team and helping turn the family fish house into an “empire.”
Dolly and Gus move to Whitfield in December. On New Year’s Day, Gus becomes ill and develops a fever. His condition worsens overnight, and in the middle of the night Dolly rushes him to the emergency room. While waiting, she is overcome with a deep rage toward her mother for abandoning her children. The attending physician is Stewart’s mother, who quickly diagnoses Gus with meningitis and has him admitted for treatment.
Dolly’s father arrives at the hospital, and she tells him about her anger toward her mother. He concedes that he let her mother leave too easily and regrets relying so heavily on Dolly afterward. The experience solidifies Dolly’s resolve to stop letting people treat her poorly without consequence. Gus recovers, and a week later, Dolly texts Victoria for medical advice about his joint pain. Victoria suggests Gatorade.
Victoria invites Dolly to the Whitfield estate for tea. She mentions that Henry has retired, which is why they are living in Whitfield year-round. Victoria has increased her ER and clinic hours. Victoria also reveals that Grant has been appointed CEO of the family company for a yearlong trial period. She explains that her son “crossed a line” by bringing Dolly to the Kramer dinner, which led to accusations of fraud against him. As a result, the board could not immediately hire Stewart, though they want to give him a second chance. Dolly remarks that she never believed Stewart truly wanted the CEO position.
Victoria admits she knew their relationship was initially fake because Stewart doesn’t know how to change a tire, but she says she quickly saw that their connection was real. Dolly confesses how deeply Stewart’s disappearance and his decision to have a messenger deliver the check from hurt her. She tells Victoria she wants to yell at Stewart, and Victoria fully supports the idea.
Accompanied by Naomi, Dolly drives to Boston to confront Stewart at his office. After a tense elevator ride, they are shown into his office. Dolly tells Stewart that he broke her heart, that sending a check was an “asshole” move, and that she will no longer make his behavior okay for him. She calls him a “liar” and “pathetic” for destroying the “good, rare thing” they had (331). She accuses him of working himself to death for a job he doesn’t even want and tells him, “Get your shit together” (332). As they leave, Naomi reminds her to leave nothing unsaid, so Dolly turns back to politely thank him for the sleeping porch renovation.
Once they are out of Boston, Dolly feels as if she has put down a heavy burden. Back in Whitfield, Dolly begins selling baked goods at the fish house despite her father’s quiet disapproval. One day, Victoria tells her that Stewart is in therapy and trying to change. When Victoria asks if she would give him another chance, Dolly insists it is up to Stewart to reach out.
On the first Saturday of June, Stewart texts and then appears at her sleeping porch, where he apologizes and explains he had an identity crisis after losing the CEO promotion. Dolly is surprised to learn that Stewart and Gus have been texting for months, bonding over sailing and baseball. Stewart declares he loves Dolly and wants to be with her. She admits she still loves him and cautiously agrees to try again, telling him she needs to know he is serious and not just “stopping by.” Stewart assures her he is.
The next morning, Stewart arrives at the Bricks’ house with flowers to apologize to the family. He asks Gus, Christopher, and Freddie if it’s okay for him to see Dolly again, and Gus agrees on a “trial basis.” Sixteen days later, the Whitfield and Brick families take a trip to Nantucket on the family’s largest yacht, Savannah, which was Stewart’s grandfather’s. Stewart is clearly nervous skippering the large vessel but eventually calls someone else to take the helm so he can relax with Dolly. He jokes, “If we survive this trip, you have to stay with me forever” (351).
A year later, Stewart has restructured his role at the company and now runs a smaller preservation division from Whitfield. Dolly’s bakery counter at the fish house is a success. Christopher accidentally reveals that Stewart has asked him, Gus, and their father for permission for a surprise. The next day, Stewart finds Dolly in the vegetable garden at Eight Oaks. He tells her how she changed his life and proposes with his great-grandmother’s antique ring.
