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Content Warning: This section of the guide includes discussion of mental illness, emotional abuse, graphic violence, death by suicide, and death.
Ryan panics when she can’t find her diamond heart locket. Her cousin, Jasmine, becomes defensive when Ryan asks if she’s seen it, thinking she’s being accused of theft. Jasmine suggests Ryan lost it in the woods, remembering that the clasp was loose. Ryan later confesses to her aunt, Maggie, that the locket is a cremation diamond made from her mother’s ashes. The next morning, a search with Maggie proves fruitless.
At school, Ryan encounters Zed. He asks for her help investigating the Thorn case, but she refuses. Everett walks Ryan to class and asks her out on a date.
In English class, the teacher, Mr. Morrison, pairs Ryan with Chase Hedlund for an outdoor discussion on guilt in Macbeth. Their class is interrupted when Maggie arrives at school, urgently pulling Ryan aside to talk. She reveals that an attorney called on behalf of Gabriel, asking Ryan to attend his execution.
Ryan firmly refuses the invitation. Shaken, she returns to school and gets sick in the restroom. During French class, a student named Ty Cheng tells her about “Thorn-Pokes,” parties the townspeople are planning to celebrate Gabriel Thorn’s execution.
A page from FreeTheSparrows.com shows the text of a rambling letter from Gabriel Thorn to his daughter describing how he protected the “pretty sparrows” in his care.
Ryan begins to make friends at school, connecting with Mar and Ty. Maggie offers Ryan a part-time job at her real estate office, which Ryan accepts. While getting coffee, Ryan runs into Everett and Chase. Nikki enters the coffee shop and makes a snide remark that seems to be directed at Ryan before leaving.
Later, Ryan meets Everett and Nikki’s father, JP James, who runs the local animal shelter. Nikki appears and is openly disrespectful to her father. Afterward, Ryan walks through town and finds the gravestone of her mother, Sarah Mayfair. Overwhelmed with grief, she returns to the woods to search for her lost necklace.
Ryan has a nightmare in which her father’s victims are hanging from trees in the woods. He asks if she likes his “sparrows,” and twine tightens around her neck. Ryan wakes gasping and goes for an early morning walk. She runs into Everett, who invites her to his family’s house for breakfast, where she meets their many rescue dogs. Nikki is hostile toward Ryan, while JP offers Ryan a paid position at the animal shelter.
On the walk home, Everett tells Ryan that his mother died when he was a child. Ryan maintains her cover story, telling him her own mother died in a car accident. Everett is persistent and charming, eventually convincing Ryan to go on a date with him.
While Jasmine tells Ryan she and Connor are mapping potential burial sites and that she's been reading the letters Thorn wrote to his daughter, Ryan gets ready for her first date with Everett. He takes her to a secluded swinging bridge to watch the sunset. They notice a padlock bearing the name of Everett’s ex-girlfriend, Sofia, on the bridge railing. Everett says he broke up with Sofia because she was too controlling. In his truck afterward, he and Ryan share their first kiss. The intimate moment is shattered when a radio news report announces that Gabriel Thorn has opted for execution by electrocution instead of waiting for lethal injection drugs to become available.
Everett remarks that he hopes Thorn’s execution is as painful as possible. Ryan hides her shock about her father’s chosen method by pretending she is simply squeamish about capital punishment. The date ends awkwardly.
Later, Jasmine plays a newly released 911 call from the night of Sarah’s murder, which Zed posted on his “Free the Sparrows” podcast. On the recording, Gabriel Thorn tells the dispatcher he just shot his wife and claims it was an accident. He also says he meant to “free” the other victims, and confesses to being the “Starling Slayer” while stating he dislikes the nickname. Shortly after hearing the call, Ryan receives a text from an unknown number that reads, “I know who you really are” (152). A follow-up message warns her to stop searching for the bodies and addresses her by her birth name, Gabrielle Thorn.
Ryan tells Maggie about the anonymous, threatening texts. Maggie says it is probably a bluff and notes that she and Dan assumed a few people might ask questions once Ryan arrived.
Ryan begins her new job at the animal shelter, where she witnesses Nikki stealing from the petty-cash box. When Ryan informs JP, he reveals he already knows about his daughter’s stealing and a prior shoplifting incident. He explains that he is lenient with Nikki because of the hardship she has faced since her mother’s death. Everett gives Ryan a ride home, and they kiss again. Ryan agrees to another date.
Everett invites Ryan to a party at his grandparents’ lake house. In calculus class, Chase confronts Ryan, accusing her of “playing” Everett and pretending to be someone she is not.
Later, while taking photos with Mar at some abandoned railroad tracks, Ryan feigns ignorance as her friend talks about Gabriel Thorn. Mar says that Gabriel was an artist who lured four local victims by offering to sketch them, while two victims from Brice were chloroformed and driven to his studio. Zed appears, stating that the tracks are a potential burial site he is investigating.
