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Content Warning: This section of the guide includes discussion of emotional abuse, bullying, and gender discrimination.
The central premise of The List, in which anonymous students at Mount Washington High publicly rank their female classmates as “prettiest” and “ugliest,” is rooted in real-world practices that have persisted in American schools for decades. Siobhan Vivian drew inspiration from real events she experienced while attending school in Rutherford, New Jersey, a Bergen County town whose high school she credits as a major source for her fiction (“Siobhan Vivian.” Book Series in Order). While Vivian hasn’t publicly identified a single incident as the novel’s catalyst, the phenomenon of students creating lists that sort peers by physical attractiveness is well documented across American school culture.
One prominent precursor was Hot or Not, a website launched in October 2000 by engineers James Hong and Jim Young that allowed users to rate submitted photos on a scale of 1 to 10. The site reportedly attracted nearly 2 million page views daily within its first week. As Time magazine later characterized it, the site pioneered the “gamification of attractiveness,” normalizing the idea of quantifying human beauty for a generation of internet users (Dockterman, Eliana. “How ‘Hot or Not’ Created the Internet We Know Today.” Time, 18 June 2014). In October 2003, Harvard student Mark Zuckerberg, the future creator of Facebook, created FaceMash, a campus-specific imitation that scraped student ID photos without consent and invited users to choose who was “hotter” between paired images. The site drew over 22,000 votes in a single day before being shut down amid protests from student organizations and a university disciplinary hearing (Kaplan, Katharine. “Facemash Creator Survives Ad Board.” The Harvard Crimson, 19 Nov. 2003).
Together, Hot or Not and FaceMash illustrate how ranking peers by appearance had migrated from hallway gossip to digital platforms well before Vivian began writing. By grounding its fiction in a tradition with deep real-world roots, The List interrogates a broader cultural practice of reducing girls to their appearance, one that long predates social media and persists alongside it.
Siobhan Vivian is an American novelist, screenwriter, and educator whose work centers on the social pressures facing teenage girls. Raised in Rutherford, New Jersey, Vivian graduated from Rutherford High School and has credited her adolescent experiences in the small Bergen County town as foundational to her fiction. She earned a degree in writing for film and television from the University of the Arts in Philadelphia, Pennsylvania, and a Master of Fine Arts degree in creative writing for children’s literature from The New School in New York City, where she met future collaborator Jenny Han and fellow author Morgan Matson.
Before publishing her own fiction, Vivian worked as an editor at Alloy Entertainment, the production company behind best-selling young-adult franchises such as Gossip Girl, Sisterhood of the Traveling Pants, and Pretty Little Liars. She also served as a screenwriter for Playhouse Disney’s Little Einsteins. This dual background in commercial young-adult publishing and children’s media informed her understanding of the genre’s conventions and audience.
Vivian’s solo novels, all published through Scholastic’s PUSH imprint, consistently explore identity, friendship, and the social hierarchies of adolescence. Her debut, A Little Friendly Advice (2008), examines a girl navigating her parents’ divorce and shifting friendships. Same Difference (2009), inspired by Vivian’s own pre-college arts program, follows a suburban teenager finding her creative voice in Philadelphia and earned a Kirkus Reviews Best Book of the Year distinction. Not That Kind of Girl (2010) interrogates a student-council president’s carefully managed reputation. The List (2012) was named to the ALA’s 2013 Best Fiction for Young Adults. With Jenny Han, Vivian co-authored the Burn for Burn trilogy (2012-2014), a revenge narrative set on a fictional island. Her later novels include The Last Boy and Girl in the World (2016), about a community facing displacement by flooding, and Stay Sweet (2018), a New York Times bestseller about a girl managing a legacy ice-cream business.



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