The Once and Future Queen

Paula Lafferty

68 pages 2-hour read

Paula Lafferty

The Once and Future Queen

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 17-24Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, illness, death, animal death, physical abuse, substance use, and cursing.

Chapter 17 Summary

Arthur’s public address and food-relief campaign initially succeed. Vera, Lancelot, and Matilda distribute supplies and are greeted as heroes, though Vera remains withdrawn. After a few hopeful days, panic resurges as merchants gouge prices and citizens stockpile food. Arthur institutes rationing, but morale plummets. When a cold front arrives on the sixth day, the people’s mood seems to grow chilly as well. Wary of worsening public behavior, Lancelot now always keeps his hand on his sword.


While waiting in line for firewood, Matilda reveals to Vera that she and Lancelot have noticed people treating Vera poorly. Arthur and Percival are already investigating the matter. Lancelot brings over a young couple, Roger and Helene, who ask Vera to bless their newborn daughter, Guinevere. After Arthur explains that this is customary, Vera performs the blessing. The couple reveals that they named the baby after the queen who saved their town during the final battle, leaving Vera feeling like an imposter. While holding the baby, she bonds with their toddler son, teaching him to call his sister “Vera.”


A man bumps into Vera and then turns on her with spite, calling the baby a “bastard” and accusing Vera of bearing a shameful child during her year away. When Vera confronts him, he throws a cursed egg at her. Arthur lunges to catch it, and the egg shatters in his hand, releasing greenish smoke that blisters his skin. As Lancelot tackles the attacker, the man screams that Vera is a witch who has cursed the kingdom. The crowd stares at her with fear.

Chapter 18 Summary

In the throne room, Vera sits with Matilda, Lancelot, and Arthur, awaiting Percival’s report. Guards now stand outside for Vera’s security. Lancelot checks that Vera is unharmed, kissing her hands while Arthur pays no attention. Arthur’s bandaged hand continues worsening, though he conceals his pain. Percival confirms that the harvest was partially salvaged but reports that the attacker’s accusations about Vera are widely shared. The public finds Vera too outspoken and standoffish. Rumors of infidelity with Lancelot stem from their constant companionship. People have also seen Arthur’s coldness toward Vera and are following his lead. Most dangerously, many believe that Vera is a witch, with the harvest’s destruction coinciding with her return.


Lancelot and Percival tell Arthur that the attacker, Joseph, intended to disfigure Vera. Arthur announces that he must execute Joseph for treason. Horrified, Vera begs him not to, starting to reveal that she’s not the real Guinevere. Lancelot talks over her confession to protect Vera’s secret. When Matilda points out that the cursed object would have killed the baby, Arthur furiously tells Vera that Joseph’s punishment is not about her but about protecting his rule.


Mage Gawain, a sullen man in a dingy brown robe, appears and offers to perform the execution. He first treats Arthur’s wound, revealing his rare healing gift. At the execution, Vera stands with Arthur on a platform. Seeing fear in his eyes, Vera reaches for his hand, and he grasps it tightly. He quietly asks her not to watch. Gawain stabs Joseph to death with a thin silver dagger.

Chapter 19 Summary

That night, Matilda gives Vera a note from Merlin, asking her to meet him in his study. Vera waits for Arthur, but he never returns. The next morning, Vera and Matilda hear screaming from the throne room and find Helene and Roger with their gravely ill baby. As Gawain examines the child, Helene sees Vera and screams that she cursed the baby. As Matilda leads Vera away, they encounter a finely dressed man—Geneveive’s father (and thus Vera’s birth father), Lord Aballach.


Aballach grabs Vera, drags her into a corridor, and accuses her of shaming him. He crudely demands to know if the rumors are true and she has been unchaste. When Vera can’t meet his gaze, he slaps her across the face, his ring cutting her lip. Arthur intervenes with quiet fury, ordering Aballach never to touch his wife again. He sees Vera’s bleeding lip and tells her to go.


Vera flees to the chapel, where Arthur finds her. He confesses that his behavior caused the public’s turn against her and takes full responsibility. When Vera says that there may be some truth to the rumors about her being a witch since the baby fell sick after her touch, Arthur tells her that the baby’s illness was caused by fumes from the cursed object, called Venovum, and that Gawain’s treatment is working on her. Vera begins sobbing, and Arthur wraps his arms around her. He says that his care is not just a pretense; he is actually quite fond of her. Arthur proposes a public display of marital affection to protect her and offers that they be friends in private. Vera agrees, saying that’s all she wanted. She notices that his right knuckles are swollen. Arthur admits that he punched Aballach after he suggested that Arthur get Vera pregnant to tame her. Looking at her cut lip, Arthur says that punching him in the mouth only seemed fair.

Chapter 20 Summary

Lancelot insists on accompanying Vera to Merlin’s study, where they find Gawain working. Merlin dismisses him, and Gawain leaves with a rectangular object resembling a cell phone. Merlin explains that he will use sensory deprivation with a magical potion to access Vera’s unconscious mind. Her first attempt ends with her screaming from a nightmare, but she insists on trying again.


During the second attempt, Vera becomes trapped in a traumatic loop, repeatedly witnessing a woman dying from a stomach wound—the woman’s face shifting from a stranger’s to her mother’s to her own. After half an hour of screaming, nothing can wake her until Arthur arrives and takes her hand. The loop breaks, and Vera experiences Guinevere’s memories: an early courtship walk with Arthur, a shared moment in the throne room, holding hands during a war council, and lying in bed in despair after the final battle. To her surprise, she also feels Guinevere’s intense disgust toward Lancelot.


When Vera surfaces, she recounts the memories. Arthur confirms their timeline. Lancelot sadly admits that Guinevere did not like him. Vera wants to try again, but Arthur refuses to allow another session until after Yule and Christmas, two weeks away, so that Merlin can research a safer method. Vera privately wonders if Arthur doesn’t want her memories to return.

Chapter 21 Summary

That night, Arthur finds Vera reading The Hobbit in bed. He reveals that he has read all the books Merlin provided from her time. When she mentions reading this one aloud with her parents at Christmas, Arthur asks if they can read together. He sits shoulder-to-shoulder with her. Examining her bookmark—a photograph of Vera with Allison and Martin—Arthur is fascinated by the technology. Vera grows sad thinking of her father’s undetected cancer on the day the photo was taken.


They take turns reading aloud. Vera delights in Arthur’s voice for Gollum. As he reads, she falls asleep with her head on his shoulder, feeling comfort reminiscent of Vincent. Arthur gently lays her down, returns her bookmark, lowers the lights, and covers her. Vera realizes that Arthur, not Matilda, may have been tucking her in all along.

Chapter 22 Summary

Arthur and Vera begin publicly displaying affection, holding hands and sharing jokes. The people notice. For Vera, the affection is genuine. Two days before Yule, Arthur joins her chopping vegetables in the kitchen. She teaches him proper technique. They laugh when onions make him cry. Vera is swept up but pained by the thought that the laughter is merely a public show for Arthur.


Meanwhile, the celebratory boar hunt is going on outside the castle walls. Suddenly, the boar horn sounds wrong, stopping mid-blast. Lancelot senses danger; the boar has broken loose inside the walls. The massive beast charges through the square. A terrified horse throws Grady, leaving him cornered. Arthur and Lancelot are too far to intervene. As the boar charges, a disk of blue-white light explodes from Grady’s chest, throwing the animal backward. Loose wood flies to form a protective wall. Lancelot and Percival kill the stunned boar. Grady realizes that he caused the magic and demonstrates his new power. Percival is shocked—magical gifts are supposed to be present from birth, not appear suddenly.

Chapter 23 Summary

The horn crier was gored by the boar, cutting his warning short, and he was saved by Gawain. Arthur sends for Gawain the next morning before departing for Glastonbury for Yule festivities, but Gawain refuses, claiming to be too busy. Percival, Arthur, and Vera find Gawain crawling near the training pit, studying where Grady’s magic manifested. Gawain explains that he studies magic breaks—the moment a gift first appears—and that magic leaves a temporary trace. He collects dirt from the site and reveals that he once witnessed a similar break during a battlefield execution. He expresses regret at not witnessing Grady’s moment of terror, a statement that unnerves Vera. Arthur tells Gawain that even though his task is important, he must answer the king’s summons in the future. Gawain apologizes and agrees.


Gawain joins the expedition to Glastonbury. Percival gives Arthur a mysterious parcel from Merlin. Randall tells Vera that he has made a new gown for her. On the road, Vera sees the easy affection between Arthur and Matilda and feels jealous. Feeling empathy for the isolated Gawain, she offers him alcohol and rides alongside him. Gawain invents a false relative to test Vera’s memory. When she falls for it, he confirms that her amnesia is real, admitting that he previously assumed she was faking. He reveals that magic has behaved strangely since before the wars, possibly since the Massacre of Dorchester, a magical extermination of non-magic people. The magical birth rate has been declining for a decade. He warns Vera not to trust anyone, especially Lancelot, whom he claims “reeks of lies” (233). When Vera relays this insult, Lancelot finds it hilarious and rides off to annoy Gawain.

Chapter 24 Summary

The party arrives in Glastonbury on a rainy afternoon. Maria, the festival master, leads them to stone lodgings. Arthur explains that Yule tradition requires firelight only, no magic. He and Vera are assigned a shared room. He offers to sleep elsewhere, but Vera tells him it is fine.


