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Content Warning: This section of the guide includes discussion of death and racism.
Compare Nation to R. M. Ballantyne’s The Coral Island (1857). What arguments does Pratchett’s novel make about the nature of civilization that challenge the assumptions of the traditional “Robinsonade” genre?
How does Nation compare and contrast with other novels that challenge colonial attitudes, such as Chinua Achebe’s Things Fall Apart (1958) and Barbara Kingsolver’s The Poisonwood Bible (1998)? How do the different authors explore The Subversion of Imperialism?
Humor is one of the hallmarks of Pratchett’s writing. Citing specific evidence from the book, analyze the techniques he uses to create comedy. How does the novel’s humor support its themes and overall meaning?
How does the distinct knowledge of female figures like the Grandmothers and Mrs. Gurgle function as a source of power that shapes the new Nation’s identity?
Citing specific evidence from the text, analyze how literary devices like irony and caricature allow Pratchett to explore subjects such as grief without diminishing their emotional weight.
The final agreement establishes the Nation as a partner to the Royal Society, not a colony. In what ways does this arrangement challenge imperial power structures, and in what ways might it subtly reinforce them?
Mau rejects his gods, yet he assumes Locaha’s spiritual authority after killing Cox. Does he replace religion with humanism or create a new belief system from the old one? Use at least three examples to support your position.
Compare and contrast Nation with Pratchett’s other books, such as Good Omens (2015). What patterns can you identify in the author’s portrayal of religion and human nature?
Research Pratchett’s 2010 Richard Dimbleby Lecture, “Shaking Hands With Death.” How does the author’s public philosophy on mortality and rationalism inform Mau’s journey?



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