70 pages • 2-hour read
Charles DickensA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: This section of the guide includes discussion of enslavement, bullying, racism, gender discrimination, sexual violence and harassment, ableism, mental illness, suicidal ideation, substance use and dependency, violence, illness and death, physical abuse, and emotional abuse.
Throughout Martin Chuzzlewit, the love of money symbolizes the root of all evil. The characters who seek out money or their inheritance and hoard it are described as selfish, prideful, and cruel. Conversely, those who have the least money are often the characters with the purest intentions, and end the novel the happiest.
Old Martin is cruel and suspicious of everyone, treating them with contempt because he understands that money has made them this way. Though he later begins to see the ways money has made him cruel, his immense wealth and lack of interest in sharing it show Old Martin’s selfish character. The sickness he cannot shake symbolizes how his greed is killing him. Similarly, his grandson has learned pride and selfishness from Old Martin, and his pursuit of wealth through an apprenticeship and then through his misadventures in America show how misguided he is.
Though many of the most wealthy and selfish characters in the novel learn from their mistakes, those who don’t are punished for their behavior. Pecksniff is the prime example of this. His schemes to influence Old Martin to get his inheritance hurt everyone around him, and he is left penniless begging Tom for money at the novel’s end. Meanwhile, the final lines of the novel focus on Tom—not on his money, but on the ways the people in his life have made him happy and at peace.
Eden, the American town where Mark and Martin purchase land, is an allusion to the Garden of Eden in the Old Testament. In the account in the Book of Genesis, Adam and Eve live in Eden until they eat from the Tree of the Knowledge of Good and Evil, and are afterwards banished from Eden for their disobedience. In Martin Chuzzlewit, Eden symbolizes fraud and self-delusion, but also new life.
At first, Eden represents the promise of the “Land of Liberty” for Martin, who has only ever heard of people buying land and making a fortune in America. The way Agent Scadder talks about the town makes it sound, as its name implies, like a paradise. However, upon arrival, Martin learns that Eden was a fraud that never existed. Through Eden, Dickens comments on American hypocrisy and how the freedom Americans boast of could be used to take advantage of others, as Scadder did with the people who bought land in Eden. Dickens also uses Eden to comment on the consequences of fortune-hunting, something he criticizes throughout the novel. Martin’s intentions for going to America and buying land were only so he could get money, which symbolizes the root of all evil, so Martin must suffer the consequences of his actions and experience the evils of Eden in return.
However, as in the bible, Eden also symbolizes new life, as this is the place where Martin’s character is essentially reborn. The prolonged illness Mark nurses him through while in Eden makes Martin reconsider his character and how selfish he has been, turning him into a new person.
Marriage is a motif that represents different things throughout the novel, often reflecting the intentions of the characters who are getting married. Toward the beginning of the novel, marriage symbolizes infatuation, selfishness, and deception. The first marriage that occurs between Merry and Jonas quickly proves to be bad for both parties, especially Merry. Jonas’s greed for a large dowry shows his disregard for the sisters’ feelings and his focus on money. Similarly, Old Martin believes that Martin and Mary want to marry for money, reflecting his own paranoia about his family scheming to get his money.
However, toward the end of the novel, marriage has much purer connotations. Three couples are brought together through Old Martin’s scheming: Mary and Martin, Ruth and John, and Mrs. Lupin and Mark. All characters who end up married or engaged at the end of the novel do so for love, suggesting marriage is their reward for their morality and good deeds. Meanwhile, the final chapter of the novel also ends with a failed marriage between Cherry and Moddle. Like the other characters, these characters also get what they deserve, yet their cruelty and selfishness lead them to live alone, rather than experiencing the happy marriage of the other characters.



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