Saltwater

Katy Hays

Saltwater

Katy Hays
52 pages1-hour read
Fiction
Novel
Adult
Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 12-21Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussions of graphic violence, substance use, addiction, physical and emotional abuse, sexual content, and death, including death by suicide.

Part 1, Chapter 12 Summary: “Lorna (Hours Before Lorna’s Disappearance: 16)”

Lorna and Helen join Ciro and his two friends, Lorenzo and Giuseppe, on a boat. Ciro takes them to the Marina Piccola to drop off a bag, and Lorna observes that he is deceptively strong. She is wary of the men and notes that Helen is acting unusually carefree.


Lorna recalls how Stan pressured her to spy on Marcus for information, implicating the Lingate family in Sarah’s death. Lorna formerly worked as a party girl, during which time she attended Stan’s events and stole from wealthy men like him. Stan is using Lorna’s past as leverage against her.


On the boat, Ciro brings them past Casa Malaparte before stopping in a secluded inlet. He tells them it’s where the Roman emperor Tiberius used to throw people from the cliffs. Ciro convinces Lorna and Helen to go swimming. Lorna gets tired, but Ciro pulls up the boat’s ladder, pretending to abandon the women. Lorna panics, grabs Helen, and accidentally pulls her underwater. Ciro dives in to rescue the Helen. Back on the boat, Helen dismisses the event as a joke and asks Lorna not to tell Freddy. Lorna agrees but suspects Helen is protecting Ciro.

Part 1, Chapter 13 Summary: “Helen (Now)”

Helen, Ciro, and Freddy are on a boat. Freddy goes swimming, giving Helen a chance to speak privately with Ciro, who notices a bruise on her arm from where Lorna grabbed her.


Helen recalls how she and Lorna orchestrated a blackmail scheme, using Sarah’s necklace to demand €10 million from Richard and Marcus by the anniversary of Sarah’s death, threatening to release further incriminating information to the police. Helen sent the necklace to Ciro in Naples and asked him to then mail it to the villa. Lorna was supposed to collect the money and meet Ciro, who would drive her to Naples.


Helen asks if Lorna met Ciro the previous night, but Ciro says she never arrived. Helen notices a deep cut on Ciro’s hand, which he claims is from fishing, but Helen suspects it is from a knife or glass. They kiss when Freddy is out of sight.

Part 1, Interlude 2 Summary: “Sarah Lingate’s Body to Be Released to Family”

A New York Post article from February 27, 1993, reports that Italian authorities have agreed to release Sarah Lingate’s body to her family after a seven-month delay. The family’s lawyer claims the delay was a form of police harassment. An anonymous source suggests the police held the body because the family intended to cremate it, which would destroy any potential evidence. The article references rumors that Richard had been violent with Sarah on the night of her death and that she had injured him earlier that day.

Part 1, Chapter 14 Summary: “Sarah (July 12, 1992)”

In Los Angeles, the family prepares for the trip to Italy. Sarah reflects on Richard’s growing paranoia. After a long period of writer’s block following the birth of their daughter, Helen, Sarah has secretly written a new play titled Saltwater. She asks Richard to read it.


Sarah recalls her romance with Richard in New York, where she was a rising playwright and he was a wealthy literary host. After they married and moved to Los Angeles to attend to Richard’s dying father, Richard became controlling, and Sarah felt trapped.


When Richard reads the play, he is enraged, realizing it is a depiction of their family. He accuses her of exposing them to gossip and damaging their name. When Sarah asks what he will do if she produces it anyway, he threatens to sue her and ensure she loses everything. Sarah thinks to herself that she has already lost everything, which makes her more dangerous.

Part 1, Chapter 15 Summary: “Lorna (Hours Before Lorna’s Disappearance: 10)”

Lorna, Helen, and Freddy have drinks at the villa. Lorna is unsettled by Helen’s detached calm. Richard announces they are all having dinner on Stan’s yacht. Startled, Lorna cuts her thumb with a knife.


A doctor comes to give Lorna stitches. While alone with her, Marcus asks Lorna to listen for anything Stan says about Sarah at dinner. He says he may need her to go to shore later, and Lorna knows he is debating whether to pay the blackmail money. He also asks Lorna to reassure Naomi that there is no affair between them.

Part 1, Chapter 16 Summary: “Helen (Now)”

Eighteen hours after Lorna’s disappearance, Helen searches Lorna’s room and finds most of her belongings are still there, including her passport. In Lorna’s carry-on bag, Helen discovers an unopened pregnancy test just as Naomi enters the room and sees it.


