The Butcher

Jennifer Hillier

The Butcher

Jennifer Hillier
59 pages1-hour read
Fiction
Novel
Adult
Published in 2014

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Character Analysis

Content Warning: This section of the guide includes discussion of death.

Edward Shank (the Chief)

Edward Shank is the novel’s central antagonist, a round and static character whose career as the Beacon Hill Butcher embodies the theme of The Corrupt Use of a Heroic Facade. The Prologue opens with his historic takedown of the Butcher, who has been terrorizing Washington, but that representation of him, which fulfills the trope of the “hero cop,” is quickly revealed to be a façade in subsequent chapters as he is revealed to be the Butcher. His entire career, including his legendary status for “taking down” the Butcher, is built upon a foundation of masterful deception. This duality is his most defining trait; he is at once a respected community figure and a sadistic serial killer, a double life that he maintains even in retirement. Edward’s revered status grants him impunity, first allowing him to frame an innocent man, Rufus Wedge, for his own crimes and later enabling him to murder fellow residents at his retirement home without suspicion.


Outwardly, Edward is a bluntly powerful man, possessing integrity, and his reputation is known throughout Seattle, where he is referred to, even after his retirement, as “the Chief.” He is idealized by his grandson Matt and esteemed throughout the state. In reality, he is a master manipulator of the public, his police colleagues, and even his own family. He murders his wife, Marisol, when she reminds him that he caused Lucy’s death, and his quickness to stage it as an accidental fall is a chilling display of his capacity for cold, calculated violence against even those closest to him.


Edward isn’t content to let his legacy as the Butcher and a killer end with his death, however; he leverages his relationship with his grandson—and as is later revealed, his son—in a perverse attempt to cultivate a successor to his violent legacy, a perversion of family legacy. He deliberately draws parallels between Matt’s struggles with anger and his own homicidal urges, suggesting that Matt’s inner darkness makes him “exactly” like Edward. Even his final act, a meticulously planned death by suicide facilitated by a confrontation with the police, is the ultimate expression of his narcissism. He dressed in his full uniform to remind everyone of his institutional legacy and engineers a situation that ensures he dies not as a forgotten old man but as an infamous monster in a “blaze of glory” (314).

Matt Shank

As one of the novel’s protagonists, Matt Shank is a dynamic and round character whose journey forces him to confront a horrifying inheritance and determine whether he will follow in his grandfather’s footsteps or decide his own path. He begins the story as a man defined by his ambition and a fierce desire for self-made success through his restaurant, Adobo. Matt’s entire life is centered on his work throughout the novel, and, as Jason reminds Sam, Matt has never hidden the fact that his career is his priority above all personal relationships. Matt’s career and his restaurant, which offers his contemporary take on Marisol’s Filipino recipes, represent a positive connection to his grandmother’s legacy, standing in contrast to the destructive, violent legacy of his paternal side. This juxtaposition is a source of tension for Matt throughout the novel, complicated by the fact that his character is marked by a volatile temper, a trait that connects him directly to the theme of Fighting a Legacy of Inherited Violence.


The pivotal event of the novel occurs when a heated confrontation with his employee, PJ Wu, results in PJ’s accidental death. This shatters Matt’s world and serves as the catalyst for his near-descent to his grandfather’s level as he turns to Edward to help cover up the crime. His earlier discovery of a buried crate containing Edward’s trophies—literal and figurative skeletons—has already triggered Matt’s central conflict: the choice between exposing the truth or protecting his own future. With PJ’s death, Matt instinctively goes to his grandfather to solve the problem, as he has throughout his life, but this time, with more serious moral consequences. However, Matt’s arc is ultimately one of redemption. Upon learning that Edward is actually his biological father, Matt rejects the monstrous legacy. In the final moments, he refuses to kill Edward and turns his attention to saving Sam, even though she can expose the crimes of both him and his grandfather, because doing so “would mean I’m like him” (319). This decision signifies his ultimate break from the cycle of violence, giving Matt the opportunity to reclaim his morality and atone for his crimes.

Samantha “Sam” Marquez

Sam is the novel’s other protagonist, a determined and inquisitive true-crime writer whose professional pursuits are inextricably linked to her personal history. A round and dynamic character, Sam’s investigation into the Beacon Hill Butcher case is driven by the conviction that he was responsible for her mother’s unsolved murder. This quest embodies the theme of The Blurred Lines Between Justice and Vengeance. Her work is more than a career; it is an attempt to address and heal from the trauma of losing her mother.


Sam is smart and driven, characteristics exhibited through her already successful true-crime writing career. Her personal life is characterized by a deep-seated longing for stability, which comes into direct conflict with her relationship with Matt, who consistently prioritizes work over their relationship. As Matt withdraws further, Sam too withdraws into her investigation, and her investigation, which questions Edward’s capture and killing of the Butcher, places further strain on their relationship.


Sam’s drive for truth is both her greatest strength and her greatest vulnerability, leading her to take significant risks to uncover the Butcher’s identity. The revelation that Edward Shank is the killer validates her long-held theories but places her directly in the path of the man who murdered her mother. Her survival and subsequent decision to end her relationship with Matt represent her liberation from the shadows of the past, a freedom that is further underscored by the fact that she turns down lucrative deals to write about her ordeal, instead choosing to spend time on physical and emotional healing and her burgeoning relationship with Jason. She emerges from the ordeal wounded but not broken, finally free to build a future unburdened by the ghosts she has chased her entire life.

Jason Sullivan

Jason Sullivan serves as a foil to Matt Shank and a loyal confidant to Sam Marquez. A former NFL quarterback, Jason possesses a relaxed confidence and emotional intelligence that contrasts with Matt’s intense, often volatile ambition. He is a static, round character whose primary role is to act as a voice of reason and a moral center for the protagonists. His friendship with Sam is a cornerstone of the narrative, providing her with the steadfast support and brotherly protection that Matt fails to offer. Having known her since childhood, he understands her history and motivations deeply, and his comments and behavior imply that he has a long-standing romantic interest in Sam. While he supports her investigation, he also grounds her, cautioning her about the dangers of her obsession. His integrity and genuinely platonic love for her are cemented by his constant reassurance: “I am always on your side, okay?” (101). The end of the novel, in which Sam and Jason share fast-food tacos, highlights their bond and his difference from Matt, who they both agree would never eat fast-food tacos, illustrating both their commonality and their difference from Matt.

PJ Wu

PJ is a flat, static minor character whose significance lies in his role as a catalyst for Matt Shank’s moral decline. As both a long-time friend and an employee, his relationship with Matt is fraught with tension that highlights Matt’s escalating anger and inability to maintain control. PJ attempts to rein in Matt’s emotional volatility at work, an attempt that ironically leads to his death. PJ’s accidental death at Matt’s hands during an argument is the novel’s pivotal turning point, and it metaphorically highlights how Matt is turning away from his friends, isolating himself. This event pushes Matt from a state of internal conflict over his temper to one of active complicity in a crime, as he turns to Edward for help and entangles himself in the Shank family’s legacy of secrecy.

Bonnie Tidwell

Bonnie functions as a key informant in the narrative, a minor character who provides the crucial link between Sam’s investigation and the buried truth of the past. Initially appearing as the anonymous online persona “KillerRed,” she is a survivor of an attack by the Butcher and was a close friend of Sam’s mother. Her testimony confirms Sam’s theory that the real Butcher was never caught, while Sam’s willingness to meet with her illustrates Sam’s willingness to take risks to get at the truth. Bonnie’s terror and subsequent disappearance after discovering Sam’s relationship with the Shank family reinforce the lingering danger posed by Edward. Ultimately, her murder at Edward’s hands acts as a fatal catalyst, providing the forensic evidence that links the crimes of both father and son and leads to the story’s final unraveling.

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