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Content Warning: This section of the guide discusses emotional abuse, violence, death, and sexual content.
In a flashback, Faye remembers when she was nominated for an Emmy at age 27. The Emmy recognized an episode of her popular television series which became a cultural touchstone; the episode was based on her breakup with Henry and focused on the theme of coercive control in relationships. In the television episode, the protagonist is headed to the airport to travel to an interview for a career-defining opportunity. Along the way, her boyfriend fakes a heart attack to sabotage the protagonist’s career opportunity. He pulls onto an isolated road and refuses to continue. Desperate to get to the airport in time for her flight, she lies and tells him that she is going to flag down an ambulance. Instead, she secretly calls her best friend, who comes to pick her up and drives her to the airport.
Faye reflects on the real incident that inspired the story: In college, Henry was driving her to the airport so she could fly to California and interview for an important job. When he, like the boyfriend in the episode, claimed to be having chest pains and refused to continue driving, she called PT who came and drove her to the airport. Because of this decision, Faye was successful in getting the job and launching her career. Throughout the awards campaign, Faye felt like a fraud because she had simplified a complex and mutually fraught relationship into a clear-cut narrative of abuse. She acknowledges that while Henry was controlling, she also wanted and encouraged certain dynamics, a truth the episode omitted.
Back in the present day, Faye awakens in a small cabin at Lake Wanika (the remote lake where Henry owns property that has been part of his family for generations). The property has a larger main house and a small cabin; she is being held in the latter. Henry has left her food and water, but the door is locked and she is unable to leave.
Faye wakes again hours later to find Henry sitting in the room. He tells her she will only be held for a few days. When Faye demands her phone, Henry grabs her by the throat, choking her and warning her not to give him orders again. Henry eventually releases her, promising to explain everything in the morning. After he leaves, Faye reflects that Henry seems frightened.
In the morning, Henry takes Faye to the main house. She believes he is punishing her for the television episode that depicted the end of their relationship and tries to defend the episode. Henry has accessed her phone and reveals he has read all her private messages and changed her passcodes. He knows she has cleared her schedule for the week and that “not that many people are checking on you” (87). He is also aware that she has been meeting with a rival agent, Caroline. Henry shows Faye an Instagram post he has created, filled with out-of-context, professionally damaging quotes from her private conversations. Then he locks up her phone in a safe. The post is scheduled to go live and Henry cautions that as long as she obeys him, he will keep delaying the post. If at any point she attacks him, the post will go live and her career will be ruined. Henry also notes that the cabin’s remote setting will make it extremely hard for Faye to flee.
After making her breakfast, Henry forces Faye to remove all her jewelry. She taunts him and references a necklace from Tiffany’s (a famous jewelry brand). Their confrontation escalates into a physical struggle and Henry injures Faye’s ankle. He roughly carries her back to the smaller cabin and locks her inside.
The narrative flashes back as Faye recalls her two-and-a-half-year relationship with Henry during their college years. They split up the summer after they graduated. During that time, inspired by a pornographic video they watched together, they developed a sexualized game in which Faye would perform submissive acts to earn gifts from Henry. Just before their relationship ended, she had been in the process of earning a Tiffany heart necklace, which she never received. In the present, Faye ponders Henry’s claim that he is trying to protect her by keeping her imprisoned in the cabin.
Henry leaves Faye locked in the cabin overnight without food or water. The next morning, he returns with a bottle of water and forces Faye to crawl to his feet and beg for it. In exchange for the water, Henry demands that Faye “have dinner with me and be normal. Drink wine. Talk to me” (102). Faye agrees and that evening, he leads her to the main house. During dinner, they have a surprisingly intimate conversation, including admitting that they both take prescription medication for anxiety and depression. Faye reveals that she became extremely isolated and anxious after the release of the famous episode and the mistaken assumption that she was acting as a spokesperson for women who survived abusive relationships. Henry also shocks Faye by admitting that he and his wife are in the process of getting a divorce.
The fragile truce shatters when Henry accidentally spills wine on Faye and insists on removing her soaked clothing. Faye has hidden hairbrush bristles in her pocket, planning to put them in Henry’s food to make him choke; fearing he is about to discover this, she grabs the glass decanter and hits him over the head with it, then seizes the boat keys and runs to the dock. Her escape attempt fails when she is unable to start the boat’s motor. Henry dives into the lake, swims to the boat, and climbs aboard. He grabs her and holds her head underwater. As Faye loses consciousness, she hears a woman’s voice calling her name.
