A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summaries & Analyses
Quizzes
Reading Tools
Content Warning: This section of the guide includes discussion of graphic violence, death, emotional abuse, and death by suicide.
Eddie Flynn meets with his private investigator, Harper, and Holten, a Carp Law security employee, for breakfast. He confirms that he has secured permission from the District Attorney’s office for them to visit the crime scene, located in a three-story brownstone. The house is under constant police watch due to intense media and fan interest. Harper expresses skepticism about Bobby’s innocence, believing he is lying about something significant. She reveals she has contacted a friend in the FBI’s Behavioral Sciences unit regarding the killer’s signature—a $1 bill folded into a butterfly—because she found it impossible to replicate. Holten adds that the defense team already searched for killers with a similar signature and found nothing. At the house, they find a fan-made memorial to the victim, Ariella. A police officer grants them entry, implying they are fellow officers without explicitly announcing this to the fans. Once inside, however, the officer is immediately hostile toward Harper. He tells them that they have just 30 minutes to inspect the scene.
Kane cleans the bathtub in which he dissolved Wally Cook’s body. He rinses the brittle bones left by the disposal process, gathers them in a towel, and hammers them to dust. Using his victim’s ID and jury summons, Kane goes to the Center Street Criminal Courts Building for jury duty in the Solomon trial. He successfully passes the security and identity check. In the jury assembly room, he spots Arnold Novoselic, the defense team’s jury consultant, studying the potential jurors. Kane becomes anxious, aware that Novoselic has researched every person in the jury pool and might see through his disguise. However, Novoselic’s gaze sweeps over Kane without any sign of recognition. Kane is then called with the rest of his group to enter the courtroom for the selection process.
Back at the crime scene, Eddie, Harper, and Holten investigate the house. Harper notices that the alarm system’s security panel has been removed from the wall. In the main bedroom where the murders took place, she accidentally spills water on the bed. Eddie observes that the water droplets bead up on the mattress instead of soaking in, suggesting the fabric has been treated with a waterproof substance. As they lie on the bed to test a theory, Holten walks in. The awkward moment is interrupted when Harper receives a call from her partner, Joe Washington, who has a promising lead from an FBI contact. She announces they must leave immediately for Federal Plaza to meet with someone about “a possible alternative suspect” (98).
In the courtroom, Kane observes the legal teams, including famous prosecutor Art Pryor and the defense jury consultant, Arnold Novoselic. Kane is surprised to see that the presiding judge is Harry Ford, the man Kane had asked for directions outside Eddie Flynn’s offices the previous day. Fearing he will be recognized, Kane watches nervously as Judge Ford looks over the potential jurors. The judge’s eyes pass over Kane without any sign of recognition, and the jury selection process begins.
During jury selection, prosecutor Art Pryor questions Brian Dale, a potential juror the defense has already accepted. Pryor skillfully leads Dale to admit he would be suspicious of a defendant who chose not to testify. Based on this admission, Pryor successfully challenges Dale for cause, and the judge dismisses him. Kane, watching from the jury pool, reflects that he had considered impersonating Dale but decided against it, partly because he could not have fit both Dale and his large wife in their bathtub. Kane is then called to the witness stand for his own questioning.
While driving to the FBI’s New York field office, Harper tells Eddie that her partner, Joe, arranged a meeting with Paige Delaney, an analyst from the Behavioral Analysis Unit. They discuss inconsistencies in the evidence, such as the missing knife used to kill Ariella versus the baseball bat—covered in their client Bobby’s fingerprints—left at the scene. At Federal Plaza, they are made to wait 20 minutes before Paige Delaney meets them. She leads them to a conference room to discuss the case.
In the meeting with Paige Delaney, she agrees to help if the information is relevant to her investigation. Eddie shows her photographs of the $1 bill butterfly found at the crime scene. Delaney is initially unimpressed but becomes intensely focused when she sees a photo of the bill unfolded. She immediately recognizes specific, tiny ink marks on the Great Seal as a signature she has seen on dollar bills left at three previous murder scenes. Delaney explains that the markings are the calling card of a highly sophisticated and elusive serial killer, whom some in the FBI call “Dollar Bill.” She points out the three distinct marks on the bill’s illustration: one on an arrow, one on an olive leaf, and one on a star. She asks to know more about the case.
Kane is accepted as a juror by the defense and the prosecution reserves its position without asking questions. As the jury box fills, prosecutor Art Pryor dismisses four jurors. When the judge instructs all remaining jurors to shift right, a woman named Brenda Kowolski moves into the seat Kane had occupied earlier. Judge Ford declares the first 12 jurors officially seated, with the remaining four as alternates. Due to the shift, Brenda is now Juror #12, and Kane is the first alternate, assigned number 13. The judge announces the trial will begin the next morning. Furious that his plan has been thwarted, Kane introduces himself to Brenda and delivers a veiled threat to her.
During the meeting at Federal Plaza, Delaney feigns forgetfulness while indirectly disclosing the names of Dollar Bill’s other linked cases—Annie Hightower, Derek Cass, and Karen Harvey—allowing Eddie to copy the sketch marks onto his own $1 bill. Eddie and Harper then research these cases and learn that in all three, a plausible suspect was framed and convicted. Later, at Rudy Carp’s office, Eddie clashes with jury consultant Arnold Novoselic. Eddie gives Rudy a peculiar shopping list and asks him to subpoena Gary Cheeseman, president of a company called Sweetlands Limited.
Kane washes down a stolen car, making sure that it cannot be traced back to him. He receives a telephone call from his unnamed associate, who warns that the body Kane left in Brooklyn has been found. The associate assures Kane that the body will take some time to identify and that it may never be linked back to the jury summons. The associate will monitor police reports through his contacts in the department. Kane ends the call with a threat to his associate not to hide anything from him.
In the evening, Eddie meets his ex-wife, Christine, who definitively ends their relationship. She reveals she is moving in with her new partner, Kevin, as is their daughter, Amy. She gives Eddie back her wedding ring, refusing to listen to his promise that he will take a steady, uncontroversial job after Bobby’s trial. Devastated, Eddie drives to his office, where he is ambushed by Detective Granger and five other police officers. Eddie breaks the big police officer’s fifth metacarpal and drops him with a body shot before being struck by a nightstick and knocked unconscious.
Eddie regains consciousness on the couch in his office, attended by Judge Harry Ford, who checks him for signs of concussion and determines he has a lump on his head and at least one broken rib. Harry tells Eddie he found him outside after a black Escalade sped away. He returns Christine’s wedding ring, which Eddie had asked him to find. The two men drink Scotch and discuss the case, with Harry warning Eddie about the formidable prosecutor Art Pryor as “one of the best” (103) lawyers in the country before cutting off Eddie’s drinking for the night.
The parallel entry of Eddie into the crime scene and Kane into the courthouse establishes deception as the central operational mode for both the novel’s protagonist and antagonist. At the brownstone, Eddie’s team gains access through a subtle act of misdirection, allowing a police officer’s words—“Come on in, officers” (88)—to create a false impression for the onlooking fans of the murder victim and suspect alike. This minor grift is contrasted with Kane’s methodical infiltration of the jury pool, which involves a complete physical disguise, a stolen identity, and the careful disposal of his victim’s remains by hammering bones to dust. These actions demonstrate the theme of Deception as a Tactical Advantage, suggesting that it is a tool employed on both sides of the moral divide. While Eddie’s con is situational and consistent with his established history as a con-artist-turned-lawyer, Kane’s deception is far more profound and consequential. His use of latex, makeup, and a fabricated persona introduces the recurring motif of impersonation and disguise as a fundamental aspect of his predatory existence. His anxiety when facing the jury consultant, Arnold Novoselic, highlights the high stakes of his performance, reinforcing that his entire persona is a fragile, calculated construct, but one that seems able to stand up to expert scrutiny.
The jury selection process, or voir dire, exposes the deep-seated vulnerabilities of the legal system. Prosecutor Art Pryor’s questioning of potential juror Brian Dale is a professional display of psychological manipulation, where he skillfully coaxes Dale into revealing a bias that disqualifies him from service. This interaction, along with the defense’s reliance on a jury consultant, frames the selection as a strategic game of eliminating unfavorable perspectives, in such a manner that the inherent justice of the legal system is secondary. Rather than an abstract idea of guilty or not guilty, the trial may come down to the tricks and techniques employed by either side. Kane’s ability to bypass the extensive background checks conducted by Novoselic’s team demonstrates how a sufficiently dedicated operative can breach these institutional defenses. The narrative thus critiques The Fragility of the American Jury System, portraying it as a process susceptible to both sanctioned legal gamesmanship and criminal infiltration. Kane’s meticulous plan is (temporarily) thwarted only by a random seating shuffle, a moment of pure chance that places Brenda Kowolski in his intended spot. His menacingly delivered promise to her—“Not if I see you first” (114)—indicates that he will use violence to correct this disruption, further showing the system’s inability to protect itself from an external threat who operates beyond its rules.
The discovery of tiny ink marks on the unfolded $1 bill turns the crime’s signature object from a bizarre curiosity into a complex, layered symbol. Initially, Harper focuses on the physical difficulty of creating the $1 bill butterfly, treating it as a sign of the killer’s cold-blooded premeditation. However, FBI analyst Paige Delaney shifts the focus to the bill itself, revealing small markings on the image of the Great Seal of the United States. This revelation elevates the symbol of the Great Seal into a key element of the killer’s ritual, linking the crimes to the broader symbolism of American identity. By defacing this national emblem—placing marks on an olive leaf (symbolizing peace), an arrow (war), and a star (unity)—the killer engages in a form of symbolic desecration. This act connects directly to the theme of The Illusion of the American Dream, as he corrupts a potent symbol of American power, commerce, and national identity. The connection is deepened by the profiles of his previous victims, such as Omar Hightower, who was targeted after a large gambling win. The killer’s violence appears to be a crusade against the ideals the $1 bill represents, punishing those who achieve a fragile or flawed version of success.
The narrative structure, which alternates between Eddie’s investigation and Kane’s infiltration, creates a powerful dramatic irony that heightens the tension. While Eddie and Harper are at the crime scene discovering the waterproofed mattress—a clue that points to a staged crime scene—Kane is simultaneously navigating the courthouse, successfully passing an ID check with a dead man’s license. As Eddie picks at the threads of the mystery, the audience sees the true depth of Kane’s deceit. The reader is made aware of both sides of the chessboard, understanding the threat long before the protagonists do and understanding how much more Eddie must uncover if he is to catch the killer. This dual perspective also establishes a sharp contrast in their methodologies. Eddie works to deconstruct a crime, seeking truth by analyzing physical evidence and inconsistencies. Kane, meanwhile, works to construct a deception, building a false identity and infiltrating the very system meant to deliver justice. They are mirror images: one revealing, the other concealing. This structural choice positions them on an inevitable collision course, with the reader fully aware of the stakes involved in their race against time.
This section culminates in the near-total collapse of Eddie’s professional and personal life, linking his dangerous career choices directly to his suffering. Professionally, he makes a breakthrough by connecting the murders to a serial killer, yet he is immediately blocked by FBI protocol, forcing him to rely on his con-artist skills to subtly extract information from Agent Delaney. Simultaneously, his personal life unravels when his estranged wife, Christine, definitively ends their relationship, citing the danger his work brings into their lives and returning her wedding ring. The emotional devastation of losing his family is immediately followed by a brutal physical ambush by Detective Granger and his cronies. This calculated attack is a direct reprisal for Eddie’s professional conduct in an earlier trial, leaving him beaten and unconscious. The sequence starkly illustrates that the personal risks Christine fears are real and immediate, while also showing the violent consequences of challenging corrupt police officers. The image of the gold ring falling from his pocket as he is struck down becomes a potent emblem of all he has lost. Being rescued by Judge Harry Ford, a figure of institutional power, emphasizes Eddie’s deep vulnerability, showing him physically and emotionally broken at the precise moment he faces the most sophisticated killer of his career.



Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.
By Steve Cavanagh