54 pages • 1-hour read
Elizabeth DayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Reading Tools
Content Warning: This section of the guide includes discussion of addiction, substance use, sexual content, sexual harassment, gender discrimination, bullying, disordered eating, cursing, and death by suicide.
Martin Gilmour is attending compulsory therapy sessions following a “cultural sensitivity” incident at the University of South Anglia, where he works as an art history lecturer. Martin describes his therapist, Joanne Buster, as a relentlessly cheerful woman whose positivity grates on him. He recalls his late mother, Sylvia, who taught him that life was “to be endured” (3), not enjoyed. Martin conceals his contempt and “repellent” thoughts from his therapist, providing the responses she wants to hear.
Martin remembers his former best friend, Ben Fitzmaurice, who called him “Little Shadow” at Cambridge. Before detailing the classroom incident to Joanne, he shares his backstory with the reader. As an undergraduate, Ben drunkenly drove and killed a woman named Vicky Dillane. Martin, a sober passenger, took the blame, and the Fitzmaurice family paid him hush money for years. At Ben’s 40th birthday party, he and his wife, Serena, declared they were cutting contact with Martin. When Serena insulted Martin’s wife, Lucy, about her infertility, Lucy struck Serena with a champagne bottle. Feeling he had nothing to lose, Martin told police the truth about Vicky, but the family quashed the investigation.
In the session, Martin recounts a lecture on Manet in which a student, Jacob Malik-Edwards, objected to his use of the term “orientalism.” Another student filmed the exchange. The confrontation escalated, with Jacob accusing Martin of racism before walking out. The video went viral, Jacob’s barrister father threatened legal action, and the university suspended Martin without pay. Martin admits that Jacob’s verbal attack on him reminded him of bullies at boarding school, from which his friendship with Ben offered protection. When Joanne suggests Martin has repressed sexual feelings for Ben, he leaves feeling enraged and empty.
Walking home through Cambridge, Martin returns to his cottage, pours a double vodka, and is greeted by his cat, Maurice—a stray named after Fitzmaurice. Amongst his mail, he finds a black-edged invitation to the funeral of Lady Felicity Fitzmaurice, Ben’s sister, with donations requested for an addiction charity. Martin feels unexpectedly sad. He remembers Fliss as not fitting the Fitzmaurice mold but recalls that when Ben cut him off, she did nothing to help. He wonders why the family is publicizing her addiction and why, after so many years, he has been invited.
Serena Fitzmaurice is at the exclusive Wurttensee Clinic in Austria on a strict regimen of near-starvation and mindfulness. She reflects on her marriage to Ben, which now feels paternal rather than romantic. Her adored father tied her worth to her beauty and once told her as a child that she was “getting chubby,” triggering a lifelong disordered eating. Menopause has brought mood swings, brain fog, and weight gain, and she worries about Ben’s fading attraction and their dire finances from maintaining Denby Hall and Tipworth Priory.
Ben’s friend Andrew Jarvis loaned them money for renovations at Tipworth, and Serena has been exchanging flirtatious texts with him despite finding him unattractive. She recalls the COVID lockdown, which she spent with her four children in Turks and Caicos, and how purposeless she felt when they returned to boarding school. On Instagram, she notices a post from barrister Dominic Malik-Edwards and recalls a past scandal in which Fliss was caught with him at a party.
Shortly before coming to the clinic, Serena arrived home unexpectedly and found Ben receiving oral sex from her friend Violet in his study. The confrontation was interrupted by a call from Ben’s mother, revealing that Fliss had died, and her body was found on a beach in Bali. Serena admits to herself that she secretly invited Martin to the funeral because she wanted to unsettle her husband and perhaps gain an ally.
Richard Take, a recently demoted MP, walks through London after a tedious lunch. He recalls his forced resignation: CCTV in his ministerial office captured him watching pornography and masturbating on his work computer, and the tabloid headlines were brutal. That same night, his wife, Hannah, a successful lawyer, left him, saying she was no longer in love with him and that their marriage had been one of convenience. Richard reflects that his pornography addiction began as a way to cope with their sexless marriage and his own inadequacy.
