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Content Warning: This section of the guide includes discussion of physical abuse, emotional abuse, child abuse, and sexual violence.
In A Well-Trained Wife, Tia Levings shows how the Christian patriarchal systems she encounters use theology to enforce female submission and justify abuse. Religious doctrines create a framework of control in which a husband’s authority is positioned beneath God’s but over his wife’s, and a wife’s resistance can be framed as a spiritual failing that invites “correction.” From the pulpit to the home, scripture and religious teachings reinforce expectations of female obedience that enable coercion, manipulation, and violence. Levings shows how a hierarchy presented as God-ordained gives men religious authority over their wives, compromising women’s safety and autonomy.
From a young age, Tia is conditioned to associate faith with fear. At school, church, and summer camp, she learns about hell, the rapture, and divine punishment through frightening sermons and lessons. At Grace Christian Academy, she watches rapture films that her teacher says should “scare us straight” (15). This foundation of anxiety makes her more susceptible to religious teachings that connect spiritual safety with obedience. In her marriage, Allan draws on increasingly restrictive theological frameworks to justify his escalating control. Complementarian teachings establish him as the head of the household, responsible for interpreting Scripture and exercising authority over Tia. Later, he embraces covenantal theology, which intensifies his sense of responsibility for everything under his roof and, in turn, his authority over the family. He eventually introduces Christian Domestic Discipline (CDD), which presents the physical punishment of a wife as a form of loving, godly discipline. By framing his abuse as biblical discipline, Allan transforms his aggression into what he considers a holy act, further binding Tia’s submission to her understanding of obedience to God.
Theology is also used to strip women of their bodily autonomy, particularly regarding fertility. Tia learns from her mentor, Judith, and the Gothard community that children are “like arrows unto God” and that couples should accept as many children as God gives them (89). The “Quiverful” ideology teaches that families should not try to “open and close the womb” (89), because that is God’s role. This teaching pressures Tia to relinquish control over pregnancy even as she worries about having another baby, particularly when Allan is considering leaving his job. Her concerns about birth control are treated as a matter of spiritual surrender: Judith tells her that she needs to develop “security versus anxiety” and feel secure in God’s provision (91). In this way, decisions about Tia’s reproductive life become another area in which her own concerns are subordinated to religious expectations of obedience and trust.
Finally, the system provides its own literature, like The Excellent Wife and Created to Be His Help Meet, to reinforce the expectation of female submission. These books direct Tia to examine her own attitude and behavior in response to Allan’s mistreatment, emphasizing submission, forgiveness, and cheerful service even when a husband behaves badly. When she seeks counseling from a pastor at her church, he similarly redirects responsibility toward Tia, telling her to “honor [her] husband more” (146). Together, these teachings encourage Tia to interpret her suffering as a problem she can address through greater submission rather than as evidence that Allan’s behavior must change. Theology thus reinforces a pattern in which responsibility repeatedly shifts toward Tia while Allan’s authority over her retains religious justification.
Tia Levings’s memoir, A Well-Trained Wife, shows how the Christian patriarchal ideal of a submissive wife requires Tia to suppress significant parts of her individual identity. To be considered godly, women are taught to subordinate their ambitions, self-expression, friendships, and creative talents to expectations of marriage and service. The process of becoming a “well-trained wife” increasingly reduces Tia to the role of a nameless “vessel” valued largely for her usefulness to her husband and family. Throughout the memoir, her independent ambitions, relationships, opinions, and creative expression repeatedly come into conflict with expectations of female submission and male headship.
From adolescence, Tia learns that her personal dreams and relationships must be subordinated to her future role as a wife. This begins with the sacrifice of her ambition to attend the Savannah College of Art and Design (SCAD). When her family cannot afford the tuition, Tia interprets the closed financial path as God’s answer and gives up her plans for SCAD, reinforcing the idea that her personal aspirations should be subordinated to religious expectations. This suppression of self becomes more pronounced when Allan restricts her friendship with her best friend, Michael, insisting that she can see him only with a chaperone until Tia ultimately ends their regular contact. Allan treats the friendship as incompatible with their future marriage, forcing Tia to choose between her own identity—which is affirmed by Michael’s acceptance—and her prescribed role as a future wife. Her pained compliance continues a pattern in which Tia gives up parts of herself to meet expectations of godliness, marriage, and submission.
