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Content Warning: This section of the guide includes discussion of graphic violence, pregnancy termination, physical abuse, emotional abuse, child sexual abuse, rape, and death.
Sam finally reaches Sanchez on her third attempt. He apologizes for the delay, explaining that he has been overwhelmed since the press conference. He shares confidential information: Forensics recovered skin cells from under Bonnie Tidwell’s fingernails, indicating she scratched the Butcher without drawing blood. The DNA was run through CODIS but yielded no match.
However, the DNA shares genetic markers with DNA found on PJ Wu, proving a father-son relationship between the two killers. The father killed Bonnie Tidwell; the son killed PJ Wu.
Sam is stunned. Both she and Sanchez express frustration that they seem to be missing an obvious piece of the puzzle. Sanchez is flying to Sacramento soon with a warrant to search Bonnie’s house. He has left five messages for Edward, who is not returning his calls. Sam offers to reach out, as Edward usually responds to her, and Sanchez asks her to share the DNA findings to emphasize the urgency.
In Matt’s kitchen, Edward discusses Lucy while eating champorado. He describes Lucy as rebellious and troubled from a young age. When she became pregnant as a teenager, she wanted an abortion, and Edward would have permitted it, but Matt’s grandmother insisted on keeping the baby and confined Lucy to prevent drug use during pregnancy.
Matt is devastated to learn they would have aborted him. Edward dismisses his reaction and claims that Lucy could not identify the father. Matt accuses Edward of lying about being the Butcher. Edward then reveals another lie: Lucy did not die of an overdose. She hanged herself when Matt was three months old, in the room that later became Matt’s bedroom. When pressed about his kill count, Edward estimates between 20 and 30 victims, with 17 as the Butcher, and tells Matt that they share dark, violent tendencies.
Sam arrives unexpectedly through the unlocked front door and joins them. She reveals that DNA evidence proves Bonnie’s killer and PJ’s killer are father and son. Matt panics, realizing the police will connect him to PJ’s murder. He confronts Edward, asking if he raped Lucy. Overwhelmed, Matt tells Sam that Edward is his father. Before either can process this, Edward strikes Sam in the chest with a cleaver.
Matt watches in horror as Sam collapses with the cleaver embedded in her chest. Edward is exhilarated. He tells Matt to leave Sam alone, but Matt rushes to her side. Sam, conscious but in shock, begs him not to touch the cleaver and to call an ambulance.
Matt realizes his phone is on the kitchen table behind Edