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Content Warning: This section of the guide includes discussion of illness.
Professional hockey player Rio DeLuca is on a second date with a woman named Chelsea, who’s primarily interested in the financial perks of his career. When Rio rejects her suggestion to go back to his place for sex, she reveals that she has backup plans and leaves him at the restaurant. Having just returned to Chicago, Illinois, after spending the off-season with his mother in Boston, Massachusetts, Rio checks in with his friend group via text before visiting his best friend, Indy, and her husband, Ryan, a professional basketball player. He tells them about the failed date but hides the fact that he avoids casual hookups and prefers a deeper connection.
After arriving home, Rio speaks with his neighbor Wren Wilder, whose house was renovated over the summer. Wren mentions that her new roommate is the designer responsible, an intern for the famous Tyler Braden. Concerned that his own house won’t sell for a good price, Rio asks for the designer’s contact information, as he’s considering leaving Chicago to play for his hometown team in Boston.
Hallie Hart, an interior-design intern, moves into a spare room in Wren’s house, a more affordable option that helps her strained finances. Hallie and Wren became friends while Hallie was managing the home’s renovation. Hallie tells Wren that her neighbor Rio has contacted her firm for a project at Wren’s recommendation.
Later, Hallie goes on a date with Brian, a client of her boss, Tyler Braden. He surprises her by driving to the United Center for a Chicago Raptors hockey game. Hallie, who has actively avoided Rio for the six months she has lived in Chicago, is horrified. Her dread increases when she sees that their seats are in the row closest to the ice.
During the game, Hallie discovers that Brian is married when she sees texts from his wife. As she prepares to leave, a player is slammed against the glass directly in front of her. The player who delivered the hit is Rio. When he looks into the crowd, he and Hallie make eye contact, both frozen in shock.
In a flashback to Boston, a 12-year-old Rio feels lonely as an only child and wishes for a new friend in his neighborhood. His wish is granted when the Hart family moves in next door. Rio meets 12-year-old Luke Hart and his sister, Hallie, who’s celebrating her 11th birthday that day. Hallie explains her tradition of choosing a song to commemorate important moments and picks one to remember moving to Boston from Minnesota and meeting Rio. The two form an instant connection and agree to be friends.
The narrative returns to the present. After the hockey game, Rio returns home, wondering if he hallucinated seeing Hallie in the crowd. His question is answered when he sees Hallie herself pull into Wren’s driveway. He confronts her, and they both realize with dread that they’re now next-door neighbors and that Hallie is the designer Rio hired. Hallie explains that she has lived in Chicago for six months and deliberately avoided him during that time. Hurt that she never reached out, Rio becomes angry. They agree that working together is impossible. As Rio walks away, he remembers seeing her with a man at the game and turns back to tell her, “Lose him.”
At a staff meeting, Hallie is praised for landing the project to renovate Rio’s house. She’s forced to tell her boss that the job fell through due to a “conflict of interest” (43), a move that jeopardizes her chances of being hired full-time after her internship. Her supervisor, Tina, privately urges her to salvage the project. Financially desperate and secretly working a second job as a bartender to make ends meet, Hallie goes to the Raptors’ practice rink to find Rio. She begs him to reconsider, explaining how much she needs the job. Overwhelmed, Rio leaves for a week-long road trip without giving her a final answer.
After a phone call with his mother, Mia DeLuca, who wants him to move back to Boston, Rio joins his friends for their weekly Sunday dinner. The group of married couples, including teammate Zanders and his wife, Stevie, as well as Indy and Ryan, tease Rio for being single. When his friends try to set him up, Rio says he’s taking a break from dating. Zanders then mentions seeing Rio with a mysterious woman at practice and describes him as looking “love-sick.” Overwhelmed, Rio retreats to the kitchen, where the women follow. He admits that Hallie was his childhood neighbor in Boston and that they have a difficult history. Indy gently persuades him to help her if she needs the job. Her words resonate, and Rio texts Hallie, “You start tomorrow” (64).
In a flashback to Hallie’s 13th birthday, her family celebrates with the DeLucas. Hallie has a crush on Rio, who is now 14 and best friends with her brother. Rio gives her thoughtful gifts, including a special notebook for her design sketches and a cassette tape. When Luke wants to play video games with him, Rio chooses to stay with Hallie instead. Later that night, Hallie sees Rio sitting on the roof connecting their houses and joins him. He shares his hoodie to keep her warm and confides his insecurities about his hockey skills. Hallie encourages him not to quit. He asks to listen to the annual birthday mixtape she made, and they go to her room. As they listen, Rio hints that he has a crush on her.