The system further suppresses identity by imposing strict external rules on appearance, behavior, and expression. Tia’s mentor, Judith Small, and other women in the Gothard community instruct her to adopt plain denim jumpers, arguing that her clothing can create an “eye-trap” for men. Elsewhere, Fascinating Womanhood instructs Tia to use a “gentle, feminine voice” and make her laugh “acceptable” (74), teaching her to regulate even ordinary expressions of her personality. These expectations prescribe how a godly woman should look, speak, and behave, limiting Tia’s opportunities for individual self-expression. This is particularly clear when Judith refers to the Proverbs 31 woman as a nameless “utensil, useful to her husband” (87). Although the Proverbs 31 woman possesses numerous skills and abilities, Tia recognizes that she has no identity outside what she does for others, reinforcing an ideal of womanhood defined by service to her husband and family.
Ultimately, Tia’s participation in the secret Trapdoor Society and her creation of the public blog Living Deliberately show her gradually reclaiming parts of herself that submission has required her to suppress. Trapdoor gives her a private space to encounter new ideas and participate in conversations outside the boundaries of her immediate religious community, while Living Deliberately allows her to develop her writing and express herself publicly in her own words. These spaces also continue a division Tia has recognized since adolescence between the “two Tias”: the self shaped by expectations of godliness and submission and the self drawn to creativity, friendship, and interests outside her prescribed religious role. The conflict between these identities contributes to Tia’s recurring sense of disappearing; at different points, she describes herself as nameless or invisible and experiences periods of dissociation. Her growing investment in friendships, writing, and creative expression therefore becomes part of her effort to recover an identity defined by more than her roles as wife and mother.
A Well-Trained Wife demonstrates how the insular, high-control religious communities Tia encounters create conditions that can enable domestic abuse and make it more difficult for her to seek help. By prioritizing institutional authority, male headship, family unity, and expectations of female submission, these communities strengthen structures that support Allan’s control. Religious teachings, counseling practices, and community expectations repeatedly direct Tia toward greater submission and preservation of her marriage, even when she is experiencing harm. The memoir therefore presents Tia’s prolonged entrapment as partly sustained by a broader religious environment that repeatedly prioritizes patriarchal authority over her autonomy and safety.
When Tia seeks help at First Baptist, the counselor reframes her disclosure of abuse as a problem with her own submission. After detailing years of Allan’s violence in a six-page letter, Tia is told that she needs to “honor [her] husband more” (146). This response redirects responsibility toward Tia, as the counselor asks what she has done to drive Allan to this point and suggests that greater submission could resolve their marital problems. Later, at the Covenant Reformed Presbyterian Church, the elders exercise another form of institutional control by objecting to Tia’s independent writing. They argue that her blog gives her a voice that overrides Allan’s authority and eventually suggest that her writing appear under his name. When the family moves away from the church and toward Orthodoxy, Covenant Reformed formally excommunicates them and requires members of the congregation to shun them until they “submit and repent” (192). These episodes show religious authorities reinforcing expectations of submission through counseling, control over female expression, and institutional discipline.
The community of women, particularly the Gothard-influenced “mother club,” also reinforces these patriarchal norms. Judith and the other women encourage Tia to subordinate her own judgment to prescribed principles of female submission. Judith gives Tia books intended to help her identify where she has been “deceived,” leading Tia to conclude that she is the problem in her family. The women’s fellowship further enforces these expectations when Tia expresses concerns about Allan’s decisions; when she objects to his plan to leave his job for Bible college, another woman tells her that what she thinks “doesn’t really matter” and that she should go where Allan goes “with a cheerful smile” (89). Through such advice, women within the community participate in enforcing the same expectations of obedience that limit Tia’s ability to question Allan’s authority.
The insular nature of these communities creates significant barriers to leaving. Early in her marriage, Tia understands divorce as religiously prohibited and believes that those who divorce must leave the church; later, Covenant Reformed demonstrates the consequences of rejecting church authority by formally shunning her family. When Tia finally does escape, however, she receives crucial support from a different religious community. After Tia tells Father Justin, an Orthodox priest at St. Anne’s, about the danger at home, he immediately tells her, “You have to get out of there” (222), and helps her plan to leave safely. Later, when Tia needs to take her children into hiding, her friendships through the Trapdoor Society provide a network of places where they can stay. These contrasting responses distinguish the high-control communities that reinforce Tia’s submission from relationships and communities that support her safety and autonomy. The memoir thus shows how religious teachings, institutional discipline, and social pressure can make leaving an abusive marriage more difficult, while supportive communities can help make escape possible.



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