At his cramped new office, Richard’s office manager, Terri, informs him that Ben Fitzmaurice has invited him to his sister’s funeral. Richard is thrilled, seeing it as a step back into elite circles. Terri also notes that Andrew Jarvis, a major Conservative donor and Ben’s friend, has a reputation for sexually harassing staff.
Richard calls his crisis PR agent, Gary Brotherton, to discuss media options. Gary pitches a reality TV show called Shit Happens!, in which celebrities work as sewage workers for a £300,000 fee. Hoping to rehabilitate his image and appear as “a man of the people” (58), Richard accepts. He feels a surge of optimism about the funeral and the TV deal, then a pang of sadness when he remembers he can no longer share the news with Hannah.
Seventeen-year-old Cosima Fitzmaurice, Ben’s eldest daughter, sneaks out of her boarding school at night to join an Oblivion Oil environmental protest. She meets fellow activists, including the leader, River, and an older woman, Meadow. River seems to view her as a privileged girl dabbling in activism. They plan to blockade the St. Regis oil terminal in Essex by climbing onto fuel tankers, making it illegal for drivers to move them. Cosima, codenamed Pineapple, is anxious because she must leave in five hours to catch a train to her aunt Fliss’s funeral.
The group travels to the terminal by minibus, then sneaks through the undergrowth to the gates. Cosima fuels her resolve with anger at her father, the Energy Secretary, for cutting green budgets. The confrontation intensifies as drivers arrive, shouting abuse. One driver starts his vehicle and drives forward with River still on top. River falls. Cosima hears a thud and a snap. Meadow screams and runs toward the unmoving body.
The elderly activist Peatbog stops Cosima from approaching, reminding her she cannot risk arrest. Realizing she must leave, Cosima departs, vomiting from fear and distress. She vows to stay angry and keep fighting, convinced River would want her to continue.
Fliss narrates from the afterlife. Expecting instant nothingness, she experiences a blissful, floating sensation as her consciousness expands and connects with everything. Freed from her body, her thoughts are sharp and clear, like the most profound psychedelic experience she has ever had. Finally unbound, she believes she can see and understand all.
Martin recalls the last time he saw Fliss, about five years earlier, at King’s Cross Station. She was crouched with an unhoused man, whom she passionately kissed. The public display worried him, suggesting she was giving up.
On the day of the funeral, Martin arrives at Denby Hall to find a far larger and more public event than expected, with a marquee, celebrities, and security. As he considers leaving, Ben intercepts him, his surprise confirming that he did not send the invitation. Serena reveals she invited Martin, telling Ben to “let bygones be bygones” (84). Martin deduces she wants to unsettle Ben due to marital trouble. When he asks how Fliss died, Serena says she drowned while high in Bali.
Serena seats Martin next to Derek, a man who befriended Fliss in Bali. During the service, Ben delivers a polished eulogy framing Fliss’s death as a tragic accident caused by addiction. Derek urgently tells Martin that Fliss was not using drugs and that she killed herself, leaving a note. He suggests that the actions of Fliss’s family caused her despair.
Martin needles Richard Take about the pornography scandal until Richard retreats. Wandering into the house, he overhears Ben on the phone with Prime Minister Edward Buller. Ben invites Martin into the study for a whiskey, apologizing for their falling-out and suggesting a reconciliation. He offers to speak to Dominic Malik-Edwards to smooth over Martin’s race row. Martin accepts but privately resolves to use this renewed proximity to uncover the truth about Fliss and bring the Fitzmaurice family down.
