Martin Chuzzlewit

Charles Dickens

70 pages 2-hour read

Charles Dickens

Martin Chuzzlewit

Fiction | Novel | Adult | Published in 1844

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Background

Content Warning: This section of the guide includes discussion of enslavement, racism, and violence.

Authorial Context: Charles Dickens and His Canon

Charles Dickens (1812-1870) is among the most well-known authors of English literature, with his canon featuring a distinct “Dickensian” style. Many Dickens novels are in some respect autobiographical or influenced by his own experiences, such as his family’s struggles with debt and his father’s imprisonment in the Marshalsea Prison. He was forced to leave formal schooling early and spent time in the workhouse as a child, which left him with a life-long devotion to championing the cause of the poor and dispossessed. He became a strong supporter of court and prison reform, and would later become a notable philanthropist.


In his adult life, Dickens was a legal clerk and journalist before his career as a novelist began. While working as a journalist, Dickens began to write short stories known as “sketches” under the pen name “Boz,” and their popularity helped establish the style of his later serials. All his novels were serialized, with newspapers or magazines publishing one or a few chapters of a novel at regular intervals before the completed work appeared in book form. In addition, Dickens launched his own periodical called All the Year Round and a weekly magazine called Household Words. As an editor he championed the work of some other notable authors, such as Elizabeth Gaskell, whose North and South (1855) first appeared in installments in Household Words.


Dickens’s novels are known for their many small, interwoven stories, which together form a larger cohesive plot, and characters who form a tangled web of relationships. Dickens’s novels often rely on coincidence and satire, which the short, episodic structure of serial publishing enhanced. His novels often foreground themes related to the importance of moral conduct in a corrupt world, divine providence, and the problem of greed and unchecked wealth in Victorian England. Some of his most famous works include Oliver Twist (1838), Great Expectations (1861), David Copperfield (1850), and A Christmas Carol (1843).

Historical Context: 1840s America and Dickens’s American Tour

In 1842, Dickens traveled to America to get US publishers to honor international copyright laws for his and others’ novels, as Dickens was upset by the proliferation of pirated editions of his work in the USA. On his tour of the states, he saw great amounts of greed, prejudice, and hypocrisy, which he comments on in Martin Chuzzlewit.


As a periodical owner himself, Dickens observed the vast differences between English and American journalism, describing the American press as sensational and unreliable. Dickens lambasts the regular practice of selling land to people sight-unseen, a fraudulent activity that Dickens includes in Martin Chuzzlewit. Like in his novel, many Americans bought land further west than typical settlements before learning that it was untenable and uninhabitable. Dickens was also against the practice of enslavement, which had been abolished across the British Empire years earlier. In Martin Chuzzlewit, Dickens often sarcastically comments on the “land of the free” and how that freedom only extends to certain members of society.


Dickens was criticized by many American commentators for his attacks on American culture, despite the fact that many of his novels criticized English society just as harshly, such as in his satirical examination of the British legal system in Bleak House (1853). Dickens returned to America in 1868 for a banquet hosted in his honor. On this trip, he saw a changed country and ultimately apologized for his earlier criticisms. He gave a speech at the banquet and decided that this apologetic speech should be included in all future editions of Martin Chuzzlewit and his American Notes (1842).

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