Faye regains consciousness in the small cabin. When she asks Henry about the woman’s voice, he claims there is no one else on the island. He tells her he did not mean to hold her underwater for so long and admits he thought she was dead. Faye struggles to get warm and Henry gets into bed with her to warm her up, holding her until morning.
Henry leaves at dawn and returns hours later, holding Faye’s phone. He reads aloud a message he has composed, addressed to her prospective new agent, Caroline. The message will destroy any chance of Faye working with Caroline in the future. Faye is devastated because the tentative prospective partnership with Caroline is crucial for her. Her husband’s brother is a powerful figure at her current agency and if she seeks a divorce, she will need new representation. Faye has carefully been assembling a plan that will allow her to exit her marriage with her career intact, but the loss of the relationship with Caroline would jeopardize all of that. She begs Henry not to send the message, promising him that she will do anything.
To Faye’s surprise, Henry does not request sexual favors. He claims he no longer desires her. Instead, he tells her that he wants access to her email. Because Faye was locked out of her account days earlier, he has not been able to access it. He tells her that once he obtains the required security questions, he wants her to tell him the answers so that he can log in. Faye is more confused than ever about why Henry is holding her captive. When she brings up the woman’s voice, he dismisses it as a dream and leaves, telling her this will all be over soon.
Alone in the cabin, Faye tries to make sense of Henry’s motivations. She wonders if he is trying to access her bank accounts through her email. She remains convinced that the woman’s voice was real, believing Henry’s forceful denial is proof he is hiding something. She watches from the window as Henry gets into the boat and motors away, presumably toward the shore (he needs to get closer to the shore whenever he wants Wi-Fi or cell service). Faye notices that the window is not sealed securely, offering the possibility of escape.
Faye escapes the cabin by prying open the window frame. She runs through the woods to the nearby clubhouse (a communal space that the various houses and cabins on the island can access). She recalls that the clubhouse has a landline she can use to call for help. She is stunned to find Campbell inside the clubhouse. He claims he came to the island to check on drainage pipes for PT’s property. Faye hastily tells Campbell that Henry has abducted her and has been holding her captive; she shares her theory that he wants revenge for the humiliating television episode. She tells Campbell that they need to flee immediately: Henry will be back soon and if he sees Campbell’s boat docked near the clubhouse, he’ll know that someone else is on the island.
To Faye’s surprise, Campbell makes an excuse about why they can’t leave immediately. Faye begins to become suspicious but clings to the hope that Campbell will help her. She becomes even more alarmed when Campbell begins pressuring her to log in to her email on the office computer. Anxious and confused about “why my email matters so God damn much” (128), Faye logs in. Once she is logged in, Campbell finds the email with Emma’s script (which Faye has not yet read) and deletes it.
Realizing she’s in danger, Faye stabs Campbell with a pen. She tries to flee the house, but he pursues her and tries to strike her with a heavy stone. Understanding that he is attempting to kill her, Faye grabs the stone and hits him in the head, killing him. Faye looks up and sees Henry standing nearby. She turns and runs.
Faye runs back inside the clubhouse, with Henry following. She rushes to the third floor and locks herself in a game room, but Henry begins to break down the door. Desperate, Faye discovers a hidden door behind a chair that leads to a chimney. She attempts to climb the chimney but just as she begins her ascent, Henry smashes through the door, grabs her ankle, and yanks her back down.
The second part of the novel is marked by a shift in setting and tone. After the abduction, Faye awakens on the island on Lake Wanika (hours away from the college town). The isolated island setting is sinister because it is so remote: There is (to Faye’s knowledge) no one nearby and it would be challenging for her to escape. The remote wilderness setting heightens the intimacy between Faye and Henry because they are alone together, with no one to witness what plays out between them. The remote island setting is the kind of locale where a killer might take his victim, or where lovers might go to conduct an illicit tryst (a blurry line which they will later intentionally exploit). The complete isolation leads to Faye oscillating between arousal and fear: She has craved time alone with Henry but now she is also terrified by him holding her captive. The island is a space defined by The Insulating Power of Wealth, a private jurisdiction where Henry can impose his own laws and rewrite their shared history far from the world where Faye’s status matters.
