The Quitters Club: A Novel

Jessica Strawser

The Quitters Club: A Novel

Jessica Strawser
54 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 9-16Chapter Summaries & Analyses

Content Warning: This section of the guide discusses infertility and illness.

Chapter 9 Summary: “Brooke”

Brooke and Mitch prepare for a video call with Lucy, Marie, and Collins. On the call, Brooke announces that she and Mitch are quitting their jobs, selling their house and all possessions, and planning to travel the world indefinitely. Brooke has already given notice at work, and Mitch is requesting a sabbatical. Mitch then reveals something that surprises even Brooke: For years, he had quietly turned down international job transfers to prioritize their IVF treatments. He explains that these old professional contacts might now offer long-term opportunities abroad, making their travel plan more sustainable. They tell their friends their first destination will be Italy. The friends react with shock but are ultimately supportive. During the call, Lucy shares her own news: She has been accepted into an MBA program and is moving back to Athens, Ohio, to pursue it.

Chapter 10 Summary: “Marie”

It is nearly Thanksgiving and almost a month has passed since Marie and her sons moved into Collins’s house. She reflects that the separation has made everyone happier, including Kyle. While helping Collins clean, Marie discovers a letter from Evie, the woman who owns the barn where Collins’s late husband Sullivan worked on his art. This studio is also where he died. 


Evie requests that Collins retrieve items salvaged from the fire. The letter deeply distresses Collins, who tears it up and refuses to ever return to the site. 


Later, Marie meets Collins’s neighbor, Travis, and senses he is attracted to Collins. Collins admits Travis is kind but says she cannot date anyone who was part of her life with Sullivan. Inspired by her friends’ recent life changes, Collins reveals she has impulsively booked a spot at a singles’ ski retreat in West Virginia, taking place in the days between Christmas and New Years. The talk of future plans leaves Marie wondering about the future: She knows it makes sense for Lucy to move in with Collins when the former begins her MBA, but Marie secretly dreads returning to live with Kyle. 


Collins hosts Thanksgiving dinner at her home and Kyle joins them. During dinner, he surprises Marie by announcing he has planned a romantic overnight date for them in Columbus, derailing her plan to have a serious discussion about their future.

Chapter 11 Summary: “Lucy”

Lucy receives a call from her literary agent, Delia, who demands she take down her viral essay, “Why I Love Books Too Much to Keep Writing Them.” Delia complains that the essay is inspiring her other clients to quit writing, but Lucy refuses to remove it. Meanwhile, Lucy continues a casual romance with Enzo (the enrollment counselor in Chicago) acknowledging their relationship is temporary due to her impending move. 


After receiving her official acceptance to Ohio University’s MBA program, Lucy calls Collins. Collins reports that Marie has begun seeing Kyle again, leaving Marie confused about their relationship. Collins also confides her own struggles with her identity since Sullivan’s death and the stress of dealing with his daughter, Sara, over the estate. Lucy hangs up feeling worried that Collins is not embracing change like the rest of the friend group.

Chapter 12 Summary: “Brooke”

Brooke and Mitch are almost ready to leave for Europe and discuss their itinerary. They will begin in Italy and then likely travel onwards to Germany and possibly London. Brooke privately feels growing unease and sadness about leaving everything behind, which she conceals from her husband. Unprompted, Mitch volunteers that after years of everything going sideways, all this good news may take some getting used to. He comforts her and promises to help her adjust to their new life.

Chapter 13 Summary: Marie

Post-Thanksgiving, Kyle begins arranging regular, romantic evenings with Marie, which both find enjoyable. He broaches the idea of her moving back in, prompting Marie to realize that she still loves him but simultaneously dreads returning to their old, stressful lifestyle. She tells Kyle they must make significant changes, asserting that their previous arrangement was not working for her or their sons. Kyle becomes defensive, claiming he was unaware of the severity of the problem. When Marie mentions the possibility of continuing to live separately, Kyle misinterprets it as a prelude to divorce.


 She suggests alternative solutions, such as moving the family to Athens or one of them changing jobs, but he rejects her ideas. The conversation escalates into a major argument, with Marie accusing Kyle of ignoring her struggles for years. The fight ends when Kyle tells her he needs time to decide if he even wants to try fixing things and that he would be happier without her there for now. This conclusion leaves their marriage more fractured than ever.

Chapter 14 Summary: “Lucy”

On her last day in Chicago, Enzo helps Lucy pack her U-Haul trailer. As they say goodbye, he surprises her by revealing that he read and loved her latest novel and asks her to sign copies for his family. His praise for her talent leaves Lucy feeling emotional and conflicted about her decision to quit her writing career. 


She drives to Athens, Ohio, and arrives at Collins’s house. Lucy is expecting to stay alone for a few days, since Collins is at the ski retreat. However, Lucy is surprised to find a distraught Marie in the house. Marie reveals that Collins has been in a serious accident and that they need to leave immediately.

Chapter 15 Summary: “Brooke”

Brooke and Mitch are only days away from departing for Italy when they learn about Collins’s accident. After initial treatment in West Virginia, Collins is transferred to a hospital in Columbus. Brooke and Mitch rush to Ohio to be with her. 


Reunited with Lucy and Marie, Brooke asks them questions: The other two women were the ones to drive to the ski lodge to collect Collins’s belongings. Lucy and Marie explain that Collins was skiing alone at night when she fell from a ledge and suffered serious injuries. No one understands how or why Collins was on the ski slope by herself, speculating that “nobody knows if she got on the wrong lift or misunderstood the difficulty of the slopes” (108). A doctor confirms Collins has multiple fractures, head trauma, and internal bruising, and that her recovery is uncertain: Collins is currently in a medically induced coma. Marie is designated as Collins’s emergency contact, making her responsible for medical decisions. 


Lucy relays to Brooke and Mitch that Collins’s aunt blamed whoever put the idea into Collins’s head, prompting Lucy to worry aloud that the pact may be at fault. Soon after, Kyle arrives with his sons. When Lucy takes the boys for snacks, leaving Brooke, Mitch, and Kyle together, Mitch inadvertently mentions the pact. Kyle is immediately suspicious, speculating that the pact may have led to Collins taking unnecessary risks. He also questions whether the pact is part of what led Marie to move out. Feeling betrayed, Kyle leaves abruptly.

Chapter 16 Summary: “Marie”

In the days following Collins’s accident, the friends establish a routine of taking shifts at the hospital and staying together at Collins’s house. Brooke and Mitch delay their departure until mid-January, and Brooke is grateful for Mitch’s unwavering support. On January 1, Collins is taken out of the coma. 



She confirms she doesn’t have amnesia and wistfully recalls how much Sullivan loved New Year’s Day. Too injured to move, Collins asks her friends to take flowers to his grave for her. They immediately agree, promising to support her through every step of her recovery.

Chapters 9-16 Analysis

After the initial zeal and excitement of making radical life changes, the second section of the novel documents the women facing doubts and consequences of their decisions. When Brooke announces to her friends that she and Mitch are “quitting everything” (65), the act is presented as a joyful and radical reinvention. While Mitch embraces the logistics with an uncomplicated zeal, reframing their new path as a “lifeline” (68) and not a “second best” (68) option, Brooke privately feels a “glimmer of unease” (91) and the pain of letting go of their old dream. She is the one who instigated the change, yet she also carries the emotional burden of its reality.



Meanwhile, the escalating conflict between Marie and Kyle nuances the theme of Boundaries Providing Empowerment by depicting the personal cost of erecting and maintaining those boundaries. Marie’s de facto separation is a desperate attempt to establish the agency she has been unable to enforce within her marriage. Her climactic argument with Kyle is not about a single issue but the culmination of years of feeling unheard and undervalued. His claim that he “didn’t know we had a problem” (95) is a moment of willful blindness, confirming her long-held feeling that her exhaustion was invisible to him. When Marie introduces the concept of “Living Apart Together” (96),  she is attempting to find a compromise that can act as a solution. Kyle, however, hears it only as a threat and a step toward divorce. Their inability to find common ground reveals a fundamental disconnect in their priorities and perspectives, demonstrating how a failure to respect a partner’s stated needs and boundaries ultimately makes true partnership impossible.


Collins’s storyline reveals the highest cost, since she acts from a reckless and potentially self-destructive mindset. The other women make high-stakes decisions about their future, but they operate from a place of hope while Collins must navigate the difficult, non-linear process of Learning to Live with Grief. While the others are quitting jobs and relationships, Collins is trapped by her past, unable to navigate her identity as Sullivan’s widow. Her grief manifests as a form of stasis, echoing literary figures such as Miss Havisham in Great Expectations (who becomes unable to move forward after a romantic loss. The book was written in 1861 by Charels Dickens). Collin’s fraught relationship to the studio where Sullivan died and her rejection of her neighbor, Travis, as a romantic possibility both show how the past constricts the possibilities of her present. 


The singles’ ski retreat is a tragic emblem of an inauthentic attempt to force a change she isn’t ready for. The details of the accident—that she was alone, in the dark, and not even on the slope when she fell—suggest deep ambivalence and isolation. Her journey illustrates that one cannot simply decide to “quit” grief; moving forward requires a readiness that cannot be rushed or borrowed from the momentum of others. However, the fallout of the accident creates another opportunity for the friends to rally together and demonstrate the theme of Friendship and Collectivity as the Foundation of Individual Change. Collins’s accident abruptly shifts the narrative from four individual journeys to a single, collective crisis. They become Collins’s surrogate family. This immediate, unconditional response demonstrates that their commitment to one another supersedes their individual goals. The crisis clarifies what is truly non-negotiable in their lives. The hospital nurse’s offhand remark that the women “don’t know when to quit” (120) prompts a definitive response from Mitch: “That’s where you’re wrong […] They definitely do” (120). His words serve as a thesis statement for the novel’s redefinition of “quitting.” It is not about giving up, but about the wisdom to discern what must be let go and what must be held onto at all costs. Their friendship is the one thing they will not abandon, establishing it as the foundational priority that makes all other changes possible.


The New Year’s Day setting when Collins is taken out of her coma reflects imagery of a fresh start. She is being given a new lease on life, but nothing is the way anyone expected it to look. The post-accident stretch of the plot marks a shift in the novel’s tone away from the heady optimism that initially accompanies the pact. All the characters now need to reckon with the decisions they have made, and the consequences of those decisions.

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