Cleopatra: A Novel

Saara El-Arifi

63 pages 2-hour read

Saara El-Arifi

Cleopatra: A Novel

Fiction | Novel | Adult | Published in 2026

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Prologue-Part 1, Chapter 4Chapter Summaries & Analyses

Content Warning: This section of the guide references graphic violence, sexual content, sexual harassment, illness or death, and animal death.

Part 1: “The Witch”

Prologue Summary

Cleopatra addresses the reader directly across time, acknowledging that while her name is known, her true self remains obscured by millennia of myths and interpretations. People have sought to understand her through archetypes—queen, lover, witch, whore—but these labels have built her into a myth that distances her from her humanity. She lists her roles: a pharaoh once, a wife twice, a mother more than thrice. She declares this story is not about how she died, but how she lived, and invites the reader to look beyond spectacle and rumor to the choices, loyalties, and ambitions that defined her life.

Part 1, Chapter 1 Summary

In 51 BCE, 18-year-old Cleopatra plays a board game with her handmaiden and companion, Charmion, on the balcony of the Lighthouse of Alexandria. They share a close bond and speak privately in Arabic, a language they adopted after meeting a traveling storyteller—called a hakawati—when Cleopatra was 11. As they play, Cleopatra reflects that this is the day she becomes pharaoh. When Charmion predicts she will lose the game, Cleopatra distracts her by throwing the playing sticks over the balcony.


Looking down at Alexandria, Cleopatra feels uncertain about her ability to rule, haunted by recurring dreams of alternate selves wearing the crown. She bears the mark of the goddess Isis on the back of her neck, identifying her as chosen, but she has received no divine power, whereas her younger brother can breathe underwater. A messenger arrives to announce that her father, Ptolemy XII, has died. Overcome with grief but determined to claim the throne, Cleopatra decides to swim to the palace since it will be quicker than waiting for a boat. For a moment, her resolve wavers until Charmion points out that the playing sticks have landed in a winning position, which she takes as a sign from the gods.


After Charmion helps her undress and secures her crown, Cleopatra swims to Antirhodos Island, arriving naked. She encounters servants collecting dates, who immediately prostrate themselves. When they address her as the pharaoh’s daughter, she corrects them, asserting that she is pharaoh. Feeling her own power for the first time, she resolves to wield it.

Part 1, Chapter 2 Summary

Still unclothed, Cleopatra walks through the palace toward the throne room, mindful that any misstep could be used against her. An ibis named Qar shrieks at her—the bird is bonded to her younger sister, Arsinoe, a 14-year-old who possesses the divine gift of understanding bird language from the god Thoth. The sisters, both grieving, walk together to the Temple of Ihy, where their father’s body lies. Cleopatra reflects that she was never meant to rule; her older sister, Berenice, was the intended heir until their father had her killed after her divine gift—chaos magic from the god Apep—caused a civil war and crop failures.


At the temple, Cleopatra vows to ensure Egypt survives. She enters the throne room, forgetting she is naked. Struggling with doubt and fear, she forces herself to climb the three steps to the throne and sits beside her younger brother and co-ruler, Ptolemy XIII, whom the family calls Theos. When Pothinus, the eunuch regent to her brother, objects to her nakedness, she rebukes him by invoking her divine blood, publicly asserting her royal legitimacy. She announces her regnal name, Cleopatra Thea Philopator, and dismisses her exhausted brother from the proceedings.

Part 1, Chapter 3 Summary

Seventy days after her father’s death, Cleopatra attends the sealing of his tomb. That evening, she hosts a feast for the governors of Egypt to consolidate support for her new reign. Seated at the high table with her brother and the regent Pothinus, she confronts the Governor of Thebes about tax shortfalls. The governor explains he had an arrangement with her father to pay half his taxes in wine. Pothinus confirms it—revealing the deal was kept from Cleopatra deliberately, to make her appear ignorant. Bound by her father’s word, she reluctantly honors the arrangement, but Pothinus lists five other governors with similar corrupt agreements.


Disgusted, Cleopatra retreats to the beach, where a lyre player from Thebes finds her and reveals that the governor has been raising local taxes for years, causing famine among the people. She makes the musician a courtier and returns to the feast with renewed purpose. She publicly ends the wine arrangement with the Governor of Thebes and warns him against further tax increases. When Pothinus protests, she insists that the public example will pressure other governors to reform. She tells Charmion she now knows she must rule as herself, not as her father’s shadow—though she reflects that in wishing to become a legend, she forgot every story needs a monster.

Part 1, Chapter 4 Summary

Two years later, in 49 BCE, Cleopatra has proven herself a capable ruler, eliminating corruption and improving trade routes. As civil war in Rome moves toward Egypt, she visits the construction site of a grand temple to Isis, hoping her offering will finally grant her a divine power. Pothinus informs her that Julius Caesar has defeated Pompey at Pharsalus, and the defeated general may flee to Egypt. Pothinus insists they must kill Pompey to gain Caesar’s favor, but Cleopatra refuses to involve Egypt in Roman politics.


