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Content Warning: This section of the guide includes discussion of bullying, sexual content, sexual violence, sexual harassment, child sexual abuse, and cursing.
The Sunday edition of the Boston Globe features a prominent article about Grace’s property titled “Nantucket’s Private Eden” (281). The story is accompanied by a large, full-color photograph of Grace feeding a strawberry to Benton, along with a collage of images showing the pair looking intimate in various settings around the garden.
The article quickly becomes the talk of the island. Jody Rouisse calls it “disgusting,” while Susan Prendergast finds one of the photos “pretty hot” (283). Dr. Andy reads it and feels a sense of discomfort for his landlord, Eddie, whom he believes is being “cuckolded.” Alicia Buckler and her wife Janice see the photos while waiting for a table at a restaurant. Even Glenn Daley, in bed with Eddie’s sister Barbie, points out the article. The publication cements the widespread rumor that Grace and Benton are having an affair.
Already under financial strain, Eddie receives two alarming phone calls. The first is from Layton Gray, Madeline and Trevor’s attorney, who threatens legal action if their $50,000 investment is not returned. The second is from Philip Meier at the bank, who informs Eddie he is 92 days behind on his mortgage and owes over $27,000. Eddie forms a plan to use an incoming $84,000 cash payment from a renter to pay the bank while giving Barbie less than she expects.
When Grace excitedly shows him the Globe article, Eddie is consumed by his financial desperation and doesn’t read it, accepting her explanation that the photographs were staged. Instead of feeling jealous of Benton, Eddie sees the successful landscape architect as a potential source of investment capital for his failing properties.
After seeing the romantic photographs in the Boston Globe, Madeline feels a surge of inspiration and finishes the first draft of B/G. In the book’s new ending, G’s husband, Renfrew, discovers the affair by checking her cell phone records. Once the relationship is exposed, G leaves her husband and runs away with B to start a new life in St. John. Madeline is confident in the completed draft and believes that Angie will be thrilled with the result.
On Monday morning, Barbie confronts Eddie with the newspaper article, telling him the island gossip is that he is “paying this guy to screw [his] wife” (292). She urges him to handle the situation. Provoked, Eddie drives home and finds Benton’s truck in the driveway. After searching the empty house, he discovers the door to the garden shed is locked. Hearing movement and breathing from inside, he assumes Grace and Benton are together.
Speaking through the locked door, Eddie fires Benton, refuses to pay his final bill, and orders him never to return. He then waits in his car down the road and watches Benton’s truck leave, confirming his suspicions. The realization of Grace’s betrayal leaves him heartbroken.
Feeling emboldened by the article, Grace pulls Benton into the garden shed and tells him she wants to marry him. Their encounter is cut short when Eddie arrives home and fires Benton through the locked door. Benton panics, dismissing their relationship as “a summer romance” (311) and expressing fear that a scandal will damage his business. He then officially ends their relationship via a text message and tells Grace that he is moving to Detroit. Grace, distraught, tracks Benton down at a client’s house, but he accuses her of stalking him and insists on a clean break.
That night, Eddie doesn’t come home. In the middle of the night, Barbie awakens Grace to tell her that Eddie has been arrested by the FBI because they “suspect him of running a prostitution ring” (230). Grace goes to the police station to post bail and finds four of the cleaning girls sitting outside while Nadia is inside the interrogation room being questioned. She talks with Eddie’s lawyer, Ben Winford, who gets Eddie out of jail. However, he also warns Grace that he should find a more suitable lawyer and that he will likely end up with jail time.
A few hours later, Eddie is released. He comes clean to Grace, admitting that they have no money. He then tells her about the cleaning women, arguing that he said no at first and that he was desperate for the money. However, Grace plainly responds that he was “exploiting” them despite Eddie’s continued insistence that they “never complained” (326). They end the conversation by agreeing not to tell Hope and Allegra.
Madeline calls her editor, Angie, and withdraws her novel, B/G, from publication. Angie is furious and threatens legal action, but Madeline’s agent, Redd, intervenes to support her decision, assuring her she will not have to repay her advance.
