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Content Warning: This section of the guide includes discussions of graphic violence, substance use, addiction, physical and emotional abuse, sexual content, and death, including death by suicide.
An article from the International Herald Tribune dated July 19, 1992, reports that Pulitzer Prize-nominated playwright Sarah Lingate is missing on Capri, Italy. She was vacationing with her husband, Richard; his brother, Marcus; and Marcus’s wife, Naomi. Sarah was last seen on Saturday evening after a celebratory dinner at Casa Malaparte. An eyewitness noted that Sarah and Richard had a disagreement prior to dinner. Later, their group went for drinks, but neither Sarah nor Richard was seen after they reached Bar Tiberio. Richard reportedly returned to their villa alone around 2:00 am. Police were notified of Sarah’s disappearance the following afternoon and have initiated a search. The matter is currently being treated as a missing person case. The article provides background on the Lingate brothers as wealthy heirs to the DVH Holdings fortune.
In the present, Helen Lingate reflects on her family’s wealth and how having too much or too little money makes her anxious. She reveals that the family’s origin story, that her great-grandfather struck oil while prospecting for gold, is a lie created to hide the truth that he swindled a widow out of an oil lease. He promised to split the profits if oil was found within five years, then he delayed drilling until five years and one day later. While her mother Sarah’s death 30 years ago tarnished the family myth, Helen sees it as a story she can now use to her own advantage. Waking up hungover in a bed she shared with her boyfriend, Freddy, Helen goes to check on her friend, Lorna Moreno. She finds Lorna’s room empty and the bed untouched, and questions whether the story she and Lorna told each other was the truth.
Lorna is on a chartered yacht traveling to Capri with her employer, Marcus Lingate; his wife, Naomi; his brother, Richard; Richard’s daughter, Helen; and Helen’s boyfriend, Freddy. Marcus tells Lorna, his assistant, that she is on vacation and should not work, a claim she finds hard to believe. Although Marcus arranged Lorna’s flight, Lorna chartered the yacht, booked the villa, and made all other arrangements for the Lingate’s annual trip to Capri. When the yacht was late, Marcus instructed Lorna to get them a refund. As she reflects on her friendship with Helen and the lingering questions surrounding Sarah Lingate’s death on the island, the yacht docks at the Marina Grande. During the process, the captain’s hand is crushed between the boat and the dock. The Lingates disembark with indifference, while Freddy passes Lorna a wad of euros, which she holds until the stewardess pries them from her fingers.
On the dock, Marcus praises Lorna for her composure around the captain’s injury, noting that Naomi cannot stand the sight of blood. As they travel by taxi to the town of Capri, the group encounters Stan Markowitz, a family acquaintance. Marcus is cold toward Stan, who says he will call Lorna to arrange a dinner. Lorna recalls a prior incident when Stan visited Marcus’s office, angrily insisting the Lingates got away with Sarah’s murder. The family arrives at their villa, and as the gates close, Lorna is overcome with a feeling of being trapped.
Returning to the present, Helen finds Lorna’s room empty and feels foolish for trusting her. She remembers her father’s warning to only trust family. In college, Helen gave a confidential interview to a writer named Alma about her mother’s death, thinking Alma could be trusted. Alma then tried to publish Helen’s story, even though Helen wanted it to be off the record. When her family found out, they used their influence to kill the story and pulled Helen from school. When they allowed Helen to return, they subjected her to intense surveillance. The experience taught her that she had to learn to follow her family’s rules to survive. Helen puts on a gold snake necklace and goes downstairs to face her family, knowing everyone is waiting for Lorna.
Lorna watches as a housekeeper delivers a package to Helen at the villa. In her room, Lorna hides an envelope under the mattress before running into Freddy in the hallway. He wants to tell Helen about his and Lorna’s past in the party scene in LA, but they decide to keep it a secret from Helen for the week. In the garden, Helen opens the package and finds a gold snake necklace that belonged to her mother, Sarah. Richard is stunned, confirming the necklace is authentic and was lost at sea when Sarah died. As the family reacts with fear, Marcus pockets the note that accompanied it. Both Lorna and Helen already know what the note contains and watch the family’s reaction. The housekeeper carrying Lorna’s lemonade drops the glass in the commotion. When Lorna tries to help clean up, Naomi screams at her to sit down.
