The House Saphir

Marissa Meyer

66 pages 2-hour read

Marissa Meyer

The House Saphir

Fiction | Novel | YA | Published in 2025

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Chapters 21-30Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence and illness or death.

Chapter 21 Summary

Nearly three days have passed without incident since Mallory encountered Monsieur Le Bleu on the cellar stairs. His silence unnerves her, though Julie credits Mallory’s fake herbal cleansings for the quiet. Lucienne and Béatrice have welcomed Triphine into their circle, and despite Triphine’s complaints about them, she seems to enjoy the company. Mallory and Anaïs spend their days performing elaborate fake witchcraft around the house, but Armand is too busy with the fall harvest to notice. Yvette watches with contempt.


Mallory sprinkles fake holy water from her washbasin in the doorways, and Yvette informs her Armand has asked for her. Worried he has grown suspicious, Mallory finds him in the vestibule with a basket. He asks about her progress and invites her on a picnic to discuss it. When Mallory expresses her distaste for eating outdoor, he suggests a boat ride instead. She doesn’t see the appeal and declines that as well. As she turns to leave, he tentatively asks if she would like to see the family cemetery, describing it as overgrown, damp, and horrible. The description piques her interest.

Chapter 22 Summary

On the way through the gardens, Mallory and Armand encounter Julie gathering flowers. When Julie addresses Armand informally and then corrects herself, she becomes upset upon learning they’re on a private outing together. After Julie storms away, Mallory explains to a bewildered Armand that Julie has a crush on him. He is horrified by the possibility.


They enter the forested hunting grounds, where Armand enthusiastically forages for plants and mushrooms, explaining their medicinal properties. When he mentions that emerald brittlegills are rumored to be aphrodisiacs, he flushes with embarrassment. Mallory finds herself attracted to his genuine enthusiasm.


At the cemetery gate, marked by a statue of the god Velos, they enter an overgrown but serene graveyard. Armand explains that most graves belong to estate staff, though his family has their own mausoleums. He shows her the crypts of his parents and his late aunt, then stops at the largest mausoleum, built by Bastien for his wives. Mallory notices a large brass key on Armand’s key ring that opens the wine cellar.


Inside the mausoleum are stone crypts for Triphine, Lucienne, and Béatrice, each topped with marble effigies. Mallory notices that the renderings fail to capture each woman’s unique charm: Lucienne’s laugh, Béatrice’s earnestness, and Triphine’s wit. Armand places wildflowers on each grave. Two empty platforms remain, confirming to Mallory that Bastien planned five sacrifices total. When Armand asks what the ghosts look like, Mallory describes their faint edges, corporeal limitations, and unhealed wounds. He confesses that growing up lonely, he felt the ghosts were benevolent guardians. When he asks about her childhood experience with ghosts, Mallory hesitantly reveals the truth: She only started seeing them when she was 10 years old.

Chapter 23 Summary

The narrative flashes back to when ten-year-old Mallory and Anaïs sneaked into the abandoned Saphir mansion in Morant on the Mourning Moon. Mallory intended to summon their ancestor, the witch Gabrielle Savoy, to change Anaïs’s death magic to match her own petty magic. Anaïs grew up despising her unnamed death magic, a dangerous gift from the gods, and wished to have the same petty magic of witches like her sister and mother. Despite Anaïs’s doubts, Mallory performed the ritual, drawing sigils and reciting an incantation while dropping three drops of her blood into a circle.


A black void opened where their candle had been, and a shapeless shadow creature with glowing eyes emerged instead of Gabrielle. The creature promised to grant Mallory’s wish, pointed a clawed finger at her throat, and spoke in an ancient language. Blinding pain tore through Mallory’s throat. The last thing she heard before losing consciousness was a jaunty whistling tune.


When she awakened, Anaïs was putting out a fire from the toppled candle. Mallory discovered her spell to make the two sisters alike had been inverted: Her own petty magic was gone, replaced with death magic. For the first time, she could see the ghost of the duchess who haunted the house.


Armand’s voice brings Mallory back to the present in the mausoleum. Suddenly, Lucienne and Béatrice become visible and audible to him as well. They perform dramatically, begging the powerful sorceress Mallory to protect them from Monsieur Le Bleu. Mallory plays along, promising to vanquish the evil spirit. The effort exhausts the ghosts and they fade away, leaving Armand awed by the encounter.

