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Slade holds Auren’s lifeless body, feeling his soul tear as their pāyur bond is severed. His mother stands nearby. Soon, Wick and a group of Vulmin arrive, and a healer tends to Elore’s injuries. Overwhelmed by grief, Slade picks up Auren and walks away from the carnage at Glassworth Palace, following an instinctive need to carry her away, with no firm destination in mind.
As he journeys through the deadlands, a procession of mourning fae begins to follow him. Wick eventually catches up and pleads with Slade to let Auren be buried in Annwyn, her homeland. Still undecided, Slade is on his knees in the deadlands soil when a loud noise tears through the air. Racing to the slope, they watch as the Bridge of Lemuria explodes in a flash of blue light, destroying the path to Orea. The land at the edge of Annwyn begins to crumble. Slade resolves to leave Auren in Annwyn just before the ground gives way beneath him. He plummets into the abyss, still clutching Auren.
In a cosmic void, a doused star begins to tremble. It reignites, burning more brilliantly than the other stars below it. The other stars, the voices of goddesses, beckon it to fall and join them. However, the newly lit sun feels a “cut root” connecting it to the world below. It questions why it must fall, and a familiar voice responds, telling the “little sun” that if it does not want to fall, then it shouldn’t.
The narrative returns to Auren’s perspective. She chooses to reject divinity and return to her body. She was the star, and her connection to Slade was the root that pulled her back. Understanding that the light of a goddess-touched has always been inside her, she breaks free from her star-like form and follows the bond back to him. As she leaves, one of the goddesses in the void tosses a droplet of light to follow her. Auren passes through a cosmic river and is reborn.
Auren awakens in her body as she and Slade are falling through the void. As they plummet, her magical ribbons meld together and transform into a pair of large, golden wings. With a newfound instinct, she beats the wings against the air, stopping their descent and flying them both out of the chasm. They land safely back on the soil of Annwyn and share a passionate, tearful reunion. Elore suddenly appears and says “Goldfinch” three times, the third time gesturing to the ground, prompting Auren to kneel.
Auren feels the divine droplet sent by the goddess and understands it is a gift to heal the land. Placing her hands on the ground, she unleashes the power, which purges the curse from Annwyn. The deadlands transform into a vivid, lush landscape with a shining city. Amid the restoration, Slade confirms that the bridge to Orea is gone, cutting them off from their home.
Slade, still in awe of Auren’s return from death, walks with her into the restored city. Auren discovers she can change her wings back into her ribbons at will. The fae who followed them gather, wondering what comes next now that King Carrick has fled. Auren formally rejects any claim to the throne, stating that after decades of captivity, she wants to live her life for herself. She nominates Wick to lead the new government, revealing his full name is Wickum Almon Turley and that he is her family.
In Orea, Commander Ryatt and his surviving soldiers treat the wounded after the battle at the bridge. Queen Kaila immediately begins plotting to expand her political power, clashing with Ryatt. King Thold of Second Kingdom intervenes, declaring that a council will be held in Fourth Kingdom to determine Orea’s future. Ryatt promotes Tyde to Captain and sends word to Fourth Kingdom that Slade “can’t return” and his top officials must rule in his stead. Ryatt, Lu, Osrik, Digby, and Rissa remain behind to investigate the site of the destroyed bridge.
Ryatt and the others fly their timberwings to the edge of the world, finding no trace of the bridge. Consumed by grief, Ryatt flies Argo into the strange, dense fog of the void. Inside, he becomes disoriented and hears disembodied whispers before Argo panics and barely manages to fly them back out. Once safe, the group hears real voices and investigates, finding two fae. Friano has his foot drawn back to kick Emonie. Acting on instinct, Ryatt pulls him away before the blow can land.
The narrative shifts to Emonie’s perspective. The beaten fae woman lies injured in the snow, trapped in Orea. Friano accuses her of helping Queen Malina destroy the bridge and moves to attack her again before Ryatt intervenes. During the confrontation, Emonie notices a patch of green grass in the snow nearby, a fairy ring. Realizing it is a magical gateway, she understands it might be her only way back to Annwyn.
The story moves to Auren. She, Slade, and Wick go to Lydia, where Wick explains his plans to replace Annwyn’s monarchy with a democracy. He thanks Auren and Slade for bringing peace to his realm and asks them to serve in the new government. They agree to consider his offer. After Wick leaves, Slade encourages Auren to do what she wants now, and she says she wants to go to Bryol.
The narrative returns to Ryatt. He questions Emonie and Friano about the fairy ring. In an effort to prove that she is on the Oreans’ side, Emonie takes on Auren’s golden appearance to prove she knows her. She explains that the ring is a magical transport system and that Friano is a “ringer” who can activate it. Seeing it as their only chance to find Slade and Auren, Ryatt and the Wrath decide to risk using it. The group all steps inside the ring, and when nothing happens, they coerce Friano into activating it. Argo flies in at the last second as the ring flares with white light.
The group arrives in Annwyn. Friano draws a dagger and swings it at Emonie, but Ryatt slams into him, tackles him to the ground, yanks the dagger away, and stabs him in the chest. The fairy ring withers and dies with its ringer, trapping them all in the fae realm. Lu manages Ryatt’s panic, reminding him their mission is to find their friends. Emonie leads them toward the city of Lydia, where they see evidence of both Slade’s rot and Auren’s gold.
