The Burning Side

Sarah Damoff

The Burning Side

Sarah Damoff
53 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Themes

Content Warning: This section of the guide includes discussion of illness, death by suicide, and mental illness.

Preserving Love Through Shared Memories

In The Burning Side, Sarah Damoff presents love as the ongoing but difficult practice of preserving shared history, and as the story unfolds, the characters must contend with the erosive forces of trauma, resentment, and dementia. The novel thus challenges the traditional idea of love as passive and static, insisting instead that the truest form of this emotion requires constant maintenance and a conscious appreciation of each person’s past. The novel argues that while individual memories may falter or become distorted, a relationship’s core identity can be sustained through tangible artifacts and the selfless act of remembering for one another. This form of memory becomes a conscious choice, a way to maintain connection when feelings of love are obscured by pain or cognitive decline.


The narrative repeatedly uses physical objects as anchors for memory that can outlast emotional estrangement. The most significant of these is Leo’s self-published novel, Seventh City. During the house fire, the one possession that April instinctively saves is her copy of the book, which stands as a physical testament to their shared past and to her belief in his dreams. By rescuing the book, April subconsciously seeks to preserve their history at the very moment when their marriage is collapsing. Later, when Leo discovers April’s handwritten notes in the margins, the book gains an even deeper meaning, becoming a living archive of their relationship. Her loving commentary forces him to see their history from her perspective, and her words provide him with a “fresh cut of her sincere love”  that becomes a catalyst for his change of heart (120). The book is therefore a concrete, external memory that holds the truth of their bond, even when they themselves have lost sight of it.


The novel further explores this theme through Deb, who becomes the custodian of her and Billy’s collective memory as his Alzheimer’s disease progresses. As Billy’s cognitive functions decline, he begins to misidentify his own granddaughter, Sadie, as his daughter Josie, and he eventually fails to recognize Deb herself. In these moments, Deb steps in to gently hold their shared reality together, embodying the idea that love can manifest as the act of remembering for another person. Even as his factual memory disintegrates, Billy’s emotional memory of their connection persists. This suggests that the foundation of their love is stored deeper than accessible facts, a truth that Deb honors by choosing to remain his partner and wife rather than just his caretaker, ensuring that his identity is preserved through her love even as his own mind fails him.


Despite the importance of these acts, the story’s conclusion reinforces how the emotional essence of love is more durable than specific memories, instead presenting shared histories as permanent, impactful, and interconnected regardless of whether or not individuals remember it. In the Epilogue, set 30 years in the future, April also lives with Alzheimer’s, acting as a literal and thematic parallel to her father. When her family gathers, she looks at a large collage of her former students and, though she can’t recall their names, remembers the feeling associated with them, remarking on their “stories.” This moment demonstrates that the affective impact of love—the feeling of connection and shared narrative—can endure even after the details have vanished. By ending on this note, the novel posits that the gravest legacy of love is not a perfect recollection of the past but the lasting emotional imprint it leaves behind.

The Ramifications of Unresolved Trauma

Throughout The Burning Side, unresolved trauma from the past creates a destructive cycle in the present, leading characters to inadvertently sabotage their most important relationships. The novel demonstrates how the fear of abandonment—stemming from parental absence and postpartum depression—paradoxically causes Leo and April to self-isolate and emotionally reject each other. Their actions create the exact outcome they dread, showing that unhealed wounds will inevitably resurface to dictate behavior until these issues are confronted directly.


Leo’s childhood trauma of being abandoned by his parents manifests as a fear of becoming a burden, which causes him to emotionally withdraw from his own family. After his children are born, he feels inadequate and fears that he will fail them, just as he feels his parents failed him. Succumbing to this anxiety, he retreats into his work after their births and sleeps on the floor in his son’s room following April’s moment of infidelity, creating a physical and emotional chasm between himself and his wife. He interprets April’s independence and stress as a sign that she doesn’t want or need him, and this belief stands as a projection of his own insecurities. Ironically, his withdrawal from this situation reenacts the parental absence that defined his youth, and only when he becomes aware of this pattern can he reach a critical turning point. As he admits to April, “In my fear of being abandoned, I abandoned you” (266). His confession confirms that his self-protective distance pushed his wife away, fulfilling his own prophecy of being left behind.