Chapter 24 Summary

Five nights after the cemetery visit, Armand continues to treat Mallory with awe, making her feel both flustered and guilty. Mallory wakes one night with the sensation of being watched and sees Monsieur Le Bleu at the foot of her bed, peeling an orange. She cries out, waking Anaïs, and Le Bleu vanishes, leaving behind the scent of citrus and a piece of orange peel.


Mallory hears whistling in the hallway that stops directly outside their door. She throws the door open to find the corridor empty, though distant laughter fades into the shadows. She shouts an insult and bolts the door. Anaïs is agitated, and Mallory recommends some of Armand’s special tea to help her sleep. Anaïs reveals she also saw Le Bleu the previous day, standing at their window watching her. Mallory tells her that Le Bleu thanked her for opening the door for him from the afterlife, confirming he was the shadow creature they summoned as children. Anaïs is now certain their childhood séance released him and insists they must genuinely help Armand, as their mother would have. She wonders if their mother would be horrified to see what they’ve become. When Anaïs threatens to tell Armand the truth, Mallory reveals her backup plan to contact Fitcher’s Troupe.


Their argument is interrupted by Julie, who apologizes and asks for a fortune reading. Mallory notices a large, expensive sapphire ring on Julie’s finger. Julie admits she has a secret beau and reveals she married him last week. She is worried she made a mistake, as her new husband has been acting oddly since the wedding. She promises to pay for the reading tomorrow and says that now that she is married, she will never need for anything again.

Chapter 25 Summary

Mallory and Anaïs lack real ability to read the Wyrdith cards and rely on scripts to tell clients what they want to hear. Julie selects four cards, and the scar on Mallory’s throat burns with a premonition of betrayal and death. Anaïs ignores the ominous spread and delivers a scripted reading about everlasting love. Julie, anxious about her husband’s mood swings, is comforted, though Mallory expresses skepticism that marriage has improved their relationship.


Julie notices a lou carcolh, a giant tentacled snail creature, emerging from the wardrobe and faints. The monster grabs her leg with its tentacles and begins dragging her toward its gaping mouth lined with teeth. Anaïs tries to pull Julie free while Mallory attacks with a fireplace poker and bites the tentacle that grabs her.


Anaïs gets an idea and fetches a sack of salt from the kitchen to use against the snail-like beast. She pours salt over the lou carcolh which burns and shrivels its tentacles. The wounded creature retreats through a broken window. To maintain her ruse, Mallory draws fake magic runes in the spilled salt on the carpet. Anaïs argues they must stop pretending, but when Julie awakens, Mallory insists they banished the beast with magic.

Chapter 26 Summary

The following morning, Mallory climbs to a tower with the Fitcher’s Troupe business card. She writes a message on the back requesting help to expel Monsieur Le Bleu, offering five hundred lourdes. Triphine appears and expresses distrust of both the troupe and Armand, questioning why the estate is in such disrepair if his wine is so valuable. Mallory defends her decision and admits she needs real help after the lou carcolh attack.


Following the card’s instructions, Mallory entrusts the card to the four winds, letting it go from the tower ledge. The card magically transforms midair into a folded paper moth. A salamander, hiding behind the stone railing, shoots a jet of flame, incinerating the paper moth. Furious, Mallory lunges for the salamander, which escapes through a trapdoor in the floor.


Mallory chases it, loses her balance, and falls through the trapdoor. Armand, who was coming up the stairs, catches her, and they both tumble onto the landing. Mallory notices he has a basket of herbal medical supplies and a spot of blood on his sleeve. He explains he heard about the lou carcolh attack and brought supplies in case she was injured. Triphine suspiciously comments that no count would know about herbal medicines. He sees the welts and bruises on her arm and tenderly applies a salve and bandages, commenting that her injury is far worse than his minor cuts from a barberry bush. The moment becomes intimate, and Mallory realizes she has strong feelings for him. A scream from somewhere in the house interrupts them.

