A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Quizzes
Reading Tools
Content Warning: This section of the guide discusses violence, death, and pregnancy loss.
Faye grabs the boat keys and flees. As she drives the boat away from the island, she comes upon another boat adrift on the lake. Inside, Corrine is waving her arms frantically, appearing to be stranded and in need of help.
Faye pulls alongside Corrine’s boat. Corrine claims she ran out of gas. Faye quickly formulates a plan: she will tell Corrine that she is on her way to the mainland to call the police and urge her to come along (rather than going to the island), but she will not reveal any of the secrets yet. Faye plans to tell the police that she killed Campbell in self-defense and then bribe Emma to corroborate her story. However, as they talk, Faye gradually deduces that Corrine may be fabricating the story about having run out of gas, and may have been waiting for her.
By the time Faye realizes that she should not trust Corrine, the latter is threatening her with a gun. Corinne makes comments revealing that she has been in contact with Henry (she knows, for example, about Henry and Faye going to the mainland together). After Faye admits that she trapped Henry in the cabin, Corrine orders Faye to climb into the boat with her. They return to the island together.
Corrine holds Faye at gunpoint, forcing her to free Henry. Corrine and Henry force Faye into the boat, and they head toward PT’s cabin. Faye can tell that Corrine and Henry are working together, but she is unsure whether Corrine knows about Campbell’s death. When they retrieve shovels from the shed, Faye panics, fearing they are going to kill her. She blurts out that Campbell is dead, hoping this news will shock Corrine. Corrine briefly feigns horror and surprise but then reveals that she already knows that Campbell is dead. She knows that Emma and Campbell were having an affair, and is planning to pin his death on Emma.
Faye is unsure of the full extent of what Henry and Corrine have been colluding on, but she realizes that the plan has been perfectly executed to make Emma appear guilty: She has Campbell’s car. Despite Corrine ordering her to move into the woods, Faye faints.
Faye awakens inside PT’s cabin, where she is held captive by Henry and Corrine. When she questions why Corrine is not more upset about Campbell’s death, Corinne reveals that she and Henry “were planning on offing him anyway” (240). While Corinne isn’t bothered by Campbell’s death, she is angry with how Henry and Faye’s dalliance has disrupted carefully crafted plans. Corinne explains that when Henry and Faye were grocery shopping on the mainland (after dropping off Emma), they were seen together by the island caretaker. The caretaker reported this to Corinne and she had to bribe him into silence.
The discussion of bribing the caretaker leads Faye to realize that Henry and Corinne have some sort of financial motivation for their plan. Still trying to gain the upper hand, she tells Corinne that Campbell and Henry killed Sarah and passed her death off as suicide. Corinne reveals that she was the one who masterminded this plan: When Henry and Campbell called her immediately after the accident, begging for help, she assisted them with covering up the incident and was the one to realize that Sarah’s struggles with infertility could be used as evidence of suicide.
Corrine then reveals her own painful history of infertility. She struggled to conceive and used an egg donor to conceive her son. She conceived naturally six months ago and was elated by the prospect of a second child; however, she suffered a late-term miscarriage after catching Campbell with Emma. Faye becomes more frightened as she realizes the depths of the anger and pain that is motivating Corrine.
Henry, Corrine and Faye walk into the woods. Faye is cold and Henry hands her a sweater from PT’s cabin; she finds a receipt in one of the pockets. As she walks, Faye recalls a confrontation with her husband during a recent vacation. She had hoped the trip would help them to reinvigorate their sex life, but her husband continued to lack interest. When she confronted him, he revealed that he found her more sexually attractive earlier in their relationship, when “you looked up to me […] I miss when you needed me a little bit more” (253).
Eventually, they come to the spot where Sarah was buried, and where her skeleton is now partially exposed (after PT dug it up prior to his death). Henry and Corinne dig up the remaining bones and pack them up in a bag (to ensure no one else finds the body). However, as they walk back towards the cabin, they encounter a pair of hikers who have gotten lost. Acting calm, Henry gives them directions. He refers to the property as belonging to him.
After returning to the cabin, Faye asks Henry why he said that PT’s property is his. Corinne reveals that PT’s property was left jointly to Campbell and Henry. The property is extremely valuable and could be sold for a lot of money. Campbell was resistant to selling, but now that he is dead, Henry and Corinne can sell it and split the profit. (This explains why they were planning to kill Campbell and not upset that Faye did so first.)
Corinne details the next steps in their elaborate plan. She will call police, claiming to have found Campbell’s body (which is still at the main clubhouse, where Faye killed him). She will explain her presence on the island by telling officials that she became worried after Campbell stopped responding to calls and messages, and that she went to the island to check on him. The police will be able to tell that Campbell was violently killed and will begin seeking out a suspect. Meanwhile, back at the college, Corinne’s brother Win is going to give Emma some contaminated drugs and ensure that she dies from consuming them. Corinne has prepared a fake suicide note, in which Emma confesses to having killed Campbell. The note, paired with video footage from the train station of Emma driving away in Campbell’s car, will ensure it looks like she killed him. Emma’s death will ensure she can’t contradict the story about Campbell’s death, nor can she ever reveal the truth about Sarah’s death.
However, Corinne expresses worry about Faye’s ability to disrupt their plan. While it would be risky for Faye to reveal that she killed Campbell, she could plausibly pass the crime off as self-defense; Corinne notes that “in this day and age, women can pretty much make a case of anything” (262). To ensure Faye never comes forward with the truth, Corinne wants evidence that Faye willingly came to the island to pursue an affair with Henry.
Corrine dumps Sarah’s bones into the lake. She forces Faye back into the small cabin with Henry, locking them inside. Corinne demands that they film a sex tape: this tape will make it impossible for Faye to claim she was brought to the island unwillingly. If she tries to come forward, “it will look like I killed Campbell because he discovered I was having an affair” (265). Confused and angry with Henry’s many lies, Faye asks why he concealed that he was colluding with Corinne, and why he wants to sell the property. Henry explains that is financially ruined. His wife has a suspected bipolar disorder that manifests in manic spending sprees, which have led to massive debt. She has committed fraud and made financial choices that have led to them being evicted from their home.
Henry claims that he has reassessed their shared history and emotional dynamic. He says that Faye cannot tolerate love and vulnerability; he never wanted to be domineering and controlling but he knew that if he didn’t maintain this façade, she wouldn’t love him. Faye tells him she was sexually abused as a child, and that this experience fundamentally shaped her understanding of her worthiness. They have an intense but ambiguous sexual encounter that Faye describes as something she is forced into yet also wants; they film the encounter on Henry’s phone.
Faye falls asleep and is woken by Henry, who tells her the police are outside the cabin. Panicked by the prospect of losing him, Faye calls out to the police, claiming they are being held hostage by Corinne. When the police confirm that they have arrested Corinne, Faye fabricates a cover story. She claims that “[Corinne] killed her husband. And then she locked us in here, and we have been so scared she was coming back to kill us” (277).
The police confirm that they came to inspect the property after two hikers (the individuals who were lost near PT’s property) came across a note written on the back of the receipt and dropped on the trail. The note said “help” and aroused concern. Faye wrote this note after finding the receipt in PT’s sweater pocket, while she was being forced to walk with Henry and Corinne. At the time she hoped the note would alert someone to free her from them, but now she claims that she and Henry are both victims of Corinne. The police seem sympathetic to this story and promise to liberate them from the cabin.
Faye and Henry are taken to the local police station to be questioned. Faye is told she is not under arrest. She tells a lengthy story about the events on the island, though the details of what she says are not included in the text. She also calls her husband and tells him “an abbreviated version of the story I’ve been telling all day” (282). He hangs up angrily.
At dawn, Faye is released from police custody. However, she is told she can’t return to California yet, as she may be needed for further questioning. Faye recalls the story that she and Henry quickly came up with together, to ensure their stories would match when they were questioned. They claimed they were having an affair and had gone to the island to be alone together in secret. They heard strange sounds from the clubhouse and found Corinne with Campbell’s body. Corinne took them across the island, intending to kill them and hide their bodies. During this time, Faye was able to drop the note (explaining why it was on the trail leading to PT’s property). Corinne panicked and returned them to Henry’s property, where she locked them in the cabin. This story explains all of the strange events, while making Corinne appear guilty and protecting both Faye and Henry.
Outside the police station, Faye runs into Henry’s arms and professes her love. Then her narration breaks off, revealing that everything up until this point has been a movie pitch delivered to a group of Hollywood executives.
The narrative structure of these chapters is built on a series of dramatic reversals that continuously shift the balance of power and redefine the nature of the central conflict. Faye’s successful ploy to lock Henry in the cabin is a moment of triumphant agency, where she appears to have outmaneuvered her captor and secured her freedom. This victory is short-lived, immediately undercut by her encounter with Corrine, whose apparent distress on the lake is revealed as a carefully constructed trap. Corrine’s calm production of a pistol marks the story’s most significant turning point, transforming the narrative from a tense two-person psychological thriller into a wider conspiracy. The scope of the danger expands exponentially as Faye realizes she has not escaped one threat but has been ensnared in a much larger and more organized plot. This revelation forces a re-evaluation of everything that has come before.
