68 pages • 2-hour read
Paula LaffertyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Quizzes
Reading Tools
Content Warning: This section of the guide includes discussion of graphic violence, illness, death, death by suicide, sexual violence, physical abuse, emotional abuse, mental illness, and substance use.
The next morning, Vera and Arthur run up the Tor together. Arthur struggles with the steep climb but refuses to slow down. At the summit, they find a stone totem surrounded by 12 smaller stones where St. Michael’s Tower will stand in Vera’s time.
Vera goes to her future favorite spot, and Arthur joins her. He encourages her to open up. She tells him about Vincent’s death—the first time she has shared the full story. She reveals that her father is very sick and that she hopes to return home.
When Vera asks if Arthur is in love with Matilda, he laughs—Matilda is his cousin and practically a sister, something Guinevere would have known. As Arthur paces, Vera recognizes the exact scene from a vision she had on the Solstice and realizes that the ghost she saw was him.
While descending the Tor, Vera tells Arthur about her vision. At the market, Arthur buys hot apple pastries. Maria approaches and asks if they will perform the Yule Carola to open the festival. Vera agrees without knowing that it’s a dance.
Back at the inn, Arthur arrives with a lute enchanted by Gawain. They practice the Carola, with Vera inventing silly lyrics. During practice, she unconsciously performs the final steps without being taught—a sign of her memories returning.
Arthur asks to see how people dance in her time. She demonstrates modern moves, making him laugh. They dance closely while he hums “Dream a Little Dream of Me,” a song he heard her sing in the chapel. Arthur reveals that he used to sit hidden in the chapel alcove while she sang so that she wouldn’t be alone. As he begins to tell her something important, Maria interrupts to prepare Vera for the festival.
Maria oversees Vera’s preparations. A makeup artist paints Vera’s face, and she dons the white-and-gold gown that Randall made. At the festival, she and Arthur perform the Yule Carola successfully. Children present them with crystal Yule crowns. While Arthur greets guests, Vera joins Lancelot, Matilda, Percival, and Gawain. The others interrogate Gawain about magic. When Vera brings up the Holy Grail of Arthurian legend, Percival and Lancelot seem confused, making it clear that they haven’t heard of the object. Gawain explains the rumored significance of the Grail but asserts that the story around it is a myth born from fear of death.
The group plays rock-paper-scissors as a drinking game. Vera has a wonderful time, dancing several times with Arthur. She spots Lancelot emerging from the darkness with a disheveled young woman. A tipsy Arthur puts his arm around Vera as they leave.
In their room, Arthur helps Vera untie her dress, and she helps with his tunic toggles. The moment becomes intimate. They kiss passionately, but Vera has the thought that Arthur is seeing her as Guinevere. Arthur senses her hesitation, apologizes, and abruptly leaves.
The next morning, Arthur is emotionally distant and apologizes for his drunken behavior. The journey to Camelot is subdued.
Gawain enters the royal chambers to speak to Arthur. He unwittingly mentions that Merlin has been giving Vera and Arthur a potion intended to foster attraction between them. Arthur’s silence confirms his complicity. Furious, Vera storms out to confront Merlin.
In Merlin’s study, Vera smashes a potion bottle and accuses him of drugging her. When she demands the full truth, Merlin reveals that under Viviane’s influence, Guinevere betrayed Arthur by passing military intelligence to a Saxon leader allied with Viviane. Guinevere ultimately changed her mind and confessed, prompting Viviane’s attack. Arthur knows everything.
Feeling responsible for the decline of magic in Camelot, Vera agrees to an invasive procedure of memory retrieval. She drinks a new sensitivity potion that heightens her senses and increases her attraction to Arthur. Merlin places his hands on her head.
The procedure makes Vera feel as if she’s walking through her own mind, along with Merlin. Merlin browses her memories, finds her memory of meeting Vincent, and painfully inserts his memory of Guinevere and Arthur’s first meeting alongside it. He then finds Vera’s intimate memory of her last night with Vincent and attempts to merge it with his memory of Guinevere desperately kissing Arthur on the castle wall.
The memories are not parallel, causing Vera excruciating pain. She screams for Merlin to stop, but he persists. The force shatters Vera’s memory of Vincent. She breaks free, knocking Merlin to the floor. Vincent’s face is erased from all her memories, replaced by a vague description. Merlin’s silence confirms that he knew this was a risk.
Devastated that she can barely remember her beloved Vincent, Vera accuses Merlin of giving her a life just so that he could torture her. She tells him that he should have let Viviane kill her and storms out.
Vera emerges from Merlin’s study and encounters Thomas, who is concerned by her state. She angrily rebuffs him. In her room, she collapses from pain and fever. Arthur and Matilda tend to her.
The next morning, Vera, fueled by her fever, runs harder than usual with Lancelot. After their run, Lancelot gets a leg cramp, and Vera massages it. They hear rustling in the woods, but Lancelot dismisses it as an animal.
Vera accidentally reveals that Merlin has seen her memories. He presses her, and she tells him about the procedure and the shattered memory. Horrified that Merlin is performing such risky procedures on her, Lancelot insists that she tell Arthur. They argue—Lancelot accuses her of not truly communicating with Arthur. She fires back that he and Arthur keep secrets from her and walks off.
