Goldfinch

Raven Kennedy

Goldfinch

Raven Kennedy
61 pages2-hour read
Fiction
Novel
Adult
Published in 2024

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Character Analysis

Content Warning: This section of the guide includes discussion of cursing, death by suicide, emotional abuse, child abuse, death, sexual content, sexual violence, rape, and enslavement.

Auren Turley

Auren Turley serves as the series’ protagonist, a dynamic and round character whose journey embodies The Triumph of Autonomy Over Tyranny. Her arc centers on the reclamation of her identity, memory, and power after being subjected to psychological and physical imprisonment. Initially, she is a prisoner in King Carrick’s dungeon, where Una uses magic to erase Auren’s past. Despite this, a core part of Auren’s identity remains resilient. She clings to the mantra, “My name is Auren Turley. And I am stronger than the dark” (39), which serves as an anchor to her true self amidst the magical attacks on her mind. This inner fortitude becomes the foundation for her eventual liberation, demonstrating that true autonomy begins with an unbreakable will.


Auren’s uses magic as a tool of self-liberation. She discovers she possesses a form of rot magic, a power she learns to wield for internal cleansing. By sending her rot into her own mind, she attacks and destroys the magical “worms” that devour her memories. This act is a key turning point in the reclamation of her agency. Likewise, the return of her golden ribbons signifies the reclamation of her power. Once a marker of her status as Midas’s gilded captive, the ribbons are now formidable weapons that she controls. She uses them to kill Una and break out of the dungeon, completing her escape from subjugation. Her journey culminates in her manifesting a pair of wings, a direct connection to the broken-winged bird sigil of the Vulmin, proving that even after being broken by tyranny, she has the power to rise.


Beyond her personal liberation, Auren’s identity as the last Turley heir positions her as a reluctant political and spiritual figurehead for the Vulmin rebellion. Her reunion with Slade solidifies their pāyur bond, which restores her fragmented memories and acts as a source of immense, shared power. This connection highlights her capacity for deep devotion, which becomes a healing force. When she uses goddess-gifted power to heal the cursed deadlands of Annwyn, she cements her role as a restorative and life-giving figure. In refusing the crown and advocating for a new, democratic form of government, Auren completes her journey by choosing personal freedom and the collective good over the trappings of power that have so often been used to control her. By the end of the novel, she achieves complete self-actualization, and her power, identity, and future are entirely her own.

Slade Ravinger

Slade Ravinger, also known as King Rot, is the deuteragonist of the narrative. A round and dynamic character, his arc is driven by his fierce devotion to Auren and his struggle against internal decay. His primary motivation is to fulfill his promise to find Auren after sending her through a rip to Annwyn. This quest is complicated by his rotting heart, a magical affliction that causes him immense pain and threatens his life. The physical ailment reflects his psychological state as a man fractured by a traumatic past and isolated by his immense, death-dealing power. His impatience and aggression stem from this constant internal battle and the desperate urgency of his need to reunite with Auren. Slade’s journey is a powerful illustration of The Healing Power of Love, as his devotion to Auren enables his physical and psychological restoration.


A key moment in Slade’s development is the solidification of his pāyur bond with Auren. As he lies dying, the magical fusing of their souls reverses the decay of his heart, heals him, and merges his two separate fae forms into a single, whole being. This transformation is marked by a golden scale that grows over his heart, a permanent symbol of Auren’s light healing the source of his affliction. This union also unleashes his dormant ancestral power, allowing him to manifest a dragon. This creature possesses immense power that his tyrannical father, Cull, had tried to force out of him through abuse, but it ultimately emerges through love and connection rather than cruelty. The dragon’s appearance and Slade’s unified fae form signify his reclamation of his full identity, free from the shadow of his father’s ambitions and the fragmentation of his trauma.


Slade’s internal conflict is further explored through flashbacks to his childhood, which reveal the origins of his cynical worldview and his relationship with his rot magic. His father tormented him, forcing him to use his rot to kill innocent creatures in an attempt to “cull the weak” and erase his compassion. However, a young Slade secretly used his power to undo the death, proving that his core nature is caring and protective. As an adult, he continues to wield his destructive rot magic as a tool to protect those he cares about and to fight against evil forces, such as the invading fae army. In killing his father, he not only avenges his mother and Auren but also liberates himself from the final vestiges of his past trauma. His journey concludes with him whole, healed, and at Auren’s side, having found a purpose not as a king of Orea, but as the devoted partner to the woman who saved him.

Queen Malina

Queen Malina undergoes one of the most significant transformations in the narrative, evolving from a seemingly cold and self-absorbed antagonist into a tragic heroine. A round and dynamic character, she begins the story as a monarch defined by her bitterness and isolation. Her decision to willingly give her blood to the fae to remake the Bridge of Lemuria is born from a desire for personal power and a misguided hope of attaining a magical heritage she believes she is owed. This act, however, has destructive consequences for Orea and herself.


