The Burning Side

Sarah Damoff

53 pages 1-hour read

Sarah Damoff

The Burning Side

Fiction | Novel | Adult | Published in 2026

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Background

Content Warning: This section of the guide includes discussion of illness and death.

Literary Context: Literary Allusions to Dumas and Saint-Exupéry

The Burning Side interweaves allusions to two classic works of French literature to provide a thematic framework for its characters’ journeys. The first, Alexandre Dumas’s 1844 novel The Count of Monte Cristo, is a story of betrayal, identity, and the moral complexities of justice and revenge. In the novel, protagonist Edmond Dantès is wrongfully imprisoned, and after a dramatic escape, he reinvents himself to exact vengeance on those who betrayed him. Damoff uses this literary touchstone to explore protagonist Leo’s feelings of betrayal and April’s quest for forgiveness after she’s unfaithful to him. April tutors a student with dyslexia using The Count of Monte Cristo, signaling her belief in redemption and second chances, themes that become central to her own marriage.


The second key allusion is to Antoine de Saint-Exupéry’s 1943 novella The Little Prince, a philosophical story about love, loss, and seeing the world with one’s heart. In it, a prince visits different planets, including earth. A major character-object in the story is a rose, a sentient flower whom the prince loves but leaves because she fails to show her love to him properly. The narrative draws inspiration from de Saint-Exupéry’s own experiences as a pilot, including his crash into the Saharan desert in 1935. Some of the villainous elements of the book are theorized to have been inspired by rising Nazism; however, a recurring object in the book—a rose—likely represents his wife, Consuelo, and their tumultuous marriage. This history and its symbolism in the book align with the exploration of love, memory, and fidelity in The Burning Side.

Medical Context: Early-Onset Alzheimer’s Disease

The novel portrays the challenges of early-onset Alzheimer’s disease (EOAD), a form of dementia diagnosed in individuals under the age of 65. While Alzheimer’s is most common in older adults, EOAD affects a significant number of people in their thirties, forties, and fifties, accounting for approximately 5% of all Alzheimer’s cases in the US (Mendez, Mario F. “Early-Onset Alzheimer Disease and Its Variants.” Continuum, vol. 25, no. 1, 2019, pp. 34-51). Symptoms demonstrated by one of the novel’s characters include memory lapses, confusion, and uncharacteristic flashes of anger, all aligning with the typical progression of the disease. Degenerative illnesses such as Alzheimer’s and dementia have been utilized in popular fiction to explore themes of identity, memory, and love, such as in Nicholas Sparks’s 1996 novel The Notebook and Lisa Genova’s 2007 novel Still Alice, both of which received movie adaptations.


The novel also addresses the genetic component of some forms of EOAD, which can be caused by mutations in specific genes. These genetic factors are explored through the central characters’ decisions about whether or not to undergo genetic testing after their father, Billy, is diagnosed with EOAD. Such tests, often for the APOE-e4 gene variant, can indicate an increased risk but don’t guarantee a diagnosis, presenting a difficult choice for those with a family history. Furthermore, the story touches upon the complex ethical debate surrounding end-of-life care for terminal patients. When Billy’s wife discovers that he has acquired pills for a potential assisted death, the narrative enters the real-world conversation around medical aid in dying (MAID). As of 2026, MAID is legal in over a dozen US jurisdictions, allowing mentally competent, terminally ill adults to request medication to end their lives. This form of healthcare offers agency to patients facing the loss of autonomy from a degenerative disease.

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