The opening chapters establish the motif of invitations as a mechanism for negotiating power and access. Serena secretly sends Martin a summons to Fliss’s funeral as a calculated gesture intended to disrupt Ben’s composure. Simultaneously, disgraced politician Richard Take receives the same summons and perceives it as a vital opportunity to rehabilitate his ruined public standing. For Martin, the invitation evokes his past inclusion in the elitist Fitzmaurice world, noting the “luxurious heft of bevelled card” (17). It also forces him to confront a history of deep betrayal, having taken the blame for Ben’s fatal drunk-driving accident, only to suffer excision from the family’s inner circle when Ben launched his political career. In both cases, the formal requests represent much more than inclusion in a ritual of mourning. Serena weaponizes Martin’s unexpected presence for marital revenge following Ben’s infidelity, unaware that Martin has his own secret agenda of vengeance. Meanwhile, Richard is oblivious to the role his support will play in Ben’s political ambitions. Invitations are cynically given and accepted as opportunistic tactical maneuvers. This transactional use of social protocol introduces the theme of The Fickle Nature of Loyalty in Elite Circles. In this insular social stratum, relationships depend on strategic utility, leaving outsiders like Martin vulnerable to sudden exclusion when their usefulness expires.
The juxtaposition of Martin and Richard’s narratives introduces the theme of Hiding the Authentic Self With a Public-Facing Persona as both characters face unwelcome scrutiny. Martin faces professional ruin after a video of a student accusing him of racism sparks a campus controversy and makes national headlines. Similarly, Richard loses his ministerial position and his marriage when workplace CCTV captures him watching pornography. In both instances, digital recordings of the characters’ missteps force them into defensive public posturing to actively manage the ensuing fallout. In response to the media scandal, Richard agrees to join a reality television show, intending to project a relatable, marketable image to appeal to voters. The decision reflects a modern political environment where optics dictate influence. Meanwhile, Richard feigns regret and progression in his therapy sessions, disguising his contempt for the process. These strategic responses to public shaming suggest that professional survival depends entirely on the successful manufacturing and containment of one’s digital reputation, often at the expense of genuine human connection.
The stately home setting of Fliss’s funeral establishes the theme of The Corrupting Nature of Wealth and Status, exposing the moral decay embedded within inherited privilege. The Fitzmaurices deploy the grandeur of Denby Hall to detract from the dubious circumstances surrounding Fliss’s death. Ben’s polished eulogy, framing his sister’s death as an accidental drowning fueled by addiction, explicitly contradicts Derek’s narrative that Fliss died by suicide due to “what they did to her” (88). Martin’s observation of celebrities and security guards at the funeral emphasizes the family’s transformation of private mourning into a heavily managed social gathering. Denby Hall operates as a private fortress where the family actively rewrites history to protect Ben’s political ambitions. By staging the event on their ancestral grounds, the Fitzmaurices physically insulate themselves from accountability, using the architecture of their heritage to validate a fabricated story. Just as the family previously leveraged their connections to suppress police investigations into Ben’s Cambridge car crash, they continue to manipulate the truth, demonstrating an entrenched belief in their own impunity.
Nevertheless, the novel’s multi-perspective structure highlights fractures within the Fitzmaurice dynasty. While Ben operates complacently within the insular Westminster bubble, his 17-year-old daughter, Cosima, resists the established political order, endangering herself at an Oblivion Oil blockade to protest his policies as Energy Secretary. Witnessing River’s fall from a moving fuel tanker only solidifies her hatred of her parents’ elite lifestyle. Cosima’s narrative runs in parallel with the interludes narrated by Fliss from the afterlife, in which she finally experiences a “blissful sense of belonging” free from her family’s toxic dynamics (75). Cosima’s environmentalism directly challenges the governmental authority her father wields, while Fliss’s posthumous voice subtly refutes the sanitized version of her life presented by the elite. Martin’s concluding decision to accept Ben’s hollow offer of reconciliation—calculating that proximity will aid his revenge—capitalizes on these internal divisions. By giving voice to marginalized family members and alienated outsiders, the text highlights the vulnerabilities of the ruling class, suggesting that their absolute control shows signs of internal erosion.



Unlock all 54 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.