Shortly after, Rachel calls with news that Eddie has been arrested. She tells Madeline that Eddie’s secretary, Eloise, contacted the police after overhearing Barbie discussing the operation. Concerned for Grace, Madeline goes to her house and finds her smoking a cigarette on the front step. The two women go inside, putting aside their recent conflict to talk.
At Ben’s recommendation, Eddie gets a new lawyer, Bridger Cleburne. Bridger informs him that the evidence against him is overwhelming. The FBI has a wiretap, and one of the women involved in the operation is a minor. There were two informants: Eloise, who overheard Barbie, and the billionaire owner of the rental property, who had learned of the arrangement through a chance encounter in Las Vegas and gave the FBI surveillance access. To protect Barbie from prosecution, Eddie accepts a plea deal and is sentenced to three to five years in prison, losing his home and commercial properties.
Before his sentencing, Eddie apologizes to his daughters, Hope and Allegra, who are surprisingly forgiving. On the drive to the courthouse, he makes a confession to Grace: Before his arrest, he summoned Benton to his office and threatened to have him killed if he ever contacted Grace again. Acknowledging his own failures, Eddie now tells Grace that she should be with Benton if that is what she wants.
With her father in jail, Hope adjust to a new routine of household chores. Allegra insists they go to Nobadeer Beach, a popular spot with their high school peers. There, they encounter Allegra’s former friends, including Hollis. Allegra confidently confronts the group and reveals that Calgary had previously made advances toward her, sparking a fight between him and his girlfriend, Kenzie. Bluto insults Allegra but then defends her, calling Hollis a “backstabber” for circulating the photograph of Allegra and Ian. The twins also notice that Brick is now dating Hannah. As they leave the beach, they share a rare moment of genuine closeness and solidarity.
Madeline begins writing a new novel titled The Before, a prequel to Islandia. Grace arrives at Madeline’s apartment looking surprisingly peaceful and “radiant.” She reveals that she read the unpublished manuscript of B/G. Crying, Grace embraces Madeline and confesses that the story’s happy ending, in which the lovers begin a new life together, was the ending she had wanted for herself. The exchange completes the reconciliation between the two friends.
During the car ride to MCI-Plymouth prison, Eddie reflects on his life. Rather than dwelling on what he has lost, he focuses on memories of his daughters. He recalls the intense fear and love he felt on the day the twins were born, when Hope’s life was in danger and she had to be airlifted to Boston. He also reflects on the recent dinner he had alone with Hope, feeling proud of her growing curiosity and courage. As the van arrives at the prison gates, Eddie feels “blessed.”
In the wake of the scandal, the island’s social landscape shifts. Eddie’s secretary, Eloise, tells her story to anyone who will listen but receives no official recognition for being an informant. Glenn Daley buys Eddie’s last spec house and proposes to Barbie, who accepts. Grace sells the large Wauwinet estate for $3.5 million and moves with the twins to a cottage on Lily Street, repaying Madeline and Trevor their $50,000 only hours after closing on the house.
Grace is seen mailing Eddie a care package in prison containing a new Panama hat. A rumor that Allegra received a modeling contract proves false when she is seen working at the children’s library. With the Pancik scandal resolved, Nantucket’s gossip mill turns its attention toward whatever story comes next.
The “Nantucket” chapters in this final section of the text underscore the unique role that the public played in the saga that unfolded. The Boston Globe article publicizes and confirms the circulating rumors about Grace and Benton’s affair. It eventually prompts Barbie to confront Eddie and contributes to his discovery of the affair, while finally forcing him to confront the problems within his own marriage. This moment intertwines the themes of Reputation as a Collective Construction and The Cost of Deception: While much of what the island gossips about is speculation and rumors, they also hold the characters accountable for their lies and deceptions. The final “Nantucket” chapters make it clear that the community learns little from the destruction caused by its speculation. Even after the Panciks’ lives have dramatically changed, a false rumor circulates that Allegra has received a modeling contract, only to be contradicted when she is seen working at the children’s library. The novel therefore ends where it began: Nantucket remains hungry for another story, noting that “it would only be a matter of time until this island gave [them] something else to talk about” (370), emphasizing that gossip is generated by a community perpetually prepared to observe, interpret, and judge.
The simultaneous collapse of Grace’s affair and Eddie’s criminal enterprise also underscores The Cost of Deception, bringing consequences for both characters actions. In turn, however, it also emphasizes the differences between their actions. Eddie initially remains oblivious to Grace’s betrayal because his financial crisis consumes his attention, ironically noting that “[t]he article was some kind of quest that she’d successfully completed. Eddie wishes his life were like that” (290). Once Eddie finally discovers the affair, Grace’s imagined future with Benton disintegrates almost immediately. Benton dismisses their relationship as a fling and prioritizes protecting his business, exposing the distance between Grace’s romantic understanding of their relationship and its true fragility. Eddie’s reckoning is far more severe, as his financial dishonesty, the prostitution ring, and his sexual exploitation of a minor all come to light. His decision to accept his prison sentence to protect Barbie shows loyalty to his sister, but it does not erase the choices that brought him here. The conclusion therefore avoids making deception a single moral category: Grace, Madeline, Allegra, and Eddie have all concealed important truths, but the nature of their actions—and the harm they cause—remain significantly different.
In the face of cascading personal and professional disasters, the narrative affirms The Value of Female Friendship as its most resilient and redemptive force. The turning point occurs when Madeline chooses to withdraw her novel, B/G, from publication, sacrificing a significant career opportunity to protect her friend and her own integrity. This act of loyalty transcends their recent betrayals and rebuilds the trust between them. Their reunion, with Grace smoking a cigarette on her front step, is about offering mutual support in a time of crisis. When Grace reads the manuscript, she unexpectedly cries, telling Madeline that “[t]hat was the ending [she] wanted. […] Happiness. […] Peace” (361). The moment highlights the power of their bond to provide solace and a space for emotional honesty that her affair ultimately could not. The novel-within-the-novel becomes a tool for healing, allowing Grace to process her heartbreak through the fictionalized version of her life that her friend created, demonstrating that their friendship offers a deeper, more lasting form of peace than her fleeting romance.
Eddie’s final chapters complicate rather than erase the novel’s judgment of him. His conviction strips away the properties, money, professional standing, and other markers through which he constructed his “Fast Eddie” identity. On the drive to prison, however, his attention shifts away from these losses and toward memories of Hope and Allegra, particularly the fear he experienced when Hope nearly died after birth. His feeling that he remains “blessed,” noting that “[h]e thought about feeling sorry for himself [or] falling into despair [or] crying” but could only think of his family (361) indicates a changed understanding of what still has value. The final appearance of his Panama hat captures that distinction. Earlier, the expensive hat helped complete the image he wanted to project, while its repeated loss accompanied the unraveling of that identity. Grace eventually sends him a new on in prison, where it can no longer convincingly signify wealth or professional success. Instead, it acquires a different meaning: Instead of restoring “Fast Eddie,” it testifies to a family connection that survives his disgrace. Eddie ends the novel with consequences he cannot escape, but also with relationships that his failures have not entirely destroyed.
The novel’s conclusion also serves as a metafictional commentary on the contrast between real-life narratives and romance novels. Madeline’s publisher wanted B/G to end with its lovers together, and Madeline ultimately writes that conclusion: G abandons her husband and begins a new life with B in St. John. At the same time, Grace had imagined a similar future for herself, only to discover that Benton had no interest in continuing their relationship. The fictional ending in B/G therefore provides the romantic resolution expected of stories about love. Instead, however, The Rumor refuses to provide this perfect ending. Grace loses Benton but gains financial independence and reconciles with Madeline; Madeline abandons B/G but begins The Before; Hope and Allegra emerge closer; and Eddie loses his freedom and possessions while retaining his relationships with his family. Ultimately, the characters move forward with combinations of loss, consequence, forgiveness, and possibility, reflecting the realities of life that are often avoided in the happy endings of fiction.



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