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Content Warning: This section of the guide includes discussion of substance use and cursing.
Hallie arrives at Rio’s house for their first design meeting feeling anxious. Rio opens the door shirtless, revealing a new tattoo and flustering her. Inside, he makes her a vanilla almond milk latte, remembering that that was her usual order, though a tense call from his father briefly interrupts them. They resume the meeting with Rio playing music to revive their old tradition of linking songs to memories and share a playful, physically close moment during a tour of his bedroom. The meeting ends early when Rio’s friends Indy, Stevie, Miller, and Kennedy arrive and invite Hallie to his hockey game. Rio answers for her and claims that she’s busy, which he regrets when Hallie lets him assume that she has a date.
After his game, Rio goes to a bar with his team, still bothered by thoughts of Hallie on a date. He’s stunned to find Hallie working behind the bar. A teammate tries to set him up on a date, and Hallie assumes that Rio and the other woman are together. Rio follows Hallie to the bar, asks why she’s working there, and embarrasses her by offering to give her money. When a male coworker asks Hallie if she’s all right and puts his hand on her hip, Rio grows jealous and nearly starts a fight. Hallie pulls him outside, explains her financial struggles, and rejects his help. As the argument diffuses, Rio tells her that the coworker has no right to call her “Hal,” his nickname for her, because he doesn’t know her. Hallie explains that the coworker isn’t interested in her and was only trying to shield her.
The narrative moves back in time. After his varsity hockey game, 16-year-old Rio finds Hallie, who is going to babysit to add to her college savings instead of celebrating her 15th birthday that night. When Luke tries to avoid driving her to the babysitting job, Rio volunteers, giving them their first time alone in his truck. Hallie takes his hand during the drive. Overwhelmed, Rio pulls over, admits that she distracts him, and voices concern about Luke’s protectiveness. They agree to keep things secret and hold hands the rest of the way. Later, they meet on the roof for their birthday tradition, and Hallie gives Rio her annual mixtape, which is now a CD. The final track is the song from the truck ride. She explains that she added it because that moment was when she realized he might feel the same way about her.
The narrative returns to the present. Rio arranges for his mechanic to tow and repair Hallie’s car without telling her, fully expecting her to react with anger. Reflecting on their past, he reaches a revelation: Her anger is justified because he broke his promise to take her with him when he left their neighborhood, making her life harder. His quiet evening is interrupted when all eight of his friends arrive with their four children after a babysitter cancels. They need him to watch the children so that they can attend a dinner reservation, which is especially important to Miller, an award-winning pastry chef. After initially refusing, Rio is guilt-tripped into agreeing. Before leaving, Indy suggests that he ask Hallie for help.
After a brief talk with Wren and a video chat with her father, who’s happy that she and Rio are reconnecting, Hallie receives a text from Rio bribing her with homemade lattes to help him babysit. Before heading over, she discovers that he secretly had her car repaired. At Rio’s house, she helps settle the children with a movie. During a quiet moment in the kitchen, Rio admits that he hasn’t been in a serious relationship since they were together. Hallie confesses that their past love was real to her. They grow closer watching the movie, and Rio falls asleep on her. After the kids are picked up, Hallie tries to slip away without waking him, but Rio follows her outside, hugs her tightly, and admits to having missed her. They nearly kiss, but Hallie pulls back to protect their tentative friendship. Rio kisses her forehead instead, and, as she reaches her door, she turns and tells him she missed him, too.
The narrative moves back in time. At Hallie’s 16th birthday party, Rio feels guilty about hiding their relationship from Luke. His insecurity grows when a popular senior, Grant Newcastle, arrives and shows interest in Hallie. He’s further unsettled to learn that Luke would have been fine with her attending prom with Grant. After Grant’s friends turn the party into a drinking event, Rio leaves early out of jealousy. Later, Hallie climbs through his window, disappointed that he skipped their rooftop birthday tradition. During their talk, she assumes that they’re girlfriend and boyfriend, which he quickly and happily confirms. Rio asks her to play a song before initiating their first kiss, wanting to tie the moment to a song for her future mixtapes.
The narrative returns to the present. Following a post-game press conference, Rio feels an urgent need to see Hallie on his one night home after weeks away. Consumed by thoughts of their almost-kiss and his long-held feelings, he goes to the bar where she works, and the two fall into flirtatious conversation. Hallie admits that his flirting always worked on her. When she returns to work, Rio tells her that he’ll wait until her shift ends. When she asks why, he says simply that he missed her.
After her shift, Hallie finds Rio waiting to drive her home and is moved to discover that he has placed a blanket and pillow in his truck for her. At her request, they drive for hours, listening to music and reminiscing. When Rio walks her to her door, Hallie initiates a small kiss. He asks if she’s single and, when she confirms it, declares that they’re not friends and kisses her passionately. The moment breaks when Hallie suddenly recalls their past heartbreak. Sensing the shift, Rio stops but pleads with her not to overthink things. He gives her one last gentle kiss and leaves, telling her that he’ll see her in a couple of weeks.
At a design meeting, Hallie’s boss gives her a two-week deadline to finalize initial concepts for Rio’s renovation, but Rio insists that all decisions be made in person with her and playfully suggests she fly to him. When Hallie asks Tyler for an extension, he instead tells her to travel to Rio, citing the firm’s luxury service standard and offering to cover all expenses. When Hallie explains that she can’t go because she needs income from her bartending job, Tyler resolves this by offering to pay her overtime for the entire trip. Hallie agrees and informs Rio that she’s coming. Rio is pleased and promises to make the trip worth her time.
In the novel’s second section, Tomforde explores the deep socioeconomic chasm between the two main characters. Hallie’s declaration that she’s working two jobs to make ends meet is a moment of vulnerable confession, yet her pride compels her to refuse Rio’s financial assistance. This pride is a defense mechanism against the power imbalance that now defines their dynamic. The scene illuminates the theme of The Invisible Toll of Caregiving. While Rio has been building a lucrative career as a professional athlete, Hallie has been sacrificing her own financial future to care for her father. Her precarity is invisible to Rio until this confrontation, forcing him to reckon with his own privilege. Rio’s subsequent secret arrangement to have her car repaired is an attempt to care for her without wounding her pride, showing a growing awareness of the complex dynamic between his wealth and her need for independence.
The narrative structure, which alternates between present-day events and flashbacks to Rio and Hallie’s teenage years, juxtaposes their past intimacy and current estrangement. Chapter 11 depicts a tense, mostly silent drive home from the bar, freighted with unspoken issues of money and pride, which ends with Hallie falling asleep from sheer exhaustion. This is immediately followed by Chapter 12, a flashback to their first drive alone, a key moment of burgeoning romance where they nervously hold hands for the first time. The stark contrast between these two car rides measures the emotional distance that has grown between them. The first represents the burdens of their adult lives and the consequences of their separation, while the second captures the innocence and hope of their young love. Tomforde’s structural choice infuses their present-day interactions with a sense of loss, as the reader is constantly aware of the deep connection they once shared.
The flashback to Hallie’s 15th birthday solidifies the importance of mixtapes and CDs as a motif of The Endurance of Love Through Shared Memories. When Hallie gives Rio a CD, she explains that the final track, the song from their first drive alone, was added because “it was the first time [she] realized that [he] may feel the same way about [her] as [she’s] always felt about [him]” (146). In another flashback, Rio insists that Hallie put on a song before their first real kiss, explicitly linking music to the act of creating a memory worth preserving. This ritual of curating music transforms songs into artifacts of their relationship, encoding specific feelings and milestones into a shared soundtrack. In the present, this practice is reignited when Rio plays music during their design meeting and again during their late-night drive, demonstrating how music functions as their most reliable form of communication across a six-year silence.
Rio’s and Hallie’s contrasting family dynamics reveal how the main characters are shaped by different foundations of support and insecurity. A tense call from Rio’s father during their design meeting makes his “glare harden,” hinting at a strained relationship that contrasts sharply with Hallie’s warm, encouraging video call with her own father. These brief scenes suggest that Rio’s family life is a source of stress, while Hallie’s, despite her father’s illness, remains an emotional anchor. The flashbacks deepen this exploration of How Trauma Rewrites Familial Trust. Rio’s fear of Luke’s disapproval of his relationship with Hallie creates a constant undercurrent of secrecy and guilt. This insecurity is amplified when Rio learns that Luke would have accepted a popular senior taking Hallie to prom, making Rio feel that his own connection is somehow less legitimate. Rio’s guardedness in turn affects his ability to be vulnerable and his perception of his own worthiness.
The passionate kiss that Hallie and Rio share in Chapter 17 marks the collapse of the polite boundary they have struggled to maintain. After a long, nostalgic drive, Rio declares, “[W]e aren’t fucking friends” (195), and the ensuing kiss carries the weight of six years of unspoken longing. This moment is the culmination of a steady escalation of physical intimacy from a playful scuffle in Rio’s bedroom to falling asleep together on the couch. The kiss signifies a mutual decision to abandon the pretense that they can ignore their romantic feelings for one another. However, the intensity is broken when Hallie is suddenly reminded of her past heartbreak. This swift intrusion of memory demonstrates that physical intimacy alone can’t erase years of pain, signaling that the emotional and psychological work of reconciliation has just begun.



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