That night, Ryan overhears Maggie and Dan arguing and is uncertain whether she heard the word “affair” or “fair.” Connor also overhears the fight.
A post on the “Free the Sparrows” forum speculates that Gabriel Thorn was having an affair with Maggie.
Ryan attends Everett’s party and feels out of place. A drunk Sofia confronts her, claiming Everett just wants to have sex with her. Inside the house, Ryan finds Nikki and several others watching a news program counting down to her father’s execution. Suddenly, a news bulletin announces that Gabriel Thorn has hanged himself in his prison cell on the eve of his execution. Nikki becomes hysterical, screaming that they were supposed to get justice. Everett is also visibly upset as he tries to comfort his sister. Ryan realizes with horror that their mother must have been one of her father’s victims.
Ryan’s frantic search for her lost necklace introduces the symbol of the cremation diamond locket as the physical embodiment of her identity and her last tangible link to her mother. When she confesses to Maggie that the diamond was made “from Mom’s ashes” (94), the locket is presented as a private memorial, a way for Ryan to keep her mother’s physical presence with her. Its loss coincides with her attempt to construct a new life as Ryan Shipley, suggesting that her past as Gabrielle Thorn cannot be so easily misplaced or severed. The disappearance of this talisman illustrates the challenges of Self-Discovery in the Shadow of a Dark Family Past, as Ryan can no longer rely on the locket to ground her connection to her mother. The panic she feels reflects her fear of a second, more permanent loss of her mother’s memory and the “good” side of her heritage. The loss leaves her vulnerable to being defined solely by her father’s darkness, severing her from the last physical remnant of her mother’s love and protection.
The narrative juxtaposes Ryan’s private, unprocessed grief with Starling’s public consumption of her family’s tragedy as entertainment. Events like the “Thorn-Pokes” parties celebrating the execution and the news ticker at Everett’s party counting down to the event continue to demonstrate how the town commodifies Gabriel Thorn’s crimes. This phenomenon is amplified when Zed’s podcast, “Free the Sparrows,” releases the 911 call from the night of the murder, and users on the forum speculate about Maggie having an affair with Thorn. Referencing the real-world rise of amateur online sleuths, these plot points illustrate the ethical void where personal trauma is repurposed as shareable content and salacious gossip. Ryan is forced to witness her life’s most painful events being analyzed and distorted by strangers.
The intense pressure Ryan feels to conceal her identity, even as she forms bonds with Everett, Mar, and Ty, underscores The Cost of Keeping Secrets. While deception is a necessary survival tactic to avoid the town’s hostility and morbid curiosity, she must maintain an emotional distance that prevents authentic connection. As Ryan navigates her new life, the threat of exposure becomes a constant, menacing presence, externalizing her internal anxieties. The anonymous text message “I know who you are, Gabrielle Thorn” (154) transforms her fear from an abstract worry into a palpable danger, explicitly linking her secret identity to the risky search for the bodies. This digital threat is mirrored by Chase Hedlund’s psychological observation that “You’re not who he thinks you are” (166). Chase’s comment articulates the dissonance he senses between her outward performance and her inner self, recognizing that her laughter “never reaches your eyes” (166). These parallel threats from an unknown enemy and a perceptive peer highlight the fragility of Ryan’s constructed identity. Her secret isolates her and undermines her attempts to form genuine connections, particularly with Everett. Every interaction is fraught with the risk of being unmasked, making her self-preservation a constant, exhausting performance.
The narrative draws a parallel between the Shipley and James families, revealing how both are shaped by unresolved trauma and damaging secrets. When Ryan witnesses Nikki stealing from the animal shelter’s petty-cash box, JP’s weary resignation and explanation that “It’s complicated” (161) because of his wife’s death reveal a family dynamic rooted in permissive denial. He enables his daughter’s destructive behavior as a misguided attempt to compensate for her loss. This dysfunctional coping mechanism in the James family mirrors the emerging tension in the Shipley household, where Ryan overhears a heated argument between Maggie and Dan that hints at a long-buried conflict, possibly an affair. This parallel plotting broadens the scope of the cost of keeping secrets beyond Ryan’s personal burden, suggesting that the trauma of her father’s crimes has created a radiating network of secrets and dysfunction that affects multiple families. The facade of normalcy in both households is shown to be a thin veneer over deep, unaddressed wounds.
The section culminates in a revelation that merges the public spectacle of the execution with the private secrets of the James family. The party scene, with its countdown to Thorn’s death, is violently interrupted by the news bulletin announcing his death by suicide. This public event acts as a catalyst, shattering Nikki’s composure and exposing the personal nature of her family’s connection to the case. Her scream for “justice” and Everett’s “bleary, maybe even a little watery” (182) eyes are the reactions of emotionally involved victims rather than detached observers. Ryan’s realization that Everett’s mother was murdered by her father re-contextualizes her relationship with Everett from a budding romance to a tragic intersection of victim and perpetrator. The secrets she and the James family have been keeping collide, making the protagonist’s path forward immeasurably more complex.



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