Martin Chuzzlewit

Charles Dickens

70 pages 2-hour read

Charles Dickens

Martin Chuzzlewit

Fiction | Novel | Adult | Published in 1844

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Themes

Content Warning: This section of the guide includes discussion of enslavement, bullying, racism, gender discrimination, sexual violence and harassment, ableism, mental illness, suicidal ideation, substance use and dependency, violence, illness and death, physical abuse, and emotional abuse.

The Impact of Money on Relationships

The impact of money on relationships is one of the primary themes at the heart of Martin Chuzzlewit. A love of money tends to inspire selfishness and cruelty in the characters, particularly the titular Martin Chuzzlewit, with such greed straining and distorting family ties. The novel thus reveals what happens when money becomes more important than genuine emotional connections. 


Old Martin Chuzzlewit has been influenced in every way by his wealth, leading him to be suspicious of everyone. In his first meeting with Pecksniff, he knows that his wealth has also corrupted the rest of the family, telling him, “I have so corrupted and changed the nature of all those who have ever attended on me, by breeding avaricious plots and hopes within them; I have engendered such domestic strife and discord, by tarrying even with members of my own family” (61). Old Martin’s peculiar relationship with Mary comes from his suspicion that everyone in his family is scheming to get his money, so he only promises Mary money while he is alive. Upon learning that Martin wants to marry Mary, Old Martin immediately believes it is solely for money, not for love, in spite of the fact that he wanted the two to end up together. This engagement leads to the estrangement between Old Martin and the younger Martin at the novel’s opening.


Old Martin’s pride and actions toward others bleed out to influence the other people in his life, particularly his grandson. Young Martin becomes prideful and selfish because of how he was raised by his namesake, leading him to look down on poor yet kind people like Tom and Mark. Other characters are similarly affected by their pursuit or hoarding of money. Tigg and his connections at the Anglo-Bengalee company are suspicious of others, leading Tigg to hire Nadgett as a private investigator to make sure no one will try to steal money from his scheme to steal from others. Impatient for his inheritance, Jonas attempts to kill his father and chooses a wife based on how much of a dowry he believes he can receive from her. Pecksniff, too, treats his daughters as commodities, moving them around and marrying them off based on how he can best pursue wealth and what makes the most financial sense, even if he is putting them in danger.


Money represents evil throughout Martin Chuzzlewit, limiting those who have it from establishing meaningful connections with others. By contrast, those who have little money but are good-hearted—Tom, Ruth, Mary, and Mark—easily make friends and are happy because of the people they have in their lives, rather than the money they have earned.

The Problem of Pride and Its Consequences

Martin, Old Martin, and other characters begin the novel full of pride and arrogance towards others. As the narrative progresses, however, they soon realize through adverse experiences that a lack of humility and kindness often comes at a high cost. Through their setbacks, the novel examines the problem of pride and its consequences.


Martin is initially an arrogant young man who treats everyone else as beneath him. When Tom shows kindness towards him, he accepts it merely as his due instead of being grateful. When Mark joins Martin on the voyage to America, Martin continues to act as if Mark is his inferior. In Eden, Martin begins to realize the error of his prideful ways. He sees how Mark shows him friendship by staying by his side. Mark’s selflessness makes Martin question his selfishness and where it has gotten him. Martin asks himself, “how was it that this man who had had so few advantages was so much better than he who had had so many?” (686). In taking care of Mark and being selfless for one of the first times in his life, Martin starts to realize how his selfishness has impacted others, dampening his pride and showing him the truth about his character. Martin vows to change: “He made a solemn resolution that when his strength returned he would not dispute the point or resist the conviction, but would look upon it as an established fact, that selfishness was in his breast, and must be rooted out” (688).


Old Martin is similarly selfish and prideful at the novel’s start, as symbolized by the sickness he cannot shake at the Blue Dragon. Pecksniff’s description of Old Martin’s selfishness makes the patriarch see his own true nature. He battles this revelation in silence throughout the novel, only revealing his changed nature in the conclusion. Feeling ashamed of his former callousness and greed, Old Martin sets about trying to help others instead, such as ensuring Tom gets a job when he needs one and seeking to expose Pecksniff’s machinations. By the novel’s end, Old Martin has chosen humility and affection for others over his pride.


A couple of the minor characters also realize the problem of pride. Anthony Chuzzlewit, arguably just as selfish as his brother, also changes when he learns that his own son wants to kill him for his inheritance. He tells Chuffey just before his death, “This crime began with me. It began when I taught him to be too covetous of what I have to leave, and made the expectation of it his great business!” (1017). The unserious and unscrupulous Merry also faces hardship that causes her to change. Being married to and abused by Jonas leads her to see that she should have taken Old Martin’s advice to take marriage more seriously. Upon seeing Tom for the first time since her marriage, Merry has “a speaking look, and Tom knew what it said. ‘You see how misery has changed me. I can feel for a dependant now, and set some value on his attachment.’” (915). Once freed of Jonas, Merry continues to live humbly and kindly, renouncing her former prideful ways.


Thus, all the prideful characters in Martin Chuzzlewit must face hardship, and though some end the novel either still facing the consequences of their actions (Pecksniff and Cherry) or dead (Jonas and Tigg), all the others learn from their mistakes and become happier for it.

Hypocrisy and Selfishness as the Ultimate Evils

Many characters commit various evils throughout the novel, largely driven by hypocrisy and a selfish disregard for the feelings and well-being of others. Dickens seeks to show how these vices have a ripple effect, causing misery on both an individual and societal level. In constantly drawing attention to the impacts of these vices, Dickens portrays hypocrisy and selfishness as the ultimate evils. 


The novel’s primary antagonist is Pecksniff, whose villainy comes not only from his selfishness but from the way he tries to hide it through a hypocritical moral facade. Pecksniff claims he is a moral and upstanding man, yet exploits his apprentices and steals their work, then also schemes to try to get Old Martin’s fortune for himself. At the end of the novel, when Old Martin reveals he has been scheming against Pecksniff, he highlights Pecksniff’s inability to repent of his selfish and cruel ways: “[I]f he had pleaded with me, though never so faintly […] I think I could have borne with him for ever afterwards. But not a word, not a word. Pandering to the worst of human passions was the office of his nature” (1043). Pecksniff never feels guilty for his pandering and exploitation, and is punished with a life of poverty and isolation afterwards.


Dickens also criticizes hypocrisy and selfishness on a societal level. The idea that America is the “Land of Liberty” is often contradicted by Martin and Mark’s experiences there. The narrator and characters alike frequently allude to the way American characters don’t seem to consider the people they have enslaved when considering their supposed commitment to “freedom.” Many characters who support or enable the institution of enslavement, such as the Norrises, also show a marked interest in the British aristocracy and a sense of superiority towards others instead of upholding egalitarian principles. Similarly, Dickens comments on the ways that Americans are obsessed with wealth and use their “freedoms” to take advantage of others, as Agent Scadder does with his Eden scheme. Mark and Martin’s experiences thus suggests that, when hypocrisy and selfishness become the main drivers of a society, exploitation and misery are soon to follow.


The novel also offers foils to hypocrisy and selfishness to reveal how rejecting these vices is better for everyone. Characters like Tom and John are known for their honest and straightforward behavior and their willingness to help others, even when they themselves have very little. Their happiness at the novel’s end suggests that hypocrisy and selfishness can never offer the long-term contentment that virtuous conduct does.

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