At dinner, the family shows no urgency about Lorna’s disappearance. Richard tells her they have people looking into it and instructs her to be quiet. Suspicious of their lack of concern, Helen goes back to Lorna’s room and finds her laptop, which has been completely wiped. Realizing her father and uncle must have done it, she frantically searches the room and finds a manila envelope hidden under the mattress. Inside is a copy of her mother’s unpublished play, Saltwater.

Part 1, Interlude 3 Summary: “New Sources Come Forward in Sarah Lingate’s Death”

A Los Angeles Times article from November 2007, 15 years after Sarah Lingate’s death, reports that two new anonymous sources have emerged. One source claims to have seen Sarah, injured, with an unidentified man near the family’s villa on the night she died. A second source, who was at the same dinner party, claims to have overheard Richard complaining that Sarah had tried to kill him earlier that day. The article quotes Stan from an older interview in which he calls for the case to be reopened.

Part 1, Chapter 17 Summary: “Sarah (July 18, 1992)”

Sarah’s agent calls to inform her that Richard’s lawyers have sent a cease-and-desist letter to stop the production of her play, and the agency may drop her as a client. Sarah, Richard, Marcus, and Naomi go spearfishing from a small boat. Sarah fantasizes about Richard dying. When a large tuna appears, Sarah fires her speargun. The fish moves, and the spear hits Richard in the calf. He screams that she shot him on purpose, while she insists it was an accident. They get him back to shore, and a doctor gives him almost 20 stitches. 


Sarah separates from the group to sit alone at a café. Marcus joins her and attempts to placate her by calling their marital problems a “phase.” Sarah tells him she wants a divorce. Marcus’s demeanor shifts, and he warns her that their divorce will not be a private matter and will inevitably create conflict between him and Richard.

Part 1, Chapter 18 Summary: “Helen (Now)”

Helen reflects on discovering her mother’s identity through her plays, which a professor gave her in college. As she reads Saltwater, she recognizes disturbing parallels to her own family, providing a clear motive for them to have killed her mother and possibly Lorna.


The next morning, Helen goes to the Marina Grande, intending to check for surveillance footage of Lorna. At the funicular station, she spots a woman she mistakes for Lorna and follows her down to the lower terminal. When she confronts the woman, she realizes her mistake.


Stan appears, revealing he followed Helen. He is distraught and explains that Lorna had been compiling a dossier on the Lingates, claiming she knew who killed Sarah. Stan promised to pay Lorna $500,000 for the information. Stan confesses his unrequited love for Sarah and tells Helen, for the first time in her life, that her mother loved her very much. Helen decides to confide in Stan.

Part 1, Chapter 19 Summary: “Lorna (Hours Before Lorna’s Disappearance: 6)”

The Lingates, Freddy, and Lorna board Stan’s yacht for dinner. The scene reminds Lorna of her past as a party girl, and she sees three young women: Sasha, Martina, and Giulia. Lorna, Helen, and Freddy sit with the women, and Naomi joins them, visibly inebriated. Stan shows Marcus and Richard his helicopter and office, neither of which impress Marcus.


During dinner, Stan provokes Marcus by insinuating he is having an affair with Lorna. Marcus retorts that Stan used to chase after Sarah. The exchange escalates until Naomi, upset, leaves the table, and Marcus follows her. Stan notes Sarah’s necklace, which Helen is wearing. After a tense meal, the group goes to a party at Taverna Anema e Core.

Part 1, Chapter 20 Summary: “Helen (Now)”

Helen agrees to help Stan expose her family, though she doubts that any external attack on the Lingate family could succeed. Stan gives her a ride on his boat, and they encounter several police boats in the secluded inlet where Lorna nearly drowned Helen.


They watch as police divers pull a net from the water containing a body. From the matted dark hair and thin limbs, Helen knows it is Lorna. Staring at the body and thinking about her mother’s play, Helen realizes that her family is capable of killing Lorna.

Part 1, Chapter 21 Summary: “Lorna (Hours Before Lorna’s Disappearance: 1)”

Helen and Freddy drink and dance at Anema e Core, and Lorna wishes she could drink, too. Marcus, Richard, and Naomi left earlier, but Marcus texts Lorna that he is returning with the money. While watching Helen, Lorna sees her slip away into a dark corner and kiss Ciro. Lorna realizes Helen has secrets and backup plans of her own.


Helen finds Lorna in the bathroom and confirms the plan is moving forward. Back in the club, Stan appears and passes Lorna the bag Marcus left for her. He separately pressures her for the promised dossier on the Lingates, and she tells him he must wire her the payment first.