Corrine’s arrival reveals her as the conspiracy’s pragmatic and ruthless mastermind. Her confession to writing Sarah’s suicide note and meticulously staging the scene—a feat she mocks the men for being incapable of—was not a panicked reaction but a deliberate strategy to preserve the group’s future, a chilling demonstration of her foresight and control. Corrine’s subsequent revelation of her own agonizing history with infertility and a stillbirth adds a layer of tragic depth, portraying her as a figure who is both a victim of private grief and a perpetrator of crimes. Her motivations, rooted in a desperate desire to protect the family she fought so hard to create, are starkly different from the men’s concerns about reputation and career. This complexity makes her a more formidable and unpredictable antagonist than either Henry or Campbell, one whose actions are driven by a pain that mirrors, in its intensity, the trauma Faye has carried.
The scenes in the woods bring the novel’s conflicts to a grimly literal conclusion, as Henry and Corrine physically unearth the past to re-bury it, demonstrating The Insulating Power of Wealth. The act of digging up Sarah’s skeleton tree transforms the elite setting of Lake Wanika into a private graveyard where history can be manipulated and erased. This action is the ultimate manifestation of their entitlement, a belief that their wealth allows them to control not just property but truth and memory. The climax of this entitlement comes when Henry lies to the lost hikers, claiming PT’s vast, private estate “is mine” (255). This is a chilling assertion of power and a symbolic act of appropriation. He usurps PT’s legacy, confirming that their insulated world is a lawless space where the powerful can commit crimes, control the narrative, and face no consequences.
Corrine’s methodical plan to murder Campbell, frame an innocent young woman, and sell the family land for a fortune further illustrates The Insulating Power of Wealth. Her cynical attitude toward covering up a murder and staging a suicide reveals a deep-seated belief that her social and economic status places her above the law. The setting of Lake Wanika, a private enclave rooted in the tradition of exclusive Gilded Age Great Camps, is a space where the wealthy can literally dispose of their crimes, as when Corrine unceremoniously dumps Sarah’s bones into the water. The plot to sell the largest piece of privately owned land in the Adirondacks is not just about greed; it is about leveraging generational wealth to manipulate systems of justice and erase inconvenient truths, ensuring that the consequences of their actions will never truly touch them. Her brother Win’s involvement and her confidence that he will succeed emphasizes how this power is systemic within her family, a tool passed down and wielded without question.
Corinne’s demand that Henry and Faye film a sex tape develops the theme of Sublimating Trauma into Art: While not intended for public consumption in the same way as Faye’s television episode or Emma’s screenplay, the tape literalizes how representation can obscure what actually happened. Faye is being coerced into filming the tape, but someone who watches it will see a woman in the throes of passion. (A similar plot device occurs in the successful psychological thriller Disclaimer.) The question of Faye’s consent is complicated by this point because Faye was taken to the island unwillingly, held there, and had sexual encounters willingly but under false pretenses. Yet the law and public opinion will want a simple, definitive answer: Was she abducted and raped, or was she willingly engaged in a consensual affair?
Faye’s sexuality makes this question impossible to clearly answer, highlighting the theme of Agency within Relationships. Faye is simultaneously a hostage forced into a sexual act and an active participant fulfilling a deep-seated desire. Her internal recognition that the scenario is “what I want” (271) even while she is being coerced complicates any simple reading of victimhood. Furthermore, her silent refusal to say “I love you” on camera is a quiet but definitive act of self-possession, asserting her ultimate control in a situation designed to render her powerless.
Immediately upon learning the police have arrived, Faye demonstrates her mastery of narrative control in a high-pressure, real-time context. Her instant transformation into a convincing victim—rattling the doorknob, sobbing with “gusto” (276), and screaming for help—is a calculated performance. This proactive fabrication shows her ability to shape events as they unfold, using the skills of a writer and actress as survival tools. This command of the situation continues at the police station, where her poised delivery of a consistent, fabricated story solidifies her credibility. She is not merely reacting to events but actively authoring them. Faye’s narrative reimagining of events on the island protects not just herself but also Henry: She presents Corinne as the villain and conceals Henry’s involvement in the various schemes. While protecting herself is understandable, Faye’s construction of a story that allows Henry to walk free implies that her desire for him has outstripped her awareness that he drugged and abducted her and repeatedly lied to and threatened her. The scene of her leaping into his arms outside of the police station ironizes a fairy-tale happy ending and the unbelievability of this conclusion to the dramatic ordeal is highlighted by the final shocking twist: The entire narrative has been a film pitch.



Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.