This theme plays out notably in the scene where Henry forces Faye to remove her expensive jewelry. At first, Henry claims the jewelry looks like something she “might try to hurt me with” (91), but he later admits more bluntly that “maybe I just don’t like looking at you wearing all this” (92), leading Faye to lash out and tell him “you should know you could never afford me now” (92). Faye weaponizes her wealth and success (although she doesn’t know at this time about Henry’s financial troubles), taunting him and refusing to passively obey. Her biting comments invert their previous dynamic, wherein Henry’s inherited wealth gave him power over her. The scene of Henry stripping her of her jewelry prompts Faye to think about the Tiffany necklace, paving the way for an important symbol to be introduced into the narrative.
Because the previous dynamics of their relationship revolved around him dominating her and forcing her to comply, the dynamic of their captivity is confusing to her. Yet, even in this vulnerable state, her body responds to Henry’s threats with a paradoxical surge of arousal, a betrayal she observes when her “blood betrays me, moving in all the wrong directions” (84). Faye’s agency is compromised from within as from without: Her body refuses to obey her brain’s fear response, which is entirely appropriate to her bizarre and frightening circumstances. These complex dynamics heighten the theme of Agency within Relationships. The abduction marks a tonal shift into the genre of a thriller where a woman is endangered by a predatory man. The narrative emphasizes Faye’s physical and psychological disorientation, blurring the lines between coercion, memory, and desire, while the wilderness setting heightens her vulnerability. The second part of the novel is marked by three separate escape attempts: Faye tries to flee on the boat, climbs out the cabin window, and then eventually tries to climb up the chimney. These desperate attempts to escape reveal that while Faye is sometimes still drawn to Henry, she is also terrified of him and what he might do.
Ultimately, Henry’s tactics evolve from physical domination to a more insidious form of psychological and professional sabotage, revealing that he is willing to destroy the success Faye has built. He proves his complete access to her private world by drafting a career-destroying message to a rival agent, a threat more terrifying to Faye than physical violence. The message’s precision, which perfectly mimics her professional voice, demonstrates his willingness to weaponize their shared history and his intimate knowledge of her. He can craft a message that will believably pass as written by her. By silencing Faye (removing her devices and access to the wider world) and then assuming her voice as his own, Henry plays with dynamics of gendered control that haunt Faye throughout the narrative. Her choices are consistently constrained by the threat of men telling a story that contradicts her own and being believed instead of her. This choice of blackmail technique alludes to the precarious nature of reputation and credibility, especially for women, and the threat that even if a woman tells the truth, she may not be believed.
Faye’s confusion about Henry’s motivation increases the suspense: She has little hope of getting out of her captivity if she doesn’t understand why he is holding her. At first, she mistakenly assumes that he is punishing her for an unflattering depiction in her Emmy-award winning television episode. For Faye, the episode is a professional triumph that transformed a painful, private experience into a celebrated public commodity, exemplifying the theme of Sublimating Trauma into Art. However, her reflection in Chapter 7 reveals the personal cost of this success; she feels like a fraud for simplifying their complex relationship into a clear-cut story of coercive control to make it palatable for a mass audience. This act of artistic translation gave her power and acclaim but erased the nuances of her own agency and desire. Faye’s misgivings about how the episode was received reflect how a limited understanding of female desire can reinforce misogynistic assumptions rather than undermining them. Faye could tell the story of what happened between she and Henry but only if she presented herself as a victim: Had she claimed her own agency and power within their dynamic, she would likely have been vilified. A piece of art intended to promote female empowerment left her feeling isolated, caged and shamed.
After Faye escapes and makes it as far as the clubhouse, her encounter with Campbell rapidly escalates the tension and pacing of the plot. Campbell’s collusion with Henry as well as their shared fixation on accessing her email makes it clear that there is something more nefarious going on than an embittered attempt at revenge. When Faye kills Campbell, she becomes further entangled in Henry’s plot; it will now be her word against his in terms of how and why she killed Campbell. The tension of competing narratives and contradictory accounts of the same event leaves them further enmeshed in a dangerous game.



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