Helen finds Richard, Marcus, Naomi, and Freddy having breakfast by the cliffs. She tells them Lorna is missing, explaining that her bed wasn’t slept in and she never came home. The family is dismissive, offering excuses that Lorna met a man or that her phone died. They ignore Helen’s suggestion to stay at the villa’s pool and decide to proceed with their scheduled boat trip for the day.
The group eats at a restaurant, and Lorna reflects on the motivation behind her and Helen’s plan. She recalls a hike at Runyon Canyon where Helen revealed that Richard illegally liquidated a trust fund of $2 million that Sarah had established for Helen. Richard had been the named trustee until Helen turned 30, but he drained the account while she was still in school. The family lawyer, Bud, had Helen sign an indemnity agreement, forcing her to promise not to sue for malfeasance. Trapped and financially dependent, Helen told Lorna she was determined to get out of her family’s control but needed to leave with enough money to survive.
As dinner continues, Naomi makes pointed comments about Marcus’s past “indiscretions” and accuses the deceased Sarah of “stealing” ideas for her plays. Lorna notes that Naomi has been drinking heavily on Capri, and she sees Marcus move a bottle of wine away from her. During the meal, Stan texts her that he has the money and is waiting for her to give him something. Lorna excuses herself to the restroom and steps into an alley for a cigarette. There, a waiter from their table approaches her and calls the Lingates “killers,” adding that everyone on the island knows their history.
A newspaper article from July 20, 1992, reports that Sarah Lingate’s body has been recovered by fishermen from an inlet near the Faraglioni, a rock formation off Capri. Her body was badly damaged but identified by clothing and wedding rings. The article states that local authorities do not expect to name a suspect, as preliminary findings suggest the death was either accidental or self-inflicted. It also notes that the Lingates’ three-year-old daughter, Helen, was in Los Angeles with a nanny at the time.
Sarah lounges by the villa pool with Richard, Marcus, and Naomi. They are all hungover, and Sarah reflects that it will be her last summer in Capri. Richard pressures Naomi and Marcus to have children, and Sarah knows Richard wanted a child to feel more “adult” than Marcus. Sarah alludes to a “new” play she has written that the family has suppressed. When the conversation gets heated, Sarah leaves to sit with Renata. She overhears a heated argument between the brothers in which Marcus shouts that Richard is not handling Sarah well, which puts the family at risk. Renata warns Sarah not to let the family control her. The chapter also mentions Renata’s young son, Ciro, whom Sarah hopes will play with Helen.
Lorna is at a beach club with Helen and Freddy. Lorna remembers when she and Helen found the snake necklace, which was anonymously mailed to Marcus’s office. Helen and Lorna verified its authenticity and decided to send it on to the villa in Capri to use as leverage against the family. In the present, Helen and Lorna swim to a secluded area across the bay. Helen confesses she believes the family psychologically pushed her mother toward an accident or death by suicide. Ciro interrupts their conversation and offers to bring them to shore on his boat. As they board, outnumbered by the men, Lorna feels nervous.
Twelve hours after Lorna went missing, Helen and Freddy are on a boat trip with Ciro. Helen reflects on her romantic relationship with Ciro, which began when they were teenagers. Helen spent a year in Rome after the situation with Alma, during which Ciro lived with her for a month. They visited Naples together, where Helen said she could see herself moving to Italy. While swimming, Freddy tells Helen he needs to confess something about Lorna. He reveals that he knew Lorna from the “party scene” long before Helen introduced them. Helen is surprised that Lorna kept a secret from her, but she feels their shared secret is more important. He says Lorna can take care of herself and asks Helen if she thinks Lorna was involved in the appearance of the necklace.
The novel opens with a pair of 1992 newspaper clippings that report the disappearance and subsequent discovery of Sarah Lingate’s body. This structural choice frames the Lingate family saga through the impersonal lens of public record and media scandal. By presenting the official, unresolved story first, the narrative establishes Maintaining Wealth to Gain Impunity as a central dynamic; the Lingates’ lives revolve around maintaining a sense of wealth for a public audience. This narrative also reflects common features of the thriller genre, in which authors use news reports to provide exposition on key details. The subsequent chapters disrupt this official record by shifting between Helen’s present-day reflections, Lorna’s countdown to her own disappearance, and flashbacks to Sarah’s final day alive. This fragmented, subjective structure generates suspense by contrasting what is publicly known with what is privately experienced, as well as allowing individual characters to present contrasting pieces of evidence to the reader.
