The Butcher

Jennifer Hillier

The Butcher

Jennifer Hillier
59 pages1-hour read
Fiction
Novel
Adult
Published in 2014

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Chapters 28-36Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual violence, rape, and death.

Chapter 28 Summary

Matt tries calling Sam, but her phone goes to voicemail. He reflects that he has been a poor boyfriend, always prioritizing his career, and is surprised by how much he misses her. After the camera crew from the Fresh Network finishes filming at his restaurant, producer Karen approaches him for drinks, clearly flirting.


Matt dismisses her, regretting their previous involvement, and lies that he has plans with Sam. He tries Sam again with no success, then calls Jason, whose phone also goes to voicemail. Matt grows suspicious when he realizes his last text from Jason was over a week ago, and an irrational anger builds as he wonders if Sam and Jason are together.

Chapter 29 Summary

Matt parks outside Jason’s high-security condominium and slips in through a side door, hoping to catch Sam there unannounced. The doorman intercepts him and calls up to Jason’s penthouse, and Matt is granted access.


Jason greets him warmly and introduces his girlfriend, Lilac. When Jason mentions Sam, Lilac reveals that Sam recently visited Jason, which unsettles Matt. After Lilac leaves, Jason reports that Sam called him while heading to the police station. She had met a woman named Bonnie through a serial killer forum who claimed to have information about the Butcher—and Bonnie was recently murdered.


Matt is angry that he knew nothing about this. The conversation escalates into a heated argument about Matt’s treatment of Sam, with Jason revealing that Sam saw Matt with Karen at a restaurant. The two men are ready to fight when Sam arrives. She interrupts to announce that the police have confirmed that the Butcher murdered her mother and are reopening the old cases.

Chapter 30 Summary

Edward reflects that he has not felt this good in 20 years. He didn’t intend to kill Gloria, but after sex, she talked incessantly, irritating him until he snapped, punched her, and then strangled her to death.


The narrative shifts to a flashback four months earlier. Edward finds his wife Marisol at the kitchen table, staring into space and unresponsive. That evening, she falls into a trance and murmurs that Edward hurt their daughter Lucy and is responsible for her death. He leads her to the piano and makes her play Beethoven. When she finishes, he smashes her head into the piano’s corner and stages the scene to look like an accidental fall down the stairs. His status as a former chief of police ensures that no one questions his account. His only regret is that he will never taste his wife’s cooking again.

Chapter 31 Summary

Matt, nervous and tense, serves Sam tea at his house. He opens up about missing his grandmother, feeling unhappy with his life, and being a selfish boyfriend. Crying, he proposes marriage and offers her his grandmother’s ring. Sam rejects the proposal, saying it is too late.


Despite her words, they begin kissing and have sex on the kitchen table. During the act, Sam tells Matt that she does not love him the way she should. He grows desperate and begs her not to leave. The encounter begins to feel wrong to Sam, and she tells him to stop. Matt does not hear her and continues. When she insists and begins to panic, he grabs her wrists, wraps his hands around her throat, and squeezes until she loses consciousness.

Chapter 32 Summary

News headlines about a new serial killer, dubbed Butcher 2.0, dominate the Seattle media. Edward watches the coverage while playing checkers with a new resident at Sweetbay Village.


The narrative shifts to a flashback in June 1987. Edward has been watching Sarah, a teenage McDonald’s employee, for a week. He waits for her shift to end, approaches her at the bus stop, and uses his police badge to lure her to his car under the pretense of needing help. Once she is in the car, he renders her unconscious with chloroform and drives toward his remote cabin, anticipating what he will do to her.


Back in the present, Edward plans to kill his checkers partner by exploiting his heart condition with a drug interaction. He makes a winning move.

Chapter 33 Summary

Alone at home, Sam tries to convince herself that Matt did not rape her, but she recalls that he refused to stop when she told him to and choked her unconscious. Seeking a distraction, she reads an article about Butcher 2.0, which recaps the history of Rufus Wedge being killed by a task force led by Edward.


She tries calling Sanchez but cannot reach him. She calls his home and speaks with his wife Vanessa, who mentions that Sanchez met with Edward that afternoon and that the police may ask Edward to consult on the new Butcher cases. When Vanessa asks about wedding plans, Sam reveals that she and Matt have broken up.

Chapter 34 Summary

Edward refuses to go to the police precinct when a young detective comes to retrieve him. An hour later, Sanchez arrives at Sweetbay Village with cannolis and coffee and formally asks Edward to consult on the new Butcher cases. He confides that he believes they are hunting the original killer, not a copycat.


Before leaving, Sanchez asks why Edward instructed the original medical examiner to omit the detail about the victims’ missing hair from official reports. Edward feigns ignorance, but Sanchez reveals that he has already spoken to the examiner, who confirmed Edward’s instructions. Had the hair detail been included, they could have identified Sarah Marquez as a Butcher victim and realized Wedge was the wrong man. Edward grows defensive and delivers a lecture on the imperfections of police work. After Sanchez leaves, Edward thinks of him as a good detective and muses that everything is coming together.

Chapter 35 Summary

Matt drives to the Seattle Police Department, intending to turn himself in for killing PJ Wu. He asks for Detective Sanchez, and when he mentions his grandfather is Edward Shank, he is sent up immediately. On the fifth floor, he notices a whiteboard concerned with the Butcher 2.0.


In an interrogation room, Sanchez reveals that the police are about to announce they are hunting the original Beacon Hill Butcher and that Rufus Wedge was innocent. Matt realizes that his grandfather is the target. He decides not to confess to killing PJ, reasoning that his life will be ruined anyway once Edward is caught. Sanchez mentions that Edward has been brought in as a consultant and took the news about Wedge surprisingly well. Matt leaves relieved, resolving to atone for PJ’s death and win Sam back.

Chapter 36 Summary

Matt arrives home to find his grandfather in the kitchen cooking champorado. He demands his spare keys back, and Edward surrenders them. They argue when Matt reveals that he gave the family champorado recipe to Sam, and Edward insists that Sam is not family.


Matt confronts Edward, asking if he killed Marisol. Edward admits he “put her down” because her mind was deteriorating and he wanted to spare her from a care facility (293), confirming he struck her head on the piano. Matt screams that he hates his grandfather and hopes he gets the death penalty. He grabs Edward by the hair and raises his fist, but Edward smiles and encourages him to hit him, showing no fear. Crying, Matt says he wishes his grandfather were dead. Edward replies that he will be dead soon, but asks whether Matt wants him to die before revealing the truth about Lucy. Matt agrees to listen.

Chapters 28-36 Analysis

In these chapters, the narrative continues to illustrate how Edward has used his institutional authority to shape the Butcher investigation, but the challenges to that authority begin to weaken his impenetrable hero persona. In Chapter 34, Detective Robert Sanchez confronts Edward about ordering the original medical examiner to omit missing swatches of hair from the official Butcher reports. When Edward’s authority fails to appease Sanchez, he falls back on their shared experience of the chaos of a high-stakes police investigation, attributing the omission to the fact that “[t]hings get missed, things fall through the cracks” (281). In this interaction, Edward shifts to weaponizing their shared experience to shut down Sanchez’s questioning, illustrating the theme of The Corrupt Use of a Heroic Facade. With this shift, the novel highlights another way in which Edward uses his institutional power, this time to attempt to create a sense of alliance between himself and Sanchez.


While the larger investigation into the return of the Butcher is ongoing, the narrative continues to highlight Edward’s unchecked sense of omnipotence, the result of having gotten away with murder successfully and for so long. Edward effortlessly murders his fellow resident Gloria after having sex with her, simply because her talk of a future together irritates him. He later plots to kill Johnny Langston by intentionally exploiting the man’s heart condition with a drug interaction during a mundane game of checkers. The juxtaposition of brutal violence within the seemingly safe and banal retirement community underscores how easily Edward adapts his predatory instincts to any environment. Because society tends to view senior citizens as harmless, the retirement home provides the perfect camouflage for his ongoing murders. His casual approach to killing Gloria and Langston demonstrates that his violence is not driven solely by the Butcher’s ritualistic signature; instead, a lack of empathy allows him to eliminate anyone who inconveniences him.


Parallel to Edward’s machinations, Matt Shank’s psychological deterioration exposes his struggle to deviate from his grandfather’s path, Fighting a Legacy of Inherited Violence. Despite Matt’s conscious efforts to distance himself from his grandfather’s brutality, his behavior increasingly mirrors Edward’s need for physical dominance. Following his rejection by Sam, Matt ignores her explicit pleas to stop having sex; instead, “[h]e let go of her hands and grabbed her by the throat, squeezing so hard, she couldn’t breathe” (261). This assault directly aligns Matt with the Butcher’s signature strangulation methods, confirming that he has begun to internalize his grandfather’s aggression. Furthermore, Matt’s decision to withhold his confession regarding PJ Wu’s death to protect his own future mirrors Edward’s lifelong methodology of self-preservation through deception. Matt’s progression from a successful restaurateur to a violent abuser and killer raises the issue of whether violence functions as a hereditary contagion within the Shank family, setting up a conflict between who Matt wants to be and who he is becoming.


As Matt’s identity crumbles, the narrative’s attention to culinary traditions shifts from their representation as maternal nourishment to mechanisms of psychological control. Flashbacks reveal that after Edward murdered Marisol, his only regret was the loss of her signature adobo. In the present, Edward intrudes upon Matt’s kitchen to cook champorado, explicitly claiming Marison’s recipe as his own domain. Edward’s usurpation of Marisol’s cooking demonstrates his consumption and appropriation of the women he destroys, underscoring the totality of Edward’s violence and illustrating how his predatory nature invades and corrupts even the most nurturing, intimate aspects of the family’s domestic space.


The narrative structure employs dramatic irony in its juxtaposition of the formal police pursuit of the Butcher with the unrecognized danger closing in on the protagonists. As the Seattle Police Department officially announces the hunt for the original killer and brings Edward on as a consultant, Sam seeks comfort in the news coverage, remaining in deep denial about her rape at Matt’s hands. Simultaneously, Matt physically attacks Edward in the kitchen, raising his fist to strike, but Edward remains entirely unfazed, goading his grandson to “[p]ut me down like the goddamned animal you think I am” (295), again working to create a connection between them through violence and death. The public spectacle of the reopened Butcher case masks the more immediate, localized threats inside the Shank home, emphasizing The Blurred Lines Between Justice and Vengeance.

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