The Quitters Club: A Novel

Jessica Strawser

The Quitters Club: A Novel

Jessica Strawser
54 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapter 32-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide discusses suicide, pregnancy loss or termination, and illness.

Chapter 32 Summary: “Lucy”

Lucy travels to an MBA symposium in Chicago with her classmates. The trip is a welcome escape from the tense atmosphere at Collins’s house. During the drive, her classmates tease her about having a boyfriend, Enzo, in the city. At the hotel, Enzo surprises Lucy in the lobby. They take a walk through Millennium Park, where Lucy confides in him about her career uncertainty, the pressure she feels, and the friends’ pact. Enzo advises her to stop viewing writing and business as separate paths and instead use her writing skills as an asset in a business career. His perspective invigorates Lucy, who realizes that quitting her old life has given her more options, not fewer. She feels excited about the future for the first time in a long while.

Chapter 33 Summary: “Brooke”

It is now March, and Brooke has entered the second trimester of her pregnancy (making it significantly less likely that she will miscarry). She misses Mitch, feeling isolated and spending her days browsing the “Have Baby, Will Travel” online forum. At a doctor’s appointment, she learns her screening tests are normal and her pregnancy is healthy. Brooke’s observations of her friends cause her to reflect that many women carry significant loads related to caregiving and emotional labor. She is frustrated when Mitch fails to return a phone call; he is currently in London, and she wonders what his daily life is like there.

Chapter 34 Summary: “Marie”

Marie’s learns that her popular course, “How to Say No,” is being removed from the university’s offerings due to its vulnerability to scrutiny amid funding issues. The dean also mentions vague complaints about Marie seeming distracted. Later, during that class, students give presentations on why the course is relevant. One student shows a viral video of a woman running a marathon who is interrupted near the finish line by her husband and children, who ask her to stop and retrieve a dropped toy. The student argues that the issue is not just that the mother could have said no, but that she never should have been asked. The video is a powerful catalyst for Marie, who realizes that Kyle has not been a true partner or a source of support. Overcome by this sudden clarity about her marriage, Marie begins to cry.

Chapter 35 Summary: “Lucy”

In Chicago, Lucy meets with her agent, Delia, and tells her that she has an idea of what her future career could like: an unspecified path forward that combines writing and the new confidence she has acquired from quitting. The narrative resumes back in Ohio, when Brooke picks Lucy up from the airport. They go directly to the rehabilitation facility to visit Collins, who tearfully reveals she is scheduled for discharge but is terrified to return to the house filled with painful memories of Sullivan. During the conversation, Brooke admits her own anxieties about being “motherhood material” (273). Lucy and Brooke reassure each other, reaffirming their support for each other. Lucy suggests that Collins consult with legal experts about Sullivan’s estate to find a way to relinquish some of the responsibility to Sara, which would ease her burden.

Chapter 36 Summary: “Brooke”

Brooke and Lucy return to the house and find Marie in the kitchen. Marie announces that her marriage to Kyle is over and that they will tell their sons on the weekend. Later, as Brooke closes her blinds, she is stunned to see Mitch pacing outside in the snow. She goes out to meet him, and he tearfully apologizes for his absence and poor communication, explaining that his phone was stolen in London, limiting his ability to communicate. Then, a series of travel disasters delayed his return. He reveals that he has been offered a job in London, which includes housing. He proposes that this could give them both the adventure of living abroad and the stability they need to raise a child. Brooke is delighted that his plan aligns perfectly with the dreams she has been having about travelling and raising a baby abroad. Overjoyed and immensely relieved, Brooke kisses him, all her fears about their future dissolving.

Chapter 37 Summary: “Marie”

Marie and Kyle tell their sons, Wade and Connor, about their divorce. To Marie’s surprise, Kyle defends her decision to the boys and promises to attend co-parenting counseling. Afterward, Marie visits Collins, who is packing to leave the rehab facility. Collins needs to remain in Columbus for cancer treatments, and she reveals that Sara found her an apartment in Columbus (owned by an art professor on sabbatical). Collins explains that Sara wants them to pause on discussing Sullivan’s estate and focus on rebuilding a relationship; Collins is relieved and happy with this outcome, since it gives her more time for legal consultations and planning. Collins and Marie apologize and fully reconcile. 


Marie explains about her pending divorce and Collins tells her that Marie and her sons are welcome to stay in her Athens house for as long as they need.

Chapter 38 Summary: “Lucy”

Mitch and Brooke travel to Florida to visit his parents; Lucy, Marie and her sons remain in the house (while Collins is in her new apartment in Columbus). In April, Enzo visits Athens, meets Lucy’s friends, and solidifies his relationship with Lucy, who now considers him her boyfriend. Lucy reveals her final MBA project to Marie: two sister brands, Lucy’s “How to Quit” and Marie’s “How to Say No,” transforming Marie’s canceled university course into a book, podcast, and social media platform. Lucy reveals that her agent has already connected with a multimedia company in Chicago that is very interested in the concept. Marie enthusiastically agrees to the partnership, seeing a new professional future for herself.

Chapter 39 Summary: “Brooke”

Upon their return from Florida, Brooke and Mitch travel to Collins’s apartment in Columbus to support her on her first day of chemotherapy. To ease Collins’s anxiety about facing treatment alone, they reveal they have signed a short-term lease on an apartment just down the hall. They explain their plan to stay in Columbus and act as her support system until their baby is born, after which they will move to London. Touched by their deep gesture of friendship, Collins cries with gratitude and accepts their help.

Chapter 40 Summary: “Marie”

During a visit with Brooke and Collins in Columbus, Marie learns her students have started an online petition to save her canceled class. Collins then makes a major announcement: She does not plan to move back to Athens after her treatment ends. Instead, she is considering relocating to Saugatuck, Michigan, where Sara lives. Sara has offered to help her find work managing artists. Collins also reveals that she initiated a discussion of the estate with Sara: After consultations with a lawyer, Collins proposed a way to transfer day-to-day control to Sara while keeping legal safeguards in place to protect Sullivan’s legacy 


Collins offers to sell her Athens home directly to Marie. Overcome with emotion, Marie gratefully accepts. All of the women are filled with happiness at the outcome of their quitting project.

Epilogue Summary: “Collins”

Two years after the pact began, Collins is living in Saugatuck. She has completed chemotherapy and continues immunotherapy. She reveals that her fall from the ski slope was indeed a suicide attempt born from overwhelming grief. She does not intend to ever tell her friends, as she does not want them to feel guilty. She reflects that this desperate act paradoxically saved her, as the resulting medical evaluation led to the early discovery of her lung cancer.


Lucy and Marie’s podcast called “The Quitters Club” has become very successful. Collins has transferred day-to-day control of Sullivan’s estate to Sara, with legal safeguards in place, and they are now friends and colleagues. She enjoys her new work and her new life in Michigan. Lucy is now engaged to Enzo and Brooke and Mitch are happily living in London with their young daughter. The Epilogue closes with Marie, Lucy, and Brooke happily arriving to visit Collins.

Chapter 32-Epilogue Analysis

In the novel’s final section, Brooke and Lucy realize that they can synthesize their different desires and build a life that allows them to have the best of both worlds. For Brooke, this means becoming a parent while moving abroad, while Lucy realizes she wants to combine her nascent business acumen with her creative instincts. Lucy’s proposal reframes the concept of quitting as a strategic and empowering act of reinvention. Her pitch for “How to Quit” and “How to Say No” synthesizes her business education with her personal journey, directly applying Enzo’s advice to “use writing to make you better at a business career” (250). This move signifies Lucy’s maturation from someone fleeing an unsatisfying career to a visionary building a new one that aligns with her authentic self. 


By transforming Marie’s canceled university class into a multimedia platform, Lucy creates a tangible outcome from the group’s pact, turning their private struggles into a public movement. This professional partnership institutionalizes the novel’s central argument: that selectively abandoning paths that no longer serve one’s well-being is not a failure but a forward-looking strategy for a more fulfilling life. The business venture becomes the ultimate expression of the friends’ mutual support, formalizing their shared wisdom into a marketable and scalable form of empowerment for other women. As such, the shared brands that emerge from the project exemplify the themes of both Friendship and Collectivity as the Foundation of Individual Change and Boundaries Providing Empowerment.


Brooke and Lucy complete their personal journeys by realizing they don’t need to abandon something (respectively, the dreams of motherhood and a creative career): They can integrate and synthesize instead. Marie faces a starker choice: Throughout the plot, she resists accepting the end of her marriage, but she is finally forced to do so. A student’s viral video of a marathon runner interrupted at the finish line provides the catalyst for Marie’s ultimate life change. The student argues that the issue is not that the mother could have said no, but “that she shouldn’t have been asked in the first place” (265). In this moment, the academic concept Marie teaches becomes intensely personal. She recognizes her husband in the passive, unsupportive father filming the incident, a man who is physically present but emotionally absent, watching her “without seeing her at all” (265). This scene externalizes the internal dynamic of her marriage, giving her the clarity that her intellectual understanding of the problem could not. 


The characters’ physical movements and re-evaluation of domestic spaces mirror their internal transformations. Collins’s decision to leave Athens is rooted in her realization that her marital home has become a site of trauma rather than comfort; she dreads the “reminders” (272) of Sullivan’s death that haunt every corner. Her move to a temporary Columbus apartment and then a new life in Saugatuck shows an important psychological unburdening, allowing her to separate her identity from her role as Sullivan’s grieving widow. Similarly, Brooke and Mitch’s decision to accept a job in London dismantles their previous life plan, replacing the stability of their Colorado suburb with a future defined by shared adventure. For them, “home” becomes a fluid concept tied to their new family unit, not a fixed geographical location. Marie, in turn, finds a new beginning for her own restructured family in the very house Collins is leaving. The home, once a monument to Sullivan’s art and legacy, is repurposed as a sanctuary for a new generation, demonstrating that even spaces saturated with the past can be reclaimed for the future. Because many of these movements are tied to the bonds formed between the friends, these relocations can be seen as extensions of friendship and collectivity as the foundation of individual change.


In the novel’s final section, the network of care amongst the four friends extends to incorporate Sara, Sullivan’s adult daughter. By finding Collins an accessible apartment and later offering to help her reinvigorate her career, Sara demonstrates how reconciliation and shared purpose can forge new, unexpected bonds. These reciprocal acts culminate in Collins offering her house to Marie, a gesture that ensures the physical heart of their Athens support system remains intact even as its original owner moves on. This new, interdependent network shows that their individual journeys of “quitting” have led them to a deeper form of “committing” to one another.


Collins’s journey culminates in her decision to build a life separate from Sullivan’s legacy, a choice that demonstrates her deep progress in Learning to Live with Grief. Her realization that she would rather stay in a “cold clinic than in the house I shared with the love of my life” (272) is a turning point, revealing that the house has become a container for trauma. By transferring day-to-day control of Sullivan’s estate to Sara and selling the house to Marie, Collins frees herself from the role of a grieving custodian and reclaims her own agency. The Epilogue’s revelation that her near-fatal fall was a suicide attempt retroactively reframes her entire story. The act that should have been her ultimate quitting of life becomes the paradoxical event that saves her by leading to the early discovery of her lung cancer. This final secret emphasizes the complexity of her healing.  Her peaceful life in Saugatuck, where she is finally just “Collins, no apostrophe” (310), shows a hard-won peace built on accepting the past without being defined by it, while the presence of a chapter narrated from her point of view encapsulates how she has finally become the protagonist of her own life.

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