Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz

Eva Mozes Kor, Lisa Rojany Buccieri

52 pages 1-hour read

Eva Mozes Kor, Lisa Rojany Buccieri

Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz

Nonfiction | Autobiography / Memoir | YA | Published in 2009

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Chapter 11-AfterwordChapter Summaries & Analyses

Content Warning: This section of the guide contains depictions of racism, religious discrimination, child abuse, child death, graphic violence, physical abuse, emotional abuse, and illness or death.

Chapter 11 Summary

In the immediate aftermath of liberation, many prisoners left Auschwitz on their own, but Kor and Miriam remained for two weeks, unsure where to go. When Kor ventured to gather flour from a basement, a Soviet soldier fired a warning shot; she later understood he had been maintaining order, not trying to harm her. The Soviets distributed soup, and the twins rationed carefully after seeing other twins die from overeating.


About four weeks after liberation, the Soviets, the Red Cross, and Jewish refugee agencies sent Kor and Miriam by horse-drawn wagon to a Catholic monastery orphanage in Katowice, Poland. Nuns gave them a room with two beds and clean white sheets; feeling filthy and lice-ridden, Kor stripped the sheets and slept on the bare mattress. Toys in the room angered her, as she no longer felt like a child who could play; she only wanted love and care.


Desperate to return home, Kor told officials their parents were waiting in Portz, but the nuns would not release children without a guardian. Feeling trapped, the twins still savored small freedoms, riding Katowice’s streetcars for free by showing their tattoos.


Through older girls, Kor learned that Mrs. Csengeri, a friend of her mother, and her twin daughters were in a Katowice displaced persons camp. Kor asked Mrs. Csengeri to pose as their aunt to secure their release; despite misgivings, she agreed.


In March 1945, the twins moved into the DP camp, sharing a small room with Mrs. Csengeri, her daughters, a woman named Mrs. Goldenthal, and Mrs. Goldenthal’s three children. Mrs. Goldenthal’s twin sons, Alex and Erno, had also been Mengele subjects; she had hidden her younger daughter, Margarita, under her skirt throughout imprisonment. The women washed the children, boiled their clothes, and sewed matching dresses for Kor and Miriam from Soviet khaki tunics. Soviet soldiers provided bread and a weekly half-ruble allowance, which the twins used for small treats at the market. After about six weeks, the group boarded a train. The twins, in their matching khaki dresses, hoped to go home at last.

Chapter 12 Summary

Kor, Miriam, Mrs. Csengeri, Mrs. Goldenthal, and the children traveled by cattle car, this time with bunks, blankets, and uncovered windows. During long stops, Mrs. Csengeri cooked over small fires. The women discussed preserving their prison uniforms to bear witness, while Kor wondered if any family members had survived.


They passed bombed towns and arrived in Czernowitz, where they stayed at a camp that may have been a former labor camp or ghetto. While exploring, Kor picked flowers from an oddly shaped hill and was scolded—she had stumbled onto a mass grave where Nazis had killed thousands of Jews. She realized the Holocaust’s reach extended far beyond Auschwitz.


Boarding another train, the adults saw they were heading deeper into the Soviet Union rather than toward Romania. Some passengers, fearful of communist rule, jumped from the slow-moving train. After a week, they reached a refugee camp in Slutsk, near Minsk, and remained there for two months. In late September, grouped by nationality, they began returning to Romania. Their first stop was Nagyvárad (Oradea), where Mrs. Goldenthal and her children went home. The remaining group stayed overnight at a hotel paid for by a Jewish agency, then traveled to Şimleu Silvaniei, where Mrs. Csengeri and her daughters departed.


Kor and Miriam continued to Portz. Villagers silently watched as they walked through town in matching khaki dresses and oversized camp shoes. Their property was overgrown and neglected—proof their parents and sisters had not returned. They were the sole survivors of the Mozes family; their grandparents were gone. Inside, their mother’s dachshund, Lily, greeted them, but the house had been stripped. Kor found only three crumpled photographs. Years later, in 2014, Kor learned the poor villagers had assumed no Jews would return and had taken what they could use.


Their cousin, Shmilu, arrived, having been contacted by Aunt Irena, who had survived a concentration camp and traced them through the Red Cross. Shmilu, also an Auschwitz survivor and the only one from his immediate family to survive, had been living in their farm’s summer kitchen, working the land and caring for Lily. He had seen no other family; Aunt Irena awaited them in Cluj. Feeling they no longer belonged, the twins left with Shmilu, angry at the villagers’ silence.

Chapter 13 Summary

From 1945 to 1950, Kor and Miriam lived with Aunt Irena in her Cluj apartment. Before the war, Irena had been close to their father; her husband and beloved son, Laci, had died in the camps, and she had since remarried. Under communist rule, most of her prewar possessions were seized, but as a war widow and survivor she was allowed to keep her building.


Irena provided shelter but little affection, and the twins felt out of place in the grand apartment. Kor had nightmares about rats, corpses, needles, and soap supposedly made from Jewish fat. Both girls suffered malnutrition and painful sores; a doctor recommended vitamins and a proper diet, but these were scarce, and they often ate at a nearby orphanage.


Cousin Shmilu ran their father’s farm and brought food, including sunflower oil the twins drank straight from the bottle. After someone reported Kor for eating white bread, the secret police raided the apartment and confiscated their food. Irena built a hidden cabinet; later the secret police took her new husband without explanation, and he disappeared.


Life under communism was oppressive. At high school, where they were the only Jews, classmates mocked their matching khaki dresses and spread an antisemitic rumor about a “Jewish vampire.” A Jewish Zionist group they attended was shut down.


An American aunt sent fabric, and Irena had matching dresses made. In 1948, the twins waited all night for coats; a saleswoman who knew Irena helped them get two matching rust-colored ones.


When the state of Israel was established in 1948, Kor recalled their father’s wish that they go there. They corresponded with Uncle Aaron in Haifa, who promised to care for them. To secure an exit visa, Irena claimed Laci was alive in Israel and was approved; Kor and Miriam had to wait two years, as the regime kept young people to rebuild the country. They had to sign over their remaining Portz property. Two months before departure, Irena’s husband was released and received a visa.


In June 1950, allowed to take only what they could wear, they boarded the overcrowded ship Transylvania in layers, each carrying the three photos from Portz. As the ship docked in Haifa, passengers sang the Israeli national anthem. Uncle Aaron met them at the port; for the first time in years, they felt genuine affection and a sense of home.

Chapter 14 Summary

Upon arrival in Haifa, Kor and Miriam learned Aunt Irena had fabricated the story about her son in Israel to obtain a visa, confirming Laci’s death. They spent the afternoon with Uncle Aaron and met his family, but as newcomers, they were sent to an immigration center; Irena and her husband went elsewhere.


After processing, the twins spent six weeks in quarantine at a children’s village, where they received vaccinations and Israeli clothing, including shorts. They were then assigned to a Youth Aliyah Village, an agricultural center for immigrant teens—relief for the twins, who preferred not to live with their aunt.


The village was welcoming. Two older girls acted as “big sisters,” helping them adjust. Kor and Miriam worked half days on the farm—Kor milked cows and picked tomatoes and peanuts—and attended school the other half, learning Hebrew alongside about 300 teenagers from many countries.


For the first time since Auschwitz, Kor slept without nightmares. They no longer faced antisemitism or fear, and they were encouraged to celebrate their Jewish heritage.


On their first Friday evening, they joined the community to welcome Shabbat in white shirts, with candles and wine on the tables. After prayers, they began singing and dancing the hora. When Kor hesitated, her big sister and Miriam’s big sister took their hands, and everyone joined in a circle. As they danced faster, singing “Hava Nagila,” the twins felt embraced by a large, new family.

Epilogue Summary: “Eva’s Epilogue”

Kor and Miriam lived in the Youth Village for two years, then were drafted into the Israeli army in 1952. Miriam trained as a nurse; Kor became a draftswoman and eventually a sergeant major during eight years of service. Though she earned a good living in Tel Aviv, Kor still longed for a home and family.


In April 1960, she met Michael (Mickey) Kor, an American tourist and fellow Holocaust survivor who had spent four years in Buchenwald and Magdeburg. Despite a language barrier—he spoke English, she spoke Hebrew—they married within weeks. Kor moved to Terre Haute, Indiana, near Mickey’s liberator, Colonel Andrew Nehf.


Kor learned English by watching soap operas and taking notes. Their son, Alex, was born in 1961 and daughter, Rina, in 1963. Her trauma resurfaced when neighborhood children harassed the family, echoing Nazi youth in Portz; she defended herself, but harassment, including swastikas on their home, continued for years, ending in 1978 after a widely viewed Holocaust miniseries prompted apologies.


Kor began lecturing but found little documentation of Mengele’s experiments. In 1984, she and Miriam founded CANDLES (Children of Auschwitz Nazi Deadly Lab Experiments Survivors), eventually locating 122 survivors in 10 countries. In 1987, Miriam’s kidneys failed—they had never grown beyond a 10-year-old’s size due to Auschwitz injections. Kor donated her left kidney, but Miriam died on June 6, 1993. They never learned what substances had been injected.


Invited in 1993 to a medical ethics conference and asked to bring a Nazi doctor, Kor contacted Dr. Hans Münch, a former Auschwitz physician. He denied knowledge of twin experiments but detailed gas chamber operations and agreed to sign an affidavit at Auschwitz on the 50th anniversary of liberation. Struggling with how to thank him, Kor wrote a letter of forgiveness and discovered forgiveness as an act of self-healing for the victim. Encouraged by a former professor, she also forgave Dr. Mengele.


On January 27, 1995, at Auschwitz, Münch signed his document, and Kor read her statement forgiving Münch, Mengele, and all Nazis. She felt immediate relief. She also forgave her parents for not protecting them and herself for the anger she had carried.


Kor concludes that forgiveness is a seed for peace and offers life lessons: Never give up on yourself or your dreams; judge people by actions and character; and forgive those who hurt you to heal your soul and set yourself free.

Afterword Summary

After the 2009 publication of this memoir, Eva Mozes Kor continued her work until her death in 2019. Recognizable by her bright blue pantsuits and two-fingered peace sign, she was stubborn and direct yet refused to be placed on a pedestal.


Her forgiveness message initially caused controversy among survivors who feared she had forgiven Nazis on their behalf. Kor always clarified that her forgiveness was personal and redefined it as self-healing, not reconciliation. At the same time, she pursued justice: supporting prosecutions of Nazi war criminals, joining lawsuits (including one against Bayer that contributed to a German settlement fund), advocating for Holocaust education laws, and sponsoring educators to visit Auschwitz.


In 2015, she attended the trial of Oskar Groening, the “accountant of Auschwitz” (152), as a co-plaintiff. She wrote to him beforehand and testified that, while he deserved punishment, speaking to students would better serve society. When Groening collapsed during their post-hearing meeting, Kor helped catch him, and a photo of his spontaneous kiss on her cheek was widely misinterpreted as support rather than as part of her effort to help convict him.


Kor extended compassion to postwar Germans, insisting on the term Nazi soldiers rather than German soldiers, rejecting inherited guilt. She befriended Michael Woerle, grandson of Mengele’s mentor Otmar von Verschuer, who had uncovered his grandfather’s Nazi role. In 2014 at Auschwitz, she comforted distraught German schoolgirls, telling them they bore no guilt but had a responsibility to remember and prevent such crimes.


Despite accusations of seeking attention, she used her platform for education. She maintained friendships with survivors who disagreed with her forgiveness but respected her work. Scholars such as Rabbi Michael Berenbaum engaged with her views, and USC Shoah Foundation Director Stephen D. Smith included her in the Dimensions in Testimony project.


Kor’s daily life centered on her mission: leading museum tours, speaking to schools, and answering emails from those seeking advice or comfort. She connected especially well with young people. Known for wry humor, she quipped about her children’s sweatshirts, joked at Auschwitz about once being barred from leaving and now from entering, told tearful tour members to witness and make the world better, and replied to a tourist who criticized her smile that she had earned the right to smile.


She embraced joy, from playful moments to an unexpected social media presence, especially on Twitter. A BuzzFeed interview reached hundreds of millions of viewers, expanding her global influence. In her final years, honors included an award-winning documentary on PBS, friendship with Scottish musician Raymond Meade, Indiana’s Sachem Award, and participation in the Shoah Foundation’s hologram testimony project.


Kor died on July 4, 2019, in Krakow, Poland, during her annual Auschwitz trip. In her final days, Rabbi Bleich of the World Jewish Congress affirmed her personal forgiveness; a boys’ choir sang her favorite song outside Auschwitz; and she learned the Katowice nuns wore habits the same bright blue she famously wore.


The Afterword, by Peggy Porter Tierney, publisher, editor, and board chair emerita of the CANDLES Holocaust Museum, concludes that Eva Mozes Kor’s legacy shows how individuals can change the world and how forgiveness can create peace.

Chapter 11-Afterword Analysis

These chapters structurally depict liberation as a disorienting extension of physical and emotional displacement rather than a return to normalcy. When Kor and Miriam are moved to a Catholic monastery in Katowice, the trappings of typical childhood comfort become a source of alienation rather than immediate relief. Faced with a room containing toys and a bed with clean white sheets, Kor sleeps on the bare mattress as she doesn’t want to “dirty” the clean linens and rejects the toys, concluding that “[her] childhood had ended on the selection platform” (102). This reaction highlights the deep psychological conditioning of the camp, where dirt and deprivation became the accepted baseline for existence. The subsequent return to Portz further dismantles the concept of a traditional homecoming. Instead of finding a restored domestic space, the twins encounter an empty, stripped house and an overgrown farm, yielding only three crumpled photographs of their former lives. These fragile artifacts serve as the only tangible evidence that their family ever existed. By organizing the narrative around these failed domestic spaces, the text emphasizes that physical liberation does not equate to a restoration of the past. The physical ruins of Portz solidify the twins’ permanent orphanhood, shifting their trajectory away from reclaiming their former lives toward forging entirely new identities in exile.


Throughout the post-war chapters and into the Afterword, clothing functions as a recurring metaphor tracking Kor’s reclamation of identity and autonomy, embodying the theme of The Importance of Relationships in Survival. During their imprisonment, the twins were defined by their matching burgundy dresses and, later, the second-hand women’s clothing. When the communists force them to wear the well-known striped uniforms in propaganda videos, this only erases their individual identities or experiences in a different way, further reinforcing them as faceless victims of the Nazi camps. Kor remarks that “we did not look like children who had been starving not long before, though we had been” (99), noting the role of clothing in the misleading film and its representation of the liberated prisoners. Later, in the Katowice displaced persons camp, Mrs. Csengeri sews the girls matching dresses from Soviet khaki tunics, and later in communist Romania, they wait overnight to secure matching rust-colored coats.


By actively seeking out and embracing matching garments, the twins reclaim their twinhood on their own terms. They transform a visual vulnerability—which previously marked them for Mengele’s deadly medical experiments—into a self-determined emblem of familial solidarity and shared survival. This evolution in their dress culminates in the Afterword with Kor’s adoption of her signature bright blue pantsuits. She selects this specific color precisely because it stands out and actively rejects the darkness of her historical trauma, asserting that “I like blue because I like the way it looks on me, and it makes it simpler to dress, like a uniform” (149). The lifelong curation of her wardrobe reflects a continuous assertion of bodily autonomy, illustrating how survivors can repurpose the concept of a uniform from a tool of dehumanization into a mechanism of self-empowerment.


The narrative structure deliberately mirrors Kor’s progression from physical survival to emotional and cultural self-actualization. During her five years under communist rule in Romania, the physical and political environment introduces its own forms of oppression. These not only threaten her or those around her, but they also restrict her ability to move forward from the memory of Auschwitz, recover emotionally, or explore her individual identity. The strict necessity of building a hidden cabinet for food and the persistence of local antisemitic rumors regarding a “Jewish vampire” keep Kor in a perpetual state of hypervigilance, demonstrating that the formal end of the war did not equate to the end of systemic persecution.


The structural pivot occurs when the twins immigrate to Israel. The shift from the claustrophobia of the Cluj apartment to the open, restorative agricultural environment of the Youth Aliyah Village parallels the twins’ psychological development. Kor remarks that from her first days in Israel, “I would sleep without having nightmares. […] I would no longer have to worry about our physical safety or survival” (130), making clear the immediate relief offered by the change in location. In Haifa, Kor milks cows and picks crops, connecting to the land before openly celebrating Shabbat and dancing the hora. She participates in communal rituals that systematically replace her deeply ingrained isolation. By linking spatial environments to acceptance and emotional healing, the text illustrates that true liberation requires more than the absence of immediate physical danger; it necessitates a nurturing community where cultural heritage can be safely and joyfully expressed.


In the Epilogue and Afterword, the narrative introduces Kor’s embrace of what many considered a radical approach to emotional healing, choosing to forgive her oppressors. This articulates the theme of The Complexity of Healing from Systemic Oppression by framing it exclusively as an instrument of personal restoration rather than a path to interpersonal reconciliation. When Kor reads her statement of amnesty at Auschwitz in 1995, she explicitly severs the emotional control her victimizers continue to hold over her. The text is careful to untangle this act from any moral endorsement of the Nazis’ actions or assertion of how victims should or should not feel toward their oppressors. Instead, Kor discovers that “forgiveness is not so much for the perpetrator, but for the victim” (143-144), presenting it as a unilateral assertion of psychological independence.


The discovery that Miriam’s kidneys never grew beyond those of a 10-year-old because of the injections inflicted in Auschwitz also reaffirms the enduring legacy of Medicine Betrayed by Ideology. Their past manifests as a physical ailment that shapes Miriam’s life and informs Kor’s lifelong insistence that accountability must accompany personal healing. The Afterword further complicates this concept by detailing the severe backlash Kor faces from other Holocaust survivors, notably during the trial of Oskar Groening. Despite public misinterpretations of Groening’s spontaneous kiss on her cheek, the narrative clarifies that Kor’s forgiveness operates in strict tandem with a demand for historical accountability. She testifies as a co-plaintiff to help convict him while simultaneously advocating that his punishment involve educating youth rather than mere incarceration. By concluding the memoir with this complex framework, the text positions forgiveness as a reclamation of agency, allowing the survivor to construct a meaningful future unburdened by the violent system imposed upon them.

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