At the Yule Eve festival on the grounds of the future abbey, Vera is stunned to see a grand stone cathedral unrecorded in her time’s history. They watch a performance of Percival’s heroic deed and knighting. Percival is mortified by the dramatized retelling, in which he saves Arthur by taking the blow intended for him; it is the blow that led to Percival’s scar. Percival later tells Vera that he didn’t receive the full force of the sword because an unknown person’s magic deflected the sword blow. Vera and Arthur spend the evening as the beloved royal couple. When Vera mentions wanting to climb the Tor for sunrise, a drunk Lancelot offers to accompany her, but she refuses. Arthur, who has never been to the top, offers to go with her—a gentle contrast to his former coldness.

Chapters 17-24 Analysis

Arthur and Vera’s tricky navigation of public perception explores The Ethical Burden of Power. Public perception is shown to be a strong, unstable force shaped by appearances rather than truth. The populace’s opinion of Vera pivots dramatically, first turning hostile due to Arthur’s perceived coldness and her constant companionship with Lancelot and later becoming favorable when she and Arthur perform a convincing romance. Given the importance of appearances in maintaining power, those in charge sometimes need to make the ethically complex decision of hiding their true feelings.


This theme is further illustrated through other difficult decisions faced by the kingdom’s leaders. Arthur’s decision to execute Joseph for treason illustrates the cold calculus required to maintain order. His declaration, “It is my decision. […] You have no say in this” (161), frames the act as a dispassionate, political necessity to protect his rule, not a matter of personal vengeance. The act marks the first execution of his reign, a significant moral threshold crossed for stability rather than justice.


Gawain provides a different perspective on the ambiguous nature of power. As an accomplished mage, he can heal magical wounds; paradoxically, his proficiency also makes him a good executioner, highlighting the dual nature of power. Gawain’s academic fascination with the “magic break”—the manifestation of a gift during a moment of extreme terror—positions him as an amoral observer, more interested in power’s mechanics than its human cost. Gawain’s detachment is amplified as control in Merlin, who knowingly subjects Vera to a dangerous memory-retrieval process, placing the kingdom’s strategic needs above her individual well-being.


The theme of The Malleability of Historical Narratives plays out during the Yule festival, where the dramatized, inaccurate retelling of Percival’s knighting transforms an event involving unknown magic into a simple tale of divine intervention. The storytellers sacrifice historical accuracy for a more palatable legend, revealing how collective memory serves a community’s need for heroes and miracles, regardless of the facts.


Grief as a Catalyst for Reinvention drives the character development of both Vera and Arthur, forcing them to redefine their roles and relationship. While Vera’s sadness at her separation from her parents and her former life motivates her to forge new bond, Arthur’s grief at losing Guinevere makes him re-examine his relationship with Vera. Arthur’s confession to Vera that “[he] ha[s] done everything wrong” marks a critical turning point (173), as he sheds the stoic persona he adopted. Realizing that he may lose Vera and his kingdom unless he changes, Arthur discards his failing strategy of distance and actively pursues a partnership with Vera. This reinvention is not just a political maneuver but a personal evolution, spurred by Arthur’s developing fondness for Vera.


Thematic concerns are reinforced through various motifs and symbols. The recurring motif of being watched—by the public, by the court, and by each other—underscores the constant pressure on Vera and Arthur, whose private lives are inseparable from their public duties. This surveillance necessitates their performance of affection, blurring the line between authentic and constructed feelings. The modern books from Merlin act as a tangible link to Vera’s past, but they also become a bridge to Arthur. His and Vera’s shared reading of The Hobbit creates a private, intimate space away from the court’s scrutiny, allowing a genuine connection to form through a shared story. The motif of names also carries significant weight. When Roger and Helene name their baby Guinevere, it reinforces the power of the legend that Vera must inhabit. Her quiet act of teaching their son to call the baby “Vera” is a subtle assertion of her own identity, an attempt to reconcile her two selves within this new context.


Structurally, these chapters introduce new characters and plot elements that expand the central conflict and foreshadow future developments. The arrival of Gawain destabilizes the established character dynamics and the magical lore of the world. His distrust of Lancelot and his warnings to Vera introduce an element of internal political intrigue, while his research into the declining magical birthrate and its connection to the Massacre of Dorchester (an event not yet explained) suggests a systemic crisis that extends far beyond a single curse. Furthermore, Grady’s spontaneous manifestation of magic challenges the previously held belief that gifts are present from birth. This event suggests that the rules of magic are changing or were never fully understood, adding a layer of unpredictability to the narrative. These developments shift the story’s focus from Vera’s personal quest for memory to a larger, more complex struggle for the survival of magic itself, raising the stakes for all characters.

blurred text
blurred text
blurred text

Unlock all 68 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs