The Quitters Club: A Novel

Jessica Strawser

The Quitters Club: A Novel

Jessica Strawser
54 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Chapters 17-24Chapter Summaries & Analyses

Content Warning: This section of the guide discusses suicide, pregnancy loss or termination, death, and illness.

Chapter 17 Summary: “Lucy”

By early January, Collins has been moved from the ICU to the orthopedic floor of the hospital, where she is heavily medicated and in pain while her doctors seek insurance approval for transfer to a rehab facility. Lucy often worries about whether the pact pushed Collins into taking a dangerous risk and sometimes even considers the possibility that Collins may have been purposefully trying to harm herself. Lucy also secretly misses Enzo more than she expected. 


For the time being, Lucy, Marie, the two boys, Mitch, and Brooke are all staying in Collins’s house; Mitch and Brooke are going to leave in mid-January and Lucy is unsure about when Marie is planning to move back in with Kyle. 


On Collins’s behalf, Marie and Lucy visit Sullivan’s grave to leave flowers. Lucy takes the opportunity to ask Marie about her plans and Marie reveals that she doesn’t know what she wants to do. At Lucy’s suggestion, they drive to the site of Sullivan’s old studio to retrieve items salvaged from the fire. The property owner, Evie, hands over a storage bin and mentions that students creating a true crime podcast have been questioning her. Evie adds that she told them the fire wasn’t Collins’s fault. 


When Lucy and Marie return home, Brooke announces that she is pregnant.

Chapter 18 Summary: “Brooke”

Brooke and Mitch attend a medical appointment in Athens, Ohio, where an ultrasound confirms Brooke is six weeks pregnant. The doctor is hesitant when she hears about their open-ended international trip, recommending Brooke receive consistent care from a single provider to ensure a safe pregnancy. Instead of feeling joy, Brooke is overwhelmed by the sense that her pregnancy was not supposed to happen this way. With no home or job to return to, she is consumed by fears of miscarriage and other complications. 


Brooke insists that Mitch proceed with their trip to Italy alone, arguing that she will have support from her friends and that he might as well enjoy the trip. Either she will miscarry and the cancelled trip will be wasted, or this might be the last opportunity for him to take an extended trip. 



She secretly fears that if he cancels his plans for her, he will eventually grow to resent her. Though Mitch is reluctant, they agree to postpone a final decision until the following day, both feeling trapped by their sudden change in circumstances.

Chapter 19 Summary: “Marie”

It is mid-January, and Marie’s teaching semester is about to begin. Lucy will be starting her program at the same time. Marie has lunch with Kyle, updating him about Brooke’s pregnancy and the plan for Mitch to go ahead with their trip. It is still not known when Collins will be able to leave the hospital. Kyle urges Marie to move back in with him and reveals he knows about her “quitting” pact with her friends. He tells her that he thinks it has been destructive and urges her not to take it further. When Marie proposes couples counseling, Kyle agrees only if she moves back home, but insists on virtual sessions, which leads to another fight.


Later, Marie visits Collins in her hospital room and comes close to asking directly if Collins deliberately jumped from the ledge (causing her injuries). Although Marie has not discussed this suspicion with Lucy or Brooke, she wonders if everyone has the same worrying doubt. However, they are interrupted by Lucy’s arrival. Collins deflects questions about her fall, saying she got distracted by the view at the top and “I can’t explain what happened” (148). Two doctors enter the room and reveal shocking news: scans taken for Collins’s injuries revealed a mass in her lungs, and a biopsy has confirmed she has Stage III lung cancer


The doctors explain that cancer treatment cannot begin until Collins has recovered enough from her injuries to endure it, a process that requires graduating from an acute rehab unit. Marie and Lucy promise to support Collins through her recovery no matter what.

Chapter 20 Summary: “Lucy”

At Collins’s insistence, Lucy begins her MBA program at Ohio University. During her first week, she sits in on Marie’s “How to Say No” lecture as an unregistered student. Before class begins, a group of students recognize her from her social media handle, “@lucymayerwrites.” They excitedly inform a stunned Lucy that her blog post, “Why I Love Books Too Much to Keep Writing Them,” has gone viral. The students tell Lucy that she is now, “like, famous” (158).

Chapter 21 Summary: “Brooke”

At the airport, Mitch gives Brooke one last chance to ask him not to go to Italy, but she stands by her decision that he should leave without her. She rationalizes that the time apart will give them both space to process the pregnancy. She also resolves that if she miscarries, she will join him overseas and they can resume their original travel plans. After they share an emotional goodbye, Brooke watches Mitch walk toward the security checkpoint. She can tell that despite his hesitations, he is also excited about the trip, leaving her feeling sad and conflicted.

Chapter 22 Summary: “Marie”

After teaching her first class of the new semester, Marie takes her sons to dinner. Later, back at the house, Marie’s son, Wade, reveals that Kyle told Connor (her older son) that Collins might die from her illness, and that Connor relayed this to Wade. Wade also admits that he and his brother prefer living at Collins’s house and don’t want to return home to live with Kyle. 