Lorna leaves with the bag and takes a motor scooter ride to the marina. While walking down a deserted street toward the boat slips, she hears a group of men following her. Just as she prepares to flee, a familiar voice calls her name from the darkness. The group of men walks past her without incident. Lorna is left alone on the dark street and realizes she is in danger.

Part 1, Chapters 12-21 Analysis

The narrative’s parallel structure, which alternates between Sarah’s final days in 1992, the countdown to Lorna’s disappearance, and Helen’s present narrative, forges a fatalistic link between the three women’s fates that is amplified by the motif of water and drowning. In the past, Sarah fantasizes about Richard dying at sea moments before she shoots him with a speargun, an act she insists is an accident. In the present, Lorna accidentally pulls Helen underwater during a tense boat trip, an act born of a primal fear her privileged friend cannot comprehend. Lorna intuits that Helen lacks the feeling that says: “Strangers, outnumbered, alone, trapped, danger” (93), a deficit she attributes to Maintaining Wealth to Gain Impunity. Both events are mired in ambiguity, blurring the line between accident and subconscious desire. The motif reaches the height of its significance when police divers recover Lorna’s bloated body from the same secluded inlet where she nearly drowned Helen. This discovery links Lorna’s death in the present to Sarah’s in the past, leaving a threatening tension that Helen might also drown, either physically or figuratively, in the ongoing conflict between the Lingates.


The tense dinner aboard Stan Markowitz’s yacht, Il Fallimento (“Failure”), demonstrates how social gatherings in this world are arenas for psychological combat, central to maintaining wealth to gain impunity. The verbal sparring between Marcus and Stan exposes the deep-seated rivalry between old money and new. Stan’s ostentatious display of a private chef and onboard helicopter is met with Marcus’s dismissive critique of his “lack of originality” (148), a coded assertion of the Lingates’ superior class and taste. The conflict quickly devolves into vicious personal attacks involving Sarah’s death and accusations of infidelity, revealing the raw animosity beneath their polished exteriors. This scene is part of a larger pattern of calculated pretense, in which the appearance of wealth is almost synonymous with actually possessing it. Critically, the Lingate’s wealth is signaled through leisure, while Stan’s is displayed through large purchases, fancy items, and the gathering of large groups of people. This difference foreshadows the later revelations regarding the Lingate’s finances.


Helen’s discovery of the manuscript for Saltwater establishes the play as a symbol connecting the past and present mysteries and furthering the theme of Jealousy as a Corrosive Force. Hidden by Lorna under her mattress, the play is a physical manifestation of buried truth. The flashbacks to 1992 reveal Sarah’s artistic rebellion, as she attempted to document her family’s oppressive dynamics and reclaim her own identity. For Richard, the play is a betrayal, a threat to the family’s reputation and to his own ego. His furious reaction and threat to sue Sarah into oblivion, promising: ”You’ll lose everything” (113), provides a dual motive for her death. He both wants to protect his family and prevent Sarah from outshining him. For Helen, who has only known her mother through published works, finding this unpublished manuscript is revelatory. Reading its “sharp and biting” (106) dialogue, she finally recognizes her family’s cruelty and is forced to confront the likelihood that they were capable of silencing her mother and Lorna. The manuscript is a weapon passed from mother to daughter, arming Helen with the one thing her family cannot control: The truth of their own story.


Amid the high-stakes blackmail plot, the fragile alliance between Lorna and Helen unravels, revealing that even relationships formed in opposition to the Lingates are tainted by duplicity. When Lorna sees Helen kissing Ciro in a nightclub, she is startled into the realization that she is “not the only one with secrets” (160) and that her partner has a “fallback” (160). Though Lorna is not surprised by Helen’s behavior, this moment exposes the self-interest at the core of their partnership and reframes earlier events, such as Helen’s insistence on protecting Ciro after the boating incident. Lorna realizes that Helen has connections beyond her family, which gives Helen a motivation to choose Ciro over Lorna. Both women are engaged in Survival by Adopting the Enemy’s Tactics; Lorna plays Stan against the Lingates, while Helen cultivates a secret relationship with Ciro. In each case, they are securing their own interests, even as they depend on one another for the execution of their plan. Their individual schemes, born of mutual distrust, undermine their collective effort and mirror the transactional behavior of the family they seek to exploit. This web of secret dealings and contingency plans ultimately leaves Lorna isolated and vulnerable, demonstrating that in the Lingates’ world, true solidarity is impossible, and every alliance is provisional.

blurred text
blurred text
blurred text

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs