She Who Remains

Rene Karabash, Transl. Izidora Angel
49 pages1-hour read
Fiction
Novel
Adult
Published in 2026

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Background

Content Warning: This section of the guide includes discussion of death and gender discrimination.

Historical Context: The Kanun, Blood Feuds, and the Tradition of Sworn Virgins

Rene Karabash sets She Who Remains within the cultural landscape of northern Albania, a region historically governed by the Kanun of Lekë Dukagjini. Named for a 15th-century Albanian nobleman, the Kanun is a secular code of conduct that dictates social structure, property rights, and, most centrally, honor. Though attributed to Dukagjini, the code’s roots extend far deeper into pre-Christian tribal customs; it was transmitted orally for centuries before being collected by the Franciscan priest Shtjefën Gjeçovi and published posthumously in 1933. Organized into 12 books and over 1,260 articles, the Kanun rests on four central pillars: honor, hospitality, proper conduct, and loyalty to kin. This legal framework enforces its decrees through concepts like besa, a sacred pledge of one’s word, and gjakmarrja, the obligation of blood vengeance. When a family’s honor is violated, typically through murder, the Kanun obligates the victim’s male relatives to seek vengeance by killing a male from the offender’s family, often trapping clans in multi-generational cycles of violence.


The Kanun was suppressed during the communist government of Enver Hoxha, who ruled Albania from 1944 to 1985 and outlawed its practices. However, following the collapse of the communist regime in 1991 and the chaotic transition to democracy, blood feuds re-emerged in rural northern Albania, fueled by a power vacuum, political instability, and deep public distrust of the state justice system. A 2018 Albanian study drawing on police records found that 704 families remained affected by active blood feuds, with 591 inside Albania and 113 having left the country (“Blood Feuds Still Affect a Number of Albanian Families.” Tirana Times, 12 Jun. 2018.) Official police figures and NGO estimates diverge sharply: A 2024 UK Home Office policy note reported that government statistics cite over 70 families affected, while civil society organizations place the number in the several hundreds (“Country Policy and Information Note: Albania: Blood Feuds.UK Home Office, Jul. 2024.) Many of those targeted, including children born into feuding families, live in self-imposed isolation known as ngujim, confined indoors for years to avoid retaliation. Albania’s government abolished its National Coordinator for Blood Feuds in 2013 without establishing an effective replacement.


Within this rigid patriarchal system, the Kanun also provides a unique social remedy: the tradition of sworn virgins, or burrnesha. If a family lacks a male heir, a woman can take a public, lifelong vow of celibacy before a council of village elders and live socially as a man. This grants her the right to inherit property, carry a weapon, head her household, and move freely in male social spaces. The practice has been documented in the Balkans since at least the 15th century and was observed among ethnic Albanians, as well as in parts of Montenegro, Bosnia, and Serbia. Today, however, the tradition is nearly extinct. As Albanian society modernizes and women gain greater legal rights and autonomy, new sworn virgins no longer take the oath; as of 2022, an estimated 12 burrnesha were believed to remain in northern Albania and Kosovo (“The Last of Albania’s ‘Sworn Virgins.Ghana News Agency, 10 Dec. 2022). In the novel, Bekija’s transformation into Matija is a direct invocation of this real-world practice, providing a sanctioned pathway to escape an unwanted marriage and assume the male role her father always desired.

Authorial Context: Rene Karabash and Izidora Angel

Rene Karabash, born Irena Ivanova in 1989 in the village of Aleksandrovo in Bulgaria’s Lovech province, is a poet, novelist, screenwriter, actor, and playwright. She earned a bachelor’s degree in French and English applied linguistics from the University of Veliko Tarnovo, studied literature at the Catholic University of the West in Angers, France, and completed a master’s degree in film direction at the New Bulgarian. Her pen name combines a nickname she acquired in France with a shortened form of her mother’s maiden surname. Karabash’s artistic career spans multiple disciplines. In cinema, she made her debut playing the role of Gana in Ralitza Petrova’s Godless (2016), earning Best Actress awards at the Locarno Film Festival, the Sarajevo Film Festival, and the Stockholm Film Festival, among others.


Her literary debut came in 2014 with Halbotsi i peperudi (Hips and Butterflies), a poetry collection that was nominated for Bulgaria’s Ivan Nikolov National Poetry Award and launched in London and Prague. She followed this with her debut novel Ostaynitsa (She Who Remains) in 2018, a short-prose collection titled Bratovchedkata na Zorbas (Zorbas’s Cousin) in 2020, and the epistolary fiction collection Omar’s Letters to His Future Wife in 2021. Beyond her own writing, Karabash founded the Rabbit Hole, a creative writing academy in Bulgaria that employs prominent Bulgarian authors as instructors, and she has directed theatrical adaptations of works by Marguerite Duras and Oscar Wilde.


She Who Remains was originally published in Bulgarian in 2018 by the Janet 45 publishing house. The novel earned Karabash the 2019 Elias Canetti Prize, Bulgaria’s most prestigious literary award, along with nominations for Novel of the Year from the National Fund “13 Centuries Bulgaria” and the Peroto literary award. In an interview with Balkan Insight, Karabash explained that the novel was inspired by the photography of Pepa Hristova, whose 2008-2010 photobook documented surviving sworn virgins in northern Albania, and that she spent two years researching the subject before writing (Todorov, Svetoslav. “International Booker Prize-Nominated Bulgarian Author: ‘Culture’s Our Biggest Asset.’Balkan Insight. 20 May 2026.) As of 2026, the novel has been translated into more than 15 languages, making its Brazilian edition the first Bulgarian novel published in that country. The French translation by Marie Vrinat-Nikolov won the French PEN Club Award for Translation. A film adaptation, written by Karabash herself, is reportedly in the works.


The English-language edition was translated by Izidora Angel, a Bulgarian-born memoirist and literary translator based in Chicago. Her previous book-length translations from Bulgarian include Hristo Karastoyanov’s The Same Night Awaits Us All (2017), Nataliya Deleva’s Four Minutes (2021), and Yordanka Beleva’s Keder (2019), the last of which earned her a 2023 National Endowment for the Arts Translation Fellowship. Angel’s original writing has appeared in publications including A Public Space, Astra Magazine, Best Literary Translations 2024, Chicago Reader, and The American Scholar, and she is a founding member of the Third Coast Translators Collective.


For her work on She Who Remains, Angel received both a PEN/Heim Translation Fund Grant and the Gulf Coast Prize in Translation. The English edition was published in January 2026. It was longlisted and then shortlisted for the 2026 International Booker Prize, marking the second time a Bulgarian novel reached the shortlist after Georgi Gospodinov’s Time Shelter (2022) won the award in 2023. Angel is currently at work on Solomon’s Daughter, a memoir about growing up during the final years of Bulgarian communism.

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