Later, Marie talks with Lucy, who shares her conflicted feelings about her essay going viral and boosting her book sales. Lucy also voices concern that in focusing on Collins’s physical health, they may be missing signs of her severe emotional distress. Their conversation is interrupted when Brooke returns from the airport and, upon seeing them, immediately bursts into tears.

Chapter 23 Summary: “Lucy”

The uncertainty about Collins’s prognosis and setbacks in her recovery are emotionally challenging for all of the friends. One day, Collins sends Lucy the updated passwords for her social media accounts (Collins changed the passwords and concealed them, at Lucy’s request). The encouraging passwords leave Lucy determined to stay positive, although she still has no intention of reactivating the accounts. 


Impulsively, Lucy invites Collins’s neighbor, Travis, to accompany her on a visit to the hospital. During the drive, Travis reveals that he and Collins had a one-night stand shortly before the trip to Hilton Head (where the friends first formed the pact). He explains that Collins immediately regretted it the next morning, calling herself a “lost cause” (178) and acting as if she deserved to be punished. His story culminates in him asking Lucy if she is certain Collins’s fall was an accident, reinforcing Lucy’s own private fears.

Chapter 24 Summary: “Brooke”

Struggling with Mitch’s absence and her own anxieties about her pregnancy, Brooke endures unhelpful phone calls from her mother that leave her questioning her fitness to be a parent. She visits Collins at the hospital and finds her crying alone in a dark room. When Brooke tries to commiserate by saying, “We’re quite a pair, aren’t we?” (186) Collins lashes out, angrily detailing her horrific injuries and sarcastically dismissing any comparison between their situations.


Shamed, Brooke apologizes and says, “This is all my own doing.” (187) Her words trigger a violent reaction from Collins, who screams, “Do you think this is not my own doing? This is all my own damned fault!” (187). A nurse rushes in and asks Brooke to leave. Brooke flees the room.

Chapters 17-24 Analysis

In the aftermath of Collins’s accident, the “quitting” pact rapidly unravels into unforeseen and uncontrollable consequences, straining the core relationship between the four main characters. What began as a collective decision to reclaim agency has, for each woman, produced a crisis that dwarfs the one she sought to escape. Brooke, having dismantled her life to quit the pursuit of motherhood, is now pregnant under the most unstable circumstances possible. Lucy, who quit her career to start afresh, discovers she has gone viral and is more famous than ever. Collins, who wanted to quit hiding from life, is now physically and medically confined, facing mortality in a way that makes her previous isolation seem trivial. None of these outcomes are inherently negative, but they force a reevaluation of how change happens. The pact was an assertion of control, but these chapters demonstrate the limits of that control, showing how a single choice can set off a chain reaction of events that leaves the characters more vulnerable and uncertain than before. Each woman is now confronted with a warped version of her original desire: Brooke gets the child but loses the stability she thought was a prerequisite; Lucy gets the readership but loses the privacy and creative freedom she craved.


The accident and Collins’s injuries catalyze the circumstances that lead to the other three friends living together in her home (along with Marie’s young sons). Their emergence as a collective, interdependent unit heightens the theme of Friendship and Collectivity as the Foundation of Individual Change. By moving in together and assuming shared care-giving responsibility for Collins, the friends function as something akin to a domestic unit, reimagining a more traditional domestic, patriarchal structure that would typically center a heterosexual couple. For different reasons, Marie and Brooke decenter their husbands from their lives, focusing instead on their female friends. While their supportive intimacy blurs the lines between helping and intruding, the unconventional domestic arrangement of adult women living in community proves effective and sustainable. 


When Marie and Lucy visit Sullivan’s studio, they act from good intentions but unwittingly set the stage for significant future conflict in the narrative. The somewhat mysterious and potentially sinister nature of his death, as well as the landlord’s cryptic comments about a “true crime podcast” (128) and assertions that Collins could be to blame for the fatal fire flirt with the possibility of the novel redirecting into another genre, such as thriller or mystery. However, the insinuations remain merely hints at why Collins’s loss and grief are so complex: Sullivan was a highly public figure and other people feel entitled to a share in his legacy and memory.  


Collins’s reaction to recovery and her cancer diagnosis reflect the complexities of Learning to Live with Grief. Her grief for Sullivan has curdled into a destructive self-blame that implicates not just the ski trip but the studio fire and her attempt at intimacy with Travis. The subsequent lung cancer diagnosis adds a layer of tragic irony, as her body’s betrayal by an internal, insidious growth mirrors her own psychological self-destruction. Her physical agony becomes an external manifestation of grief so deep it has become a corrosive, all-consuming force, rendering her helpless against both her body and her past. Collins has been performing a version of recovery for her friends while privately being consumed by a self-destructive narrative.


Collins’s unadulterated rage at her circumstances offers a depiction of a female character who refuses gendered tropes of resignation, deference, and patient suffering. Collins is not depicted as necessarily likeable and her behavior strains the dynamic with her friends who are doing their best to help her. Collins’s authentic emotion and refusal to perform reflects a necessary stage in her healing journey and mirrors the emerging authenticity of the other women. While characters like Marie reject being taken for granted and expected to perform the emotional labor of running a household alone, Collins rejects pretending to be fine. By letting her anger out into the open, she comes closer to resolving those emotions.

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