At the city’s entrance, they are stunned to find Slade and Auren, who were about to leave. A joyous, tearful reunion ensues. Emonie apologizes for her part in Carrick’s plots against Auren, and Auren forgives her. The group’s happiness is cut short, however, when Slade asks about Judd, and Lu confirms he was killed in the battle. The group also finds Slade and Ryatt’s mother safe and well. Despite their grief over Judd and their uncertain future, they decide to celebrate being reunited.
Two months later, the group is living in Bryol, which they are helping to rebuild with the aid of the Vulmin. Most of the Orea natives have settled in, though Ryatt struggles with being trapped in Annwyn. Digby and Elore have formed a quiet, comfortable bond. Slade and resolve to savor each other and have faith that everyone back in Orea is safe.
Auren and Slade share an intimate evening beside a creek. Afterward, Slade gives Auren a replica of an old Fae book with a new illustration of them depicted with a goldfinch and a dragon. The dragon’s wings are edged with a ribbon of gold. He then reveals that his dragon, which he thought was lost forever, has returned as a smaller, shadowy form with gold-edged wings. Slade does not know how it happened but feels in his heart that Auren somehow brought it back. He thanks her for making him whole again. They walk back to their new home in Bryol, and Auren reflects that this love and peace is what she had been fighting for all along.
This short poem recaps the central love story in metaphorical terms. It describes a star (Auren) and a root (Slade) that were separated by a void. The star became a “little sun,” and its light beckoned the root to reach for it. They found each other across realms, their light and dark now permanently intertwined.
In the novel’s final section, Auren’s rebirth marks the final Triumph of Autonomy Over Tyranny. After her death, the narrative shifts to a cosmic, metaphorical space where she is represented as a “doused star” that trembles and reignites. Within this void, she hears the voices of goddesses offering her divinity but feels the counter-pull of a “cut root” anchoring her to the mortal world. Auren’s choice to reject this divine ascension and return to her body underscores her agency. For much of her life, her existence was defined by others, from the cage King Midas built for her to the political machinations of various monarchs. In this liminal space between life and death, she faces her first truly uncoerced choice. By choosing to “go back” to Slade, represented by the root that grounds her, she asserts that her identity is now self-determined. This act is the culmination of her long journey towards defining her own destiny, even when that choice means embracing the limitations of mortality. Her decision finalizes the feminist subversion of the King Midas myth, as the woman once turned into a golden object refuses a different kind of objectification as a static, divine star.
Auren’s return to her body is immediately followed by a physical transformation that redefines the story’s key motifs. As she and Slade plummet into a chasm, her magical ribbons, once emblems of her captivity and commodification, fuse into a pair of large, golden wings that allow her to fly them both to safety. This metamorphosis fulfills the promise of the motif of the broken-winged bird, the sigil of the Vulmin resistance. Where the emblem symbolized a people oppressed by tyranny, Auren’s wings signify liberation. This radical reclamation extends to the motif of gold. When she channels a “droplet of light” from a goddess to heal Annwyn’s cursed deadlands, her touch becomes a source of vivid, generative life, not sterile wealth. This act completes her transformation repurposes the very element of her objectification into an instrument of creation and restoration for an entire realm.
The explosion that destroys the Bridge of Lemuria is a critical turning point, fundamentally restructuring the narrative’s world. As a physical link between Orea and Annwyn, the bridge represented connection, the possibility of return, and the threat of invasion. Its destruction cements its thematic significance as a motif of Sacrifice as a Path to Survival, severing the link between realms to save Orea but permanently stranding characters on both sides. This cataclysmic event enforces a definitive break with the past and establishes a stark political contrast between the two now-isolated lands. In Orea, the old world’s conflicts persist as Queen Kaila immediately begins maneuvering for more power once the fae threat is defeated. In Annwyn, however, the bridge’s absence creates a political vacuum that allows for a new beginning. Auren capitalizes on this by rejecting the throne, declaring, “I would like to finally have the chance to live my life…for me” (599), and endorsing Wick’s plan for a democratic governing assemblage. The destruction of the bridge thus forces the societies and characters to build new futures.
The joyous reunion between the separated groups is fractured by the news of Judd’s death, introducing a current of grief that complicates the otherwise triumphant conclusion. When Slade asks, “Where’s Judd?” Lu’s silent, tearful headshake confirms the loss, and the celebratory mood immediately grows somber. This moment ensures the story’s resolution is not a simple fairytale ending; the peace the characters find is earned at great cost and is shadowed by irretrievable loss. Their isolation in Annwyn means they are not only cut off from friends but also from the shared history and camaraderie that defined them. Auren acknowledges this bittersweet reality when she calls their permanent separation from Orea “a grim side to this peace” (628). This undercurrent of sorrow lends weight to their eventual happiness, suggesting that survival is not about erasing scars but about learning to live with them. Kennedy frames Auren and her allies’ eventual peace as a conscious, hard-won choice rather than a simple reward.
The final chapters and epilogue focus on The Healing Power of Love. This theme is most vividly realized when Slade’s dragon, which he believed was lost forever, reappears as a smaller, shadowy form with wings “edged with a ribbon of gold” (676). He is certain that Auren’s power brought it back, a belief that demonstrates their healing is mutual and interdependent. Their bond not only resurrected her but also restored a fundamental piece of his being that had been violently torn away. This reciprocity defines their relationship as they settle into a quiet life rebuilding Bryol. The narrative’s conclusion eschews grand political power in favor of personal fulfillment and the creation of a shared home. The epilogue’s closing poem, which describes a separated star and root finding each other to become “Paired and tied to core” (682), offers a final, mythic framing of their love as the story’s central, world-restoring force.



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