At the Library of Alexandria with Arsinoe, Cleopatra overhears a scholar spreading a rumor that she is not a true Ptolemy and that her lack of divine power is causing the drought. Though it frightens her as a threat to her throne, she shows mercy and pretends not to have heard. Arsinoe, who uses her ibis, Qar, to eavesdrop, urges execution, but Cleopatra refuses.


On the return voyage, they discover an unfamiliar Roman boat in the harbor. A bloodied man in tattered armor stands on the pier—Pompey. Qar attacks him, and Arsinoe rushes forward with a saber, fatally stabbing Pompey in the neck. Crying, she explains she overheard Pothinus’s warning and wanted to help. Pothinus arrives and praises Arsinoe, then gives Theos a blade to behead the corpse as a gift for Caesar. Cleopatra notices the saber Arsinoe used is identical to the one Pothinus gave her brother, and realizes Pothinus had armed her sister. For the first time, she begins to sense the threat he poses.

Prologue-Part 1, Chapter 4 Analysis

The novel establishes Cleopatra’s autobiographical account of the past as a mechanism for correcting a distorted legacy, introducing El-Arifi’s thematic interest in The Use of Self-Narration to Combat Historical Erasure. In the Prologue, Cleopatra speaks directly to the reader across millennia, actively dismantling the archetypal labels of “witch,” “whore,” and “villain” that have long obscured her humanity. This framing device positions her account as a deliberate challenge to the Roman propaganda that later defined her. Within the chronological narrative, this structural emphasis on voice is grounded in the recurring motif of storytelling. As a child, Cleopatra and Charmion adopted Arabic as a private language to preserve the tales of a traveling hakawati, absorbing his lesson that narratives must be continually repeated to survive. The storyteller’s fluid, oral art contrasts sharply with the static, academic histories recorded by her Roman conquerors’ historians, such as Cicero and Horace. By centering her own living memory over the rigid texts of later scholars, Cleopatra adopts the role of the storyteller to reclaim her agency.


Throughout her early reign, Cleopatra is shaped by the disparity between her symbolic position and her tangible abilities. Though marked by the goddess Isis, she possesses no supernatural gift, a deficit that instills uncertainty about her fitness to rule. She is haunted by the perception that she is “tainted, unworthy of the throne” (12), an anxiety compounded by her siblings’ demonstrated powers. To compensate for her lack of divine ability, Cleopatra leverages theatricality to project unassailable authority. When she claims the throne, she arrives naked except for her diadem, demanding deference from her brother’s regent, Pothinus, by invoking her divine bloodline. When Pothinus suggests that Cleopatra’s nudity is inappropriate, she asks, “Who among mortals dares question the blood of a god?" (22), explicitly positioning Pothinus as mortal and therefore inferior. She dedicates immense resources to constructing a grand temple to Isis and privately studies healing remedies to reinforce her identity as a healer gifted by the gods. She continuously fortifies her own legitimacy to guard against internal rebellion. The rearing cobra on her crown, meant as an image of maternal protectiveness, becomes a necessary visual anchor for a pharaoh whose divine mandate remains in question.


As she consolidates control, Cleopatra actively rejects the brutal pragmatism that characterized her Ptolemaic ancestors. Set against a backdrop of deep internal decay, her dynasty is historically plagued by vicious power struggles and familial bloodshed, hinting at The Tension Between Personal Empathy and Political Ambition. Cleopatra attempts to sever herself from this violent inheritance by prioritizing systemic reform over execution. When she overhears a scholar in the Library of Alexandria spreading the treasonous rumor that her lack of divine power is responsible for the recent drought, she extends clemency. This mercy contrasts starkly with her father’s decision to murder her sister, Berenice, for allegedly causing crop failures. Similarly, upon discovering the Governor of Thebes’s corrupt tax evasion at a feast, she opts to publicly dismantle the arrangement rather than exact physical vengeance. Her focus on rooting out corruption, improving trade routes, and building aqueducts represents a conscious pivot from leading through fear to leading through civic engagement.


Despite her tangible administrative successes, her detractors continue to leverage her absence of supernatural ability to frame her rule illegitimate, introducing the novel’s thematic exploration of Misogyny as a Political Tool in a Patriarchal Society. The sudden arrival of Pompey on Egyptian shores shatters Cleopatra’s insulated reforms, plunging the narrative into the broader geopolitical instability of the Mediterranean world. Pompey’s flight from Julius Caesar introduces the explosive expansion of the Roman Republic directly into Alexandria. Arsinoe’s violent assassination of the Roman general, aided by her ibis, Qar, is initially framed as the spontaneous intervention of an impulsive teenager. However, Cleopatra notices that the saber Arsinoe wields matches the weapon Pothinus subsequently provides to Ptolemy XIII for Pompey’s beheading. The matching blades serve as physical proof of a brewing political coup, escalating the dramatic tension. The orchestrated murder forces Cleopatra into a deadly nexus of familial betrayal and imperial politics, revealing that the greatest dangers to her reign originate from the trusted advisors standing at the foot of her throne.

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