Rio and Hallie’s first design meeting is tense and awkward. The meeting is interrupted by a distressing call from her brother, which Hallie tries to conceal. Believing that she has a date afterward, Rio intentionally stalls their meeting. The interaction swings between nostalgic connection and deliberate coldness. When Rio instinctively traces her signature “H heart” drawing, a private gesture from their childhood, the intimacy rattles them both. To re-establish distance, he makes a cruel remark about their past. Hurt by the emotional whiplash, Hallie quits the project, declaring that she would rather remember the boy he was than work with the man he has become.
Hallie arrives home at two o’clock in the morning after a difficult bartending shift, drained from her disastrous meeting with Rio. She finds him sitting on his front steps, waiting for her. He approaches and apologizes for his behavior during their meeting, admitting that he no longer knows how to act around her. He explains that he’s still angry but doesn’t want to be cruel. Hallie confesses that she’s also struggling to navigate their new dynamic. Rio clarifies that he wants to start over, not replace her on the project. Playfully echoing their first meeting, Hallie formally re-introduces herself, and they agree to try to be friends. They schedule a walk-through of his house for the end of the week. After Hallie goes inside, she watches through the peephole as Rio lingers for a moment before returning home.
Rio DeLuca’s disastrous second date with Chelsea in the opening chapter establishes his conflict between his public persona and his private longing. Chelsea, who’s interested only in the financial perks of dating a professional athlete, contrasts with Rio, who secretly craves a deep connection. He deflects her questions about diamond rings by discussing his lactose intolerance, a comically mundane detail that signals his disinterest in the transactional nature of their date. When he suggests that they “pick a song to remember” the occasion (3), Chelsea’s bewildered reaction emphasizes his romantic idealism, which he immediately attributes to Hallie Hart: “She’s not her. No one else has been” (3). Rio hides this vulnerability from his friends, allowing them to believe that he simply has “no game.” This concealment reveals a core tension between the pressure to conform to the hyper-masculine athlete stereotype versus his authentic desire for a meaningful relationship, a desire shaped by his history with Hallie. This internal conflict grounds the novel in the “second chance” romance framework, investing Rio with an emotional depth that complicates the typical sports-romance protagonist.
Hallie’s move into Wren’s spare room and her secret second job as a bartender immediately frame her character through the lens of financial precarity. When she’s forced to turn down the renovation project with Rio, the decision jeopardizes not just a career opportunity but her basic financial stability. Her desperation is rooted in the off-page but deeply felt reality of her father’s illness, showing the theme of The Invisible Toll of Caregiving. This context, drawn from the real-world financial devastation of managing a loved one’s cancer treatment, elevates her conflict beyond a simple workplace drama. This context reveals her plea to be a cry for survival: “I need this job, Rio. I desperately need this job” (51). By establishing the burdens of debt and caregiving as Hallie’s chief motivation, Tomforde grounds the romance in a high-stakes, realistic conflict.
The narrative uses objects from Rio and Hallie’s shared past to demonstrate how their history actively shapes their present. The alternating flashback chapters establish the origins of key motifs, such as the mixtapes and CDs that Hallie uses to memorialize important life events and the roof connecting their childhood homes, which provides a private space for confession and intimacy. In their fraught present-day interactions, these talismans of their shared youth resurface, breaking through the professional and emotional distance they attempt to maintain. During their first design meeting, Rio instinctively traces Hallie’s signature “H heart” drawing, a private gesture from their adolescence that affects both of them. These motifs demonstrate The Endurance of Love Through Shared Memories, suggesting that their connection is too deeply embedded in their personal histories to be easily dismissed.
The dual-perspective narrative structure, which alternates between Rio and Hallie, creates a dynamic of emotional back-and-forth and dramatic irony. The reader has access to both characters’ internal struggles and past hurts, making their miscommunications and defensive actions understandable yet moving. Rio oscillates between moments of genuine warmth, as when he compliments Hallie’s haircut, and acts of intentional cruelty born from unresolved anger, such as when he stalls their meeting to make her late for what he assumes is a date. Hallie experiences this instability as a “back-and-forth” that is “exhausting,” leading her to quit the project. This volatility reveals that their unresolved history is an active, disruptive force that prevents them from relating to each other in a purely professional or platonic capacity.
Beneath their immediate conflict lies a shared, unspoken trauma that has damaged both of their familial relationships. Hallie’s tense phone call with Luke and her defensive reaction when Rio asks about him suggests a fractured family dynamic. Rio, in turn, reveals that he cut ties not only with Hallie but also with Luke, his former best friend, indicating that the original wound was deep enough to sever multiple core relationships. His inability to discuss their past with his closest friends in Chicago further isolates the trauma, while Hallie’s refusal to explain her financial situation to Rio keeps her own burdens private. This pattern of concealment and fractured relationships points toward How Trauma Rewrites Familial Trust, framing their conflict as the result of a deep betrayal that has reshaped their understanding of loyalty. At the end of this section, their agreement to start over as friends is a fragile attempt to build a new connection over the ruins of their shared history.



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