Similarly, April’s unaddressed trauma from postpartum depression after the births of both her children leaves her feeling isolated and erodes her sense of self-worth, creating the vulnerability that leads to her affair. After Otto is born, she describes herself as “disintegrating, piece by sleepless piece” (95), while Leo seems to be hitting his professional and physical stride. Feeling unseen and overwhelmed, she becomes receptive to the attention of her boss, Cody Blanchard, who affirms her value as a teacher and a woman. Her infidelity is depicted as a betrayal but also, more specifically, as a desperate, self-destructive act born from deep loneliness and a loss of identity. The revelation that Leo’s mother, Ana, also had postpartum trauma—which ultimately led to her death by suicide—shows how such pain, when unaddressed, can be tragically repeated.


The novel extends the impact of trauma beyond the central couple to show its effect on the entire family. After the fire, Sadie develops a deep fear of flames, screaming in terror when her grandfather lights the grill; the housefire that instilled this was a direct result of a conflict between her parents that ended with the burner being left on. This visceral reaction illustrates how the consequences of her parents’ unresolved issues have created a new layer of trauma for their child. Sadie’s fear is a direct, physical manifestation of the instability in her home, proving that the emotional fallout of her parents’ pain has been passed on to the next generation, making their path to healing not just a personal necessity but a familial one.

Forgiveness Through Mutual Accountability

In The Burning Side, true reconciliation proves impossible as long as its characters cling to one-sided narratives of betrayal. The novel argues that forgiveness requires both partners to abandon their roles as sole victim or perpetrator and instead accept mutual accountability for their marriage’s breakdown. A recurring literary touchstone in the narrative is The Count of Monte Cristo by Alexandre Dumas, a classic tale of vengeance. By exploring this motif and ultimately subverting it, the novel posits that there is no healing to be found in settling scores; instead, moving on requires creating a shared, honest history of mutual failure.


Initially, both Leo and April are trapped in a stalemate, each blaming the other for their marital problems. After discovering April’s affair with Cody, Leo fixates on it as the singular cause of their pain. He’s unable to see his own contributions to their estrangement, reducing April to a woman who “blew up [their] marriage” (179). For her part, April, while aware of her transgression, holds Leo responsible for his emotional distance, confronting him with the accusation, “You were gone before you left” (206). As long as they remain entrenched in these individual narratives, no progress is possible. Their inability to see the relationship’s complexities keeps them locked in a cycle of resentment, with the divorce petition’s formal, impersonal citation of “irreconcilable differences” masking the shared responsibility they both refuse to acknowledge.


The novel uses the story of The Count of Monte Cristo to critique and ultimately reject a path of vengeance. The book first appears as a tool for teaching Jonathan, a student from a difficult background, who connects with its themes of injustice. For a time, Leo seems poised to follow a similar path of retribution, but the narrative steers away from this model of justice. Instead of seeking revenge, Leo is prompted toward empathy when he reads April’s loving notes in the margins of his own novel and begins to see their shared past from her perspective. Jonathan’s eventual success as an author with his own novel—a “[m]odern-day reimagining of The Count of Monte Cristo” (233)—further suggests the importance of reinterpreting old stories of grievance to create new paths toward resolution and identity.


The emotional climax of the story arrives only when Leo and April finally move beyond blame and articulate their shared failings. The breakthrough occurs in Leo’s trailer when he admits his own culpability: “In my fear of being abandoned, I abandoned you” (266). This confession is the first moment he truly acknowledges his role in the marriage’s decay, creating an opening for genuine dialogue. By accepting that they were both at fault (he for his emotional withdrawal and she for her infidelity), they can finally discard the simplistic divorce narrative. Their decision to try again puts their past struggles to rest and creates a new foundation, replacing a quest for justice with the more difficult work of grace.

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