Dolly happily accepts but decides to keep her last name, a decision Stewart supports. He then asks for her permission to formally adopt Gus, adding that he has seen a lawyer and could set up a trust for Gus even without adoption. Dolly dismisses the need for a trust and agrees to the adoption, saying Gus deserves a father like him. She reflects on how loving Stewart has taught her to accept help and be vulnerable, and she finally feels at home with herself, “Dolly all the time” (360).
In the novel’s final act, Dolly undergoes an emotional transformation in which she seeks freedom from The Burden of Caretaking. When Patsy addresses her sister’s compulsive need to perform a “fix-it-all role,” the conversation illuminates for Dolly that her lifelong identity as a caretaker is a deeply ingrained defense mechanism she adopted to create a sense of safety after her mother’s abandonment. This painful self-awareness empowers her to break this pattern, culminating in the decisive confrontation with Stewart in his Boston office. She refuses to let him off the hook, labeling his detached, transactional breakup an “asshole” move and declaring, “I’m not going to make that okay for you” (331). This moment signals a major shift from her past self, who would have instinctively managed the conflict to preserve harmony. Her unvarnished assessment that he is a “liar” and “pathetic” for destroying what they had asserts her emotions rather than protecting his feelings. Afterward, she experiences the physical sensation of having put down “something heavy,” completing Dolly’s liberation from The Burden of Caretaking. The section’s structure argues that she can only fulfill her own needs after she relinquishes the role of being the designated fixer of everyone else’s problems.
Gus’s emergency hospitalization also advances Dolly’s growth by forcing her to confront her ingrained self-reliance and unearth long-buried family trauma. Her fear for her son ignites “the deepest, ugliest rage” toward her mother (315), a cathartic eruption of anger that her habit of “sweeping up and making do” had suppressed for decades (316). This crisis compels her to violate her foundational principle of self-sufficiency by calling her father for help, a key moment that illustrates The Importance of Accepting Love and Support. The ensuing conversation, in which her father admits his own fault in leaning too heavily on her, validates her experience and begins to mend a generational wound. Furthermore, the emergency recasts Victoria as a compassionate ally rather than a class adversary. This dismantles the social distance between them, replacing it with mutual respect and demonstrating Dolly’s growing ability to build a support network that extends beyond her immediate family.
Throughout these chapters, key physical spaces evolve from sites of pain and division into places of healing and unity. The newly finished sleeping porch initially is a painful emblem of a lost future, its copper fasteners a constant reminder of Stewart’s kitchen and a “visible proof that Stewart […] loved [her]” (302). It is a space so saturated with grief that Dolly must retreat to her childhood bedroom. However, the sleeping porch transforms when it becomes the location of Stewart’s apology and their reconciliation, shifting its meaning from a monument to their breakup into a sanctuary for a new beginning. Similarly, the vegetable garden at Eight Oaks, once a clear marker of class difference on the Whitfield estate and only accessed by employees, is redefined as the intimate setting for Stewart’s proposal. This narrative choice signifies the complete dissolution of their initial, unequal power dynamic, transforming a space of labor into one of shared, personal history.
The novel’s resolution dismantles the social and emotional barriers that perpetuated The Harmful Consequences of Class Division. By relinquishing the CEO title and establishing a smaller, preservation-focused business in Whitfield, Stewart rejects the all-consuming corporate identity tied to his family’s Gilded Age legacy. In parallel, Dolly establishes her own economic and creative autonomy through the success of her bakery counter at the Brick Fish House. Her decision to keep her last name after their engagement, which Stewart immediately supports, confirms their union is a partnership of equals, not an absorption of Dolly into the Whitfield world. Stewart’s subsequent request to adopt Gus represents the ultimate act of creating a new, blended family founded on love rather than legacy or class. Dolly’s final reflection that she is “at home with [her]self now, Dolly all the time” (360), concludes her arc, showing she has integrated her identity as a caretaker and provider with her capacity to receive love, finally achieving a state of authentic selfhood.



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By Annabel Monaghan