A narrative aside notes that this will be the second-worst day of Vera’s life.
On Christmas Eve, Vera feels the artificial attraction to Arthur intensifying, but when she approaches him at the banquet, he violently pulls away from her in front of guests. Humiliated, Vera retreats. Matilda helps her slip away.
In a corridor, Vera overhears Lancelot confront Arthur, shoving him against a wall and warning him that his coldness will cause them to lose Vera again.
Vera goes to the chapel to embroider. Thomas enters, drunk. He reveals that he was in the woods that morning and saw her with Lancelot. He accuses her of being a “temptress.” A shocked Vera accidentally stabs her palm with her needle. Thomas grabs her hand and sucks the blood. Vera fights Thomas, but he overpowers her, slamming her head on the floor and toppling the statue of Mary. He stabs her in the thigh and shoulder and attempts to sexually assault her.
Vera hears an inner voice telling her that she’s more than a vessel. Energy surges through her, and she gropes for Thomas’s knife. Arthur bursts in and throws Thomas off. Thomas appears to be dying. Seeing Arthur’s clean sword, Vera looks down and finds Thomas’s bloody knife in her own hand. Thomas clutches a fatal throat wound, and Vera realizes that she has killed him.
Vera has a panic attack. Arthur holds her and calms her breathing, calling her by her modern name to ground her. He carries her through a private door to avoid being seen. In their chamber, he sends Matilda for supplies and tends to Vera’s wounds himself.
When Vera forces herself to empty her mind entirely, Arthur tells her to stop. She demands the full truth behind Arthur’s odd treatment of her. Arthur confesses that Merlin split Guinevere’s essence into three parts and brought back two other versions before Vera. The first became homicidal and was killed. The second fell into despair and jumped from a window, dying by suicide. Because the second Guinevere’s death was public, Merlin created the story that she was badly injured and healing in a monastery. Both prior Guineveres worsened after becoming intimate with Arthur, which is why he has kept his distance from Vera. Merlin brought Vera back against Arthur’s wishes.
Arthur promises to find another way home for Vera. Since the portal won’t open until late spring, he will send Merlin away unless he finds a non-torturous alternative. When Vera asks how he knew her name, he admits that he overheard her tell a child.
Vera forgives Arthur. She admits that she’s not sorry for their kiss, but Arthur maintains that they cannot cross that line due to the potion’s influence. He washes the blood from her hair. When Matilda returns, Vera begs Arthur not to leave her again. He promises that he won’t.
These chapters show The Malleability of Historical Narratives by deconstructing and recontextualizing canonical Arthurian elements. The narrative treats the legend as a fluid framework for exploring psychological concerns rather than as a fixed historical account. An example of this reframing is the quest for the Holy Grail. In medieval and Arthurian myths and folklore, the Grail is the cup from which Jesus Christ drank at his last meal. It is believed that the Grail grants immortality and power, which is why knights search for it. In the novel, Gawain dismisses the Holy Grail as a myth born from a collective fear of dying, dismantling the story of Arthur’s knights questing for the Grail. Gawain asserts that frightened people “make up stories that make them feel better” (245), a metafictional comment that questions the origins of the tales being retold.
The blending of timelines—Arthur humming a 20th-century song and the group playing rock-paper-scissors—further destabilizes any claim to historical authenticity, underscoring the narrative as a reimagining. The revelation that Vera’s vision of a ghost on the Tor was a temporal bleed-through of Arthur transforms a supernatural trope into a symbol of history’s porousness, suggesting that past and future are not fixed points but overlapping realities.
The narrative also advances a critique of The Ethical Burden of Power, portraying magical ability as a force that necessitates morally compromising choices. Consumed by the desire to save magic, Merlin consistently prioritizes the kingdom over the individual. He frames his nonconsensual use of an attraction potion and his continuation of the invasive memory procedure despite Vera’s pleas as necessary evils for a greater good. The devastating consequence is the shattering of Vera’s memory of Vincent, a literal and symbolic representation of the personal cost of Merlin’s methods. The revelation about the two previous, failed versions of Guinevere reveals the human toll of Merlin’s experiments and marks Arthur’s ethical break from his mentor. Arthur’s declaration to Vera that “[he] will not destroy [her] to restore [Guinevere]” signifies a shift in his values (304), placing an individual’s well-being above the abstract needs of the state. Lancelot functions as an external moral compass; his horrified reaction to the procedure and furious confrontation with Arthur highlight the inhumanity of their actions, pushing Arthur toward this ethical reckoning.
The relationship between Vera and Arthur evolves from an orchestrated connection to one founded on shared trauma and honesty. An initial bond forged through vulnerability on Glastonbury Tor is deliberately complicated by Merlin’s attraction potion, creating a dynamic that is simultaneously authentic and artificially induced. The failure of this magical manipulation—culminating in their passionate but emotionally dissonant kiss and Arthur’s subsequent public rejection—serves as a narrative argument that trust cannot be manufactured through magical means. It is only in the aftermath of Thomas’s attack that a foundation for a genuine relationship is laid. Seeing Vera in peril strips away Arthur’s pretense, compelling him to confess everything about the two prior Guineveres. Arthur and Vera’s bond is thus rebuilt not on a magical ideal but on the difficult ground of shared suffering and mutual forgiveness.



Unlock all 68 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.