Chapter 27 Summary

Mallory and Armand run toward the scream and find Yvette, Claude, and Anaïs in the trophy hall, gathered around Julie’s dead body. She has been impaled with a sword and draped over the antlers of a mounted stag’s head. The words echtraus (trust) and greischt (betrayal) are carved into her arms, identical to Bastien’s previous victims. Julie’s sapphire ring and the finger that wore it are missing.


Mallory inspects the scene and estimates Julie died one to two hours earlier. Armand identifies the weapon as Bastien Saphir’s sword. Mallory notes the absence of any ghosts, including Julie’s, which is inconsistent with Bastien’s other murders. She announces she will interview the staff, suggesting the killer might be human. Yvette insists it was Monsieur Le Bleu, but Mallory questions whether a ghost could have the required physical strength. Yvette accuses Mallory and Anaïs of being suspicious strangers.


Anaïs reveals Julie had secretly eloped. Yvette scoffs at their card reading, and Mallory lies that they told Julie the cards predicted a disastrous end for her. Armand proposes calling the police, but Mallory, fearing her own arrest warrant, argues against it. Yvette reveals Julie was an orphan with no family. Mallory announces she will conduct interviews in the indigo salon and includes Armand among her suspects. He is visibly hurt and irritated but agrees to be questioned.

Chapter 28 Summary

Mallory’s interviews prove useless, as everyone has an alibi. With other suspects eliminated, Mallory’s suspicion falls more heavily on Armand, though she struggles to believe it. She consults the ghosts, but none of them saw the murder itself. During their conversation, Lucienne pinches Triphine hard enough to leave a bruise, demonstrating that ghosts can physically affect each other. Mallory reasons that if Bastien killed Julie, her ghost should be trapped in the house like the wives.


Mallory searches Julie’s room for clues about her secret husband. In a nightstand drawer, she finds nine copper coins (which she pockets as payment for the reading) and a book of psalms. When she picks up the book, a pressed flower falls out. Mallory recognizes the unique blue and purple petals as matching the flowers in Armand’s greenhouse.

Chapter 29 Summary

The morning after the murder, Anaïs expresses guilt over Julie’s card reading, believing the ominous cards were a genuine warning she ignored. Mallory, now highly suspicious of Armand due to the pressed flower, suggests they create protective wards on doors throughout the house to maintain their ruse and buy time to investigate.


Mallory remembers the magic runes from her mother’s book and spends hours drawing elaborate chalk symbols on doors and thresholds around the house and grounds. She deliberately makes her way to Armand’s private suite, ensuring he will witness her working. When he does not emerge, she draws more symbols on his door, eventually resorting to doodling gravestones and a seahorse.


Armand finally opens the door, appearing shirtless with blood on his hands. Mallory recoils in shock. He quickly puts on a shirt and explains with embarrassment that he was not attacked but cut himself while trying to shave. She notices a bandage on his throat. He is distressed because he is growing a beard and hates resembling his ancestor, Bastien. When he admits his former valet used to handle the task, Mallory jokes about his helplessness and offers to shave him herself.

Chapter 30 Summary

In his washroom, Armand removes his shirt again and sits in the vanity chair. Following his instructions, she begins shaving him with a straight razor. She notices the shaved hairs floating in the basin appear distinctly blue rather than black. The situation is intimate and tense, with Armand completely vulnerable beneath her blade.


When Armand says her name, Mallory is startled and nicks his neck with the razor. As she presses a towel to the new cut, the moment becomes charged with romantic tension. Mallory gives in to her feelings and kisses him. He pulls her into his lap and they kiss passionately. The vanity chair breaks under their weight, sending them tumbling to the floor. They continue their embrace on the carpet.


While lying on the floor, Mallory spots an iron hook mounted on the underside of the vanity. Hanging from it are four rings, including a delicate gold band with a deep blue sapphire. Horrified by the sight of what appears to be Julie’s missing ring, Mallory shoves Armand away and flees from the room, leaving him bewildered and hurt.

Chapters 21-30 Analysis

In these chapters, Mallory’s performance of witchcraft evolves from a survival tactic into a dangerous improvisation as she incorporates authentic magical elements into her fraudulent act. Initially, she and Anaïs engage in “faux witchcraft” (174), a series of theatrical deceptions designed to convince Armand of their abilities. However, the escalating paranormal threats, from Monsieur Le Bleu’s menacing appearances to the violent attack by the lou carcolh, compel Mallory to integrate genuine, if non-functioning, magic into her ruse. Although she draws fake runes after the lou carolh attack, Julie’s murder impels her to cover the house in protective wards based on the actual runes her mother would use to protect people. The elaborate drawings are staged for Armand’s benefit, “but they certainly made all this magic business feel legitimate” (246). Mallory is still primarily concerned about securing payment, even taking coins from the deceased Julie’s nightstand. But as the level of lethal danger increases, she realizes that her dishonesty may be more of a risk than a means of survival. Julie’s murder after Mallory and Anaïs’s fraudulent card reading illustrates the tragic consequences of her scheme, complicating the theme of Deception as a Means of Survival.


The narrative blurs the distinction between human and monster, employing gothic conventions to suggest that true monstrosity may lie in human action rather than supernatural form. While literal monsters like the lou carcolh and salamander pose physical threats, the central horror revolves around the ambiguity of the human characters. Armand has anxiety about his physical resemblance to his monstrous ancestor. When he begins to grow a beard, he laments that “‘People already say that I resemble him. […] It’s a nightmare’” (251). His habitual shaving of his facial hair is an attempt to differentiate himself from his horrific Saphir lineage and the potential for inherited evil. Conversely, the ghost of Monsieur Le Bleu exhibits mundane, human behaviors such as peeling an orange and whistling a jaunty tune that make his malevolence more unsettling. By making the spectral villain familiar and the human hero suspect, the narrative subverts expectations and redirects the locus of fear from the supernatural to the potentially duplicitous human heart, exploring the theme of Blurring the Lines Between Human and Monster.


The developing relationship between Mallory and Armand establishes trust as a fragile prerequisite for intimacy. Armand initiates this exchange by inviting Mallory to the family cemetery, a private space where he confesses his childhood loneliness and his fondness for the ghosts he considered guardians. Armand’s appreciation for the spirits offers a different interpretation of the motif of ghosts. Instead of haunting fear, Armand finds solace and protection in Lucienne and Béatrice’s unseen presence. This sharing of his past engenders a new level of connection that struck “a pang of sadness” (188) in Mallory’s heart. Later, the act of Mallory shaving Armand places him in a position of absolute physical vulnerability, requiring him to trust her completely with a razor at his throat. This scene, charged with a mixture of danger and sexual tension, leads to their passionate and, for Mallory, problematic kiss. The collapse of the vanity chair beneath them represents their unstable foundation. This precarious trust is shattered the moment Mallory discovers what she believes to be Julie’s ring, proving that emotional vulnerability cannot withstand the logic of suspicion, particularly when built upon a bedrock of lies. This progression illustrates the theme of Vulnerability as a Prerequisite for Trust and Love, demonstrating how connection remains tenuous in a world defined by deception.


After Julie’s murder, the novel shifts from the generic conventions of the horror story to the murder mystery, replete with time of death, alibis, a potential “copycat” crime, and a discerning detective played by Mallory. The novel’s romance elements play with the trope of a forbidden attraction and a conflict of interest, as Mallory’s growing desire for Armand, one of two prime suspects, interferes with both her intentions to con the count and catch the murderer. The chapters heighten the suspense of Mallory’s missions and budding romance with a series of small clues and red herrings, such as the blood on Armand’s sleeve presumably from a bush and his possession of the key to the wine cellar. Various other objects are deliberately ambiguous to simultaneously suggest innocence and guilt. Armand’s intimate knowledge of plants and herbs characterizes him as a gentle healer, yet the pressed flower from his greenhouse becomes the key piece of evidence implicating him in Julie’s murder. The dual nature of plants, capable of both healing and poisoning, mirrors the ambiguity of Armand’s character. Similarly, the motif of rings, which traditionally represent union, are consistently linked to betrayal and death. Julie’s sapphire ring marks her for death, and the collection of rings under Armand’s vanity serves as the damning but misleading proof of his guilt. By blending the landscapes of Gothic horror and fantasy with murder mystery, the text creates an apt atmosphere of suspicion where nothing is entirely what it seems, challenging Mallory to look beyond surface appearances and second guess whom she can trust.

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