The fae invasion of Highbell serves as the catalyst for her change. Forced to flee her castle and lead a small group of survivors, she is confronted with the human cost of her actions. The title of queen becomes a burden rather than a privilege, and she begins to shed her former selfishness. This journey of leadership forces her to care for her people in a way she never did from her throne. Her evolution culminates in her understanding that her role in the bridge’s creation has inextricably tied its existence to her own life. This realization leads to her final, defining act. In her last moments, she tells a protesting Dommik, “I’m finally going to be the queen that Orea needs me to be” (536), before taking her own life to destroy the bridge. This act represents the story’s most powerful example of Sacrifice as a Path to Survival as it saves Orea from annihilation.

Commander Ryatt

Commander Ryatt, Slade’s younger brother, is a round and largely static character who is a foil to Slade. Where Slade is driven by personal devotion and acts with chaotic power, Ryatt is the embodiment of duty, order, and unwavering loyalty to his kingdom. His primary motivation is the protection of Orea, a responsibility he takes on with solemn gravity. His ascension to the rank of Commander of Fourth Kingdom’s army is a significant development, allowing him to step out of his powerful brother’s shadow and prove his own capabilities as a leader and strategist. He pleads with Slade to “Give Orea a chance” (4), positioning himself as the moral compass who guides his brother’s destructive power toward a greater good.


Ryatt leads through conventional means, contrasting with Slade’s reliance on overwhelming magical force. He is a master strategist, demonstrated by his complex plan at Cliffhelm, where he uses his knowledge of the land and his soldiers’ unique abilities to defeat a much larger fae force. His leadership is grounded in trust, honor, and a willingness to make difficult choices for his people. He rallies his soldiers with the vow that they will “stand our ground until [they] can no longer stand” (233), showing his commitment to Orea’s defense, even at the cost of his own life. His relationship with Slade is complex, defined by brotherly love, frustration at Slade’s disregard for his royal duties, and a deep-seated desire for his older brother’s respect. While the loss of Slade and his mother to Annwyn is a destructive personal blow, Ryatt remains committed to his duty, stepping up to help guide a fractured Orea toward a more secure future.

Wickum Almon Turley (Wick)

Wickum “Wick” Almon Turley is a round, dynamic character who serves as the leader of the Vulmin resistance and a direct link to Auren’s forgotten past. He’s Auren’s second cousin, but he keeps his Turley heritage a secret due to the immense guilt he feels for abandoning her during the attack on Bryol when they were children. He confesses to Auren, “I was there, Auren, and I let them take you” (364), revealing that his lifelong dedication to the Vulmin cause is a form of atonement for what he perceives as his greatest failure. This internal conflict makes him a complex figure, one who is both a capable, strategic leader and a man haunted by his past. Initially, he views Auren primarily as a symbol for his cause, but their shared experiences and his eventual confession allow him to accept her as family. By the end of the narrative, he demonstrates significant growth by proposing Annwyn form an assemblage rather than reinstate the Turley monarchy, prioritizing a fair and peaceful future over personal power or historical legacy.

Rissa Caddell and Osrik Ferox

Rissa Caddell and Osrik Ferox provide a romantic subplot that explores themes of healing and trust. Rissa, a former royal “saddle,” is a dynamic character whose cynicism and defensive nature stem from a life of being treated as an object. Her near-death experience and Osrik’s unwavering devotion force her to confront her fear of vulnerability and accept genuine affection.


Osrik, a Captain in Fourth’s army, is a static, round character whose gruff exterior conceals a deeply loyal and tender heart. He is direct and possessive, but his devotion is rooted in respect for Rissa’s independence. He tells her, “You speak and act and feel however the fuck you want” (49), offering her an autonomy she has never been afforded in a relationship. Their bond is fiery and contentious, but it is this dynamic that allows Rissa to heal, learn to trust, and reclaim her agency, not as a “saddle” performing a role, but as an individual.

Lu Talula and Judd

Lu Talula and Judd are key members of Slade’s Wrath and represent unwavering loyalty. Both are competent and deadly soldiers who are fiercely devoted to Slade and, by extension, Auren. Lu is a static, round character who is a capable and serious captain, often acting as a grounding force within the group. Her leadership is clear when she commands a contingent of Elites to Ranhold.


Judd is a primarily flat character in this installment, serving as a source of comic relief and loyal friendship. His easygoing nature and banter provide a contrast to the grim realities of the war. His death during the battle at Seventh Kingdom is a blow to the Wrath and a reminder of the personal costs of the conflict. He dies while saving Ryatt, a final act of loyalty that emphasizes his character’s core nature. His absence creates a void, deeply affecting the surviving members of his found family.

Emonie

Emonie is a resilient and loyal member of the Vulmin resistance and a friend to Auren. A static, round character, she endures suffering at the hands of King Carrick, including having the top half of her ear sliced off. Her glamour magic makes her a target for the king, who forces her to impersonate Auren in a public spectacle designed to mock the Turley lineage and demoralize the rebellion. Despite this coercion, she remains true to Auren, managing to pass her a ring bearing the Vulmin sigil to help jog her memory. After being transported to Orea, she is instrumental in Queen Malina’s efforts to destroy the bridge and in Ryatt and his friends’ journey into Annwyn.

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