Upon the group’s arrival in Capri, the yacht captain’s hand is severely crushed between the boat and the dock, a moment of visceral horror that the Lingates meet with chilling indifference. Marcus’s immediate concern is for his own finances, as he instructs Lorna to “Make sure you get a refund” (17). This brief scene provides an illustration of maintaining wealth to gain impunity. The family’s status creates a moral and emotional buffer, allowing them to view human suffering as a transactional inconvenience to be resolved with money rather than compassion. Their detachment is so complete that they can walk away from a scene of bloody trauma without a second thought. Lorna’s shock and her question, “Shouldn’t we stay and help?” (20), positions her as a moral contrast and an outsider to their closed, amoral world. This episode establishes a behavioral pattern that recurs when the family later dismisses Helen’s concerns about Lorna’s disappearance with placid excuses. For the Lingates, wealth is a shield, absolving them of accountability and basic human empathy. The setting of Capri amplifies this theme. Described as an island of “sheer cliffs that crash into the Mediterranean” (68), its geography embodies an isolated and dangerous beauty that mirrors the Lingate family’s glamorous but treacherous nature. The location was once chosen by Emperor Tiberius for its privacy, aligning the Lingate family with secluded power.
Helen’s opening monologue deconstructs her family’s identity by revealing that their founding myth as a story of “aw-shucks luck” (11) in the California oil fields. The story is a lie designed to conceal a history of fraud, casting doubt on everything the family reports as the truth. Every aspect of their public life, from their origin story to Richard’s carefully cultivated post-tragedy persona as a spiritual guru, is presented as a calculated fabrication. The sudden, inexplicable reappearance of Sarah’s snake necklace shatters this performance. As a physical artifact from a supposedly settled past, it is a truth they cannot control, and their collective, infectious fear exposes the fragility of their polished facade. Richard’s stunned reaction and insistence that finding it is “impossible” (40) confirms that the necklace shows a ghost they believed was long buried. The novel thus links the family’s public lies to their private secrets, suggesting that the performance of wealth requires the constant suppression of a dark and violent history.
A flashback to 1992 reveals a poolside argument in which Sarah alludes to a new play the family has suppressed, leading Richard to later shout, “She could have ruined us!” (67). This scene establishes a historical pattern of the Lingate men controlling women who threaten their authority and meticulously managed image. Sarah’s artistic independence is a direct threat to the family’s reputation, a liability which they need to manage and neutralize. This dynamic of patriarchal control is mirrored in Helen’s present-day subjugation; after she spoke to a writer in college, her family retaliated by pulling her from school and subjecting her to intense surveillance, effectively trapping her. The theme of Jealousy as a Corrosive Force surfaces in both timelines, as Richard resents Sarah’s talent and autonomy, just as the family punishes Helen for any gesture toward independence. The housekeeper Renata’s whispered warning to Sarah: ”Don’t let them […] pull you under” (67), becomes a prophetic caution that extends across generations, foreshadowing the danger that awaits any woman, including Lorna, who challenges the family’s power.
The arrival of Sarah’s lost snake necklace functions as the central catalyst for the present-day plot, introducing a powerful and complex symbol. As an object that should be lost to the sea, its return represents the past’s refusal to remain buried, forcing a confrontation with the trauma of Sarah’s death. The imagery of snakes, with their dual association with deception and rebirth, perfectly encapsulates Helen and Lorna’s scheme: They plan to achieve a new life, free from the Lingates, through an elaborate act of deception. When Helen puts on the necklace before going downstairs to report Lorna missing, she symbolically claims her mother’s death as a weapon. This gesture demonstrates her evolution and her decision to embrace Survival by Adopting the Enemy’s Tactics. The necklace becomes a talisman of memory, unresolved guilt, and feminine power, transforming the family’s hidden history into a tangible threat that promises to unravel their carefully constructed world.



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