The Butcher

Jennifer Hillier

The Butcher

Jennifer Hillier
59 pages1-hour read
Fiction
Novel
Adult
Published in 2014

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Prologue-Chapter 9Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of substance use, rape, graphic violence, and death.

Prologue Summary: “April 25, 1985”

On the night of April 25, 1985, Captain Edward Shank leads a team of Seattle police officers in a stakeout outside a deteriorating apartment building. When Rufus Wedge, a middle-aged man, emerges from the building and reaches toward his back pocket, Edward and four officers open fire. Wedge collapses with multiple gunshot wounds and dies quickly.


An officer confirms that they have killed the Beacon Hill Butcher, a serial killer who has terrorized the Pacific Northwest. While the other officers check the body, Edward remains in the shadows. He holsters his weapon, steps into the light, and quietly tells himself that the killings are over.

Chapter 1 Summary

In the present day, 80-year-old Edward Shank stands in his house on Poppy Lane, smoking a cigar beside his prized piano. After a recent fall injured his hip, he has reluctantly agreed to move into Sweetbay Village Retirement Residence, giving his grandson Matthew the house. Edward reflects on his late wife Marisol a Juilliard-trained pianist, and their daughter Lucy, both of whom once played the piano. He knows he must leave the house and its 50 years of history behind.


As he examines the piano, Edward notices a fresh dent in the corner. When the moving truck arrives, he takes one final look around—his eyes lingering on the dent left when he killed Marisol four months earlier by smashing her head into the piano. He had carefully cleaned away all the blood before calling emergency services.

Chapter 2 Summary

Matt Shank introduces himself and his priorities: his signature Filipino dish, adobo, the Seattle Seahawks, and his girlfriend, Samantha (Sam) Marquez. His adobo recipe, based on his grandmother’s version, has driven his successful food truck and his restaurant, also called Adobo, which has received national media attention and a reality show offer from the Fresh Network.


Matt’s grandparents, Edward and Marisol, raised him after his teenage mother, Lucy, died of a drug overdose when he was an infant. Matt is about to move into the family house on Poppy Lane. Sam assumes this means they will move in together, but Matt refuses, insisting he needs to achieve this milestone independently. Despite their three-year relationship, he repeatedly deflects her requests to live together. She enlists their mutual friend, Jason Sullivan, a retired Seahawks quarterback, to advocate for her, but Matt remains firm.

Chapter 3 Summary

Matt drives a rented moving truck to the Sweetbay house, followed by friends Jason Sullivan and PJ Wu, who are helping to deliver Matt’s new bed. When PJ spits chewing gum onto the lawn, Matt angrily demands that he pick it up. The confrontation escalates until Jason intervenes.


Edward appears in the doorway, smoking a cigar, and his commanding presence causes all three men to compose themselves. After Jason and PJ head to the truck, Edward privately advises Matt to pick his battles wisely—while he agrees PJ was disrespectful, he notes that Matt needs his help today and should save his anger for the workplace.

Chapter 4 Summary

Matt plans to build a deck and install a hot tub in his backyard. One day, his contractor calls to report that his crew has unearthed a large buried plastic crate. Matt brings it inside, and when his cat knocks it off the table, the damaged crate breaks open, spilling a foul-smelling greenish liquid. Inside, Matt finds women’s clothing, a hairbrush, and lingerie. He initially wonders if these belonged to his mother, Lucy.


At the bottom of the crate, he discovers about a dozen Mason jars containing preserved human left hands, a leather scrapbook with newspaper clippings about the Beacon Hill Butcher and locks of hair labeled with women’s names, and a VHS tape. Matt plays the tape and watches in horror as his grandfather tortures, mutilates, rapes, and murders a 14-year-old girl named Jessica in their garage. The tape ends with Edward holding up a handwritten sign listing the date—August 22, 1974—Jessica’s name, and her age. Matt realizes that Edward Shank is the real Beacon Hill Butcher.

Chapter 5 Summary

Sam is a true-crime writer whose latest project examines the Beacon Hill Butcher, believed to have murdered 14 young women between 1978 and 1985. Sam believes that her mother, Sarah Marquez, was also a Butcher victim, though Sarah was killed in 1987, two years after police shot Rufus Wedge. Unlike the other Butcher victims, Sarah still had both hands, and her case remains unsolved. Sam has been researching through a true-crime forum and has discussed her theories with Edward Shank, who led the original investigation and offered to write a foreword for her book.


During an online conversation, a user named KillerRed claims to know the Butcher’s real identity and uploads a photo of a teenage girl standing beside Sarah, revealing that she was Sarah’s best friend. She wants to meet Sam in person to share information that might reopen the case. Despite her reservations, Sam agrees.

Chapter 6 Summary

Edward settles into his new room at Sweetbay Village Retirement Residence. He finds the activities tedious and misses his house, often driving past it to check on things. He wonders if the renovation crew has found the crate he buried in the backyard. He has been anticipating the conversation with Matt, believing his grandson will understand.


Late one night, unable to sleep, Edward spots fellow resident Greg Bonner, who is heading to the communal kitchen for a snack. Edward follows him, and when he finds Bonner alone, he grabs him by the throat and slams his head into the counter. Bonner dies instantly. Edward returns to his room, feeling temporarily satisfied.

Chapter 7 Summary

Sam drops by Adobo unannounced after two days without hearing from Matt. The bartender warns her that Matt has been in a foul mood, screaming at staff all week. In the alley behind the restaurant, she finds Matt furiously berating PJ for arriving late after a fender bender, threatening his job despite their long friendship. PJ walks away, near tears, and tells Sam to talk to Matt.


When Matt turns his anger on Sam, she shuts him down immediately. He apologizes, blaming stress and sleeplessness, and deflects her offer to stay at his house by insisting it is too messy. Sam mentions that she is meeting Jason, whom she has known since childhood, the next day, which triggers a flash of jealousy from Matt. They part on uneasy terms.

Chapter 8 Summary

Sam asks Jason to accompany her to Pike Place Market to meet KillerRed. At the market, a woman in her forties named Bonnie Tidwell approaches and staggers upon seeing Sam’s face—she is struck by the resemblance to Sarah. Bonnie confirms that she and Sarah were best friends, and she helped care for Sam as a baby; she says that Sam once called her “Baba,” a nickname that triggers a faint memory in Sam. Bonnie wears a gold bear pendant that she touches frequently.


Moved by the encounter and eager to learn about her mother, Sam invites Bonnie to her apartment for dinner. Bonnie accepts and promises to tell Sam everything about Sarah and the Butcher.

Chapter 9 Summary

Matt struggles to process the discovery that his grandfather is the Beacon Hill Butcher. He begins drinking heavily as images of the video replay in his mind. He considers confronting Edward or going to the police but realizes that the resulting scandal would destroy his restaurant, food trucks, and the Fresh Network deal.


Late one night, Edward unexpectedly arrives at the house using his key. The two men drink whiskey together, and Matt, drunk and barely containing his revulsion, asks why Edward committed the murders. Edward compares killing to eating—both driven by hunger and necessity—and dismisses his victims as society’s dregs. He tells Matt that he wanted him to find the crate because he needs someone to know his secrets, but Matt should make his own decision about what to do. Matt demands that Edward remove the crate, and Edward agrees before leaving. Matt continues drinking, hoping the nightmare will disappear by morning.

Prologue-Chapter 9 Analysis

The novel establishes and then immediately dismantles the traditional archetype of the morally driven law enforcement officer through its presentation of Captain Edward Shank. The Prologue positions him as a conventional savior figure, portraying his execution of Rufus Wedge as the decisive act that ended a climate of intense public fear, reminiscent of the Pacific Northwest’s actual serial killer panic in the 1970s and 1980s. The narrative tells the reader that this investigation and swift resolution were what transformed Edward into a “hero and Seattle legend” (7), satisfying the public’s desperate need for order. However, the narrative immediately undercuts this image in the present day by revealing that Edward is the actual Beacon Hill Butcher and utilized the immense pressure on the police department to close the case as a cover for his own crimes. Ever since then, he has leveraged the institutional trust placed in law enforcement to conceal his predatory behavior. Even in retirement, his elderly appearance and former status provide a shield that allows him to murder Greg Bonner without raising suspicion. This subversion introduces the theme of The Corrupt Use of a Heroic Facade, demonstrating how an authority figure can effectively mask corruption and violence.


The excavation of the crate catalyzes the shift in Matt’s status quo that begins his plotline while literalizing the transmission of buried family trauma. When Matt’s contractor unearths the sealed plastic box in the backyard, the discovery forces Matt to confront an inheritance he never anticipated. The crate’s meaning cannot be misunderstood; it functions as a curated archive of evil, containing jars of severed left hands, meticulously labeled swatches of hair, and a VHS tape documenting Edward’s brutality. Edward actively cultivates this connection when he visits Matt, leveraging Matt’s history of temperamental outbursts—including a recent bar fight and an aggressive confrontation with his employee PJ Wu—to suggest that they share a psychological kinship. He compares Matt’s childhood cruelty toward a trapped spider to his own homicidal urges, framing anger as an innate, unavoidable family trait in an attempt to create an alliance between them. This confrontation establishes the theme of Fighting a Legacy of Inherited Violence. The domestic space of the inherited house ceases to be a sanctuary, becoming instead the site where the grandfather’s crimes physically intrude upon the grandson’s life, forcing Matt to question the foundations of his life and identity.


To articulate Matt’s internal conflict, the narrative positions food and cooking, his grandmother’s legacy, against his grandfather’s violence. Matt has built his professional identity around his Filipino grandmother’s culinary traditions, with his signature adobo and successful restaurant illustrating his creativity and entrepreneurship. This life-affirming legacy contrasts with the “inheritance” he receives from his grandfather. In the restaurant kitchen, Matt wields knives to provide sustenance and build community; on the VHS tape, Edward uses similar tools to mutilate a teenage girl in a garage. Edward intentionally conflates these two domains during their late-night confrontation, justifying his serial murders by comparing the urge to kill to the physical necessity of eating: “Because I have to. Because I’m hungry. Because I’ll starve if I don’t” (70). This collision positions Matt’s culinary career as an active, albeit subconscious, resistance against his grandfather’s destructive impulses.


While Matt grapples with the truth about his grandfather, whom he has always idealized, Samantha Marquez’s parallel storyline explores the consequences of pursuing an investigation for personal reasons. Sam’s personal life intersects with her profession when she delves into her mother’s 1987 murder. Working as a true-crime author, she attempts to prove that Rufus Wedge was framed and that the true Butcher murdered her mother, Sarah. Her professional research serves as a framework for her personal grief, but it quickly pushes her into perilous territory as her desperation to know the truth leads to risk-taking. Despite explicit warnings from her close friend Jason, Sam agrees to meet an anonymous user from a serial killer forum, a decision that leads her to Bonnie Tidwell. This choice illustrates how Sam’s drive for answers overrides her instincts toward basic self-preservation. By tracking a killer outside the safety of official law enforcement channels, she transitions from an observer into a participant in an unfolding situation, embodying the theme of The Blurred Lines Between Justice and Vengeance.


The novel layers Sam’s trajectory with dramatic irony through its use of parallel storylines and different points of view. She visits Adobo and witnesses Matt’s deterioration firsthand: his secrecy about the house, his sleeplessness, and his refusal to let her inside. However, she registers the symptoms without being able to diagnose the cause. She is investigating the Butcher’s real identity while her boyfriend conceals that very secret from her, and the strain of his concealment is visible to her even though she interprets it as ordinary work stress. The proximity of her investigation to the truth she cannot yet see sharpens narrative tension and raises the stakes, as she is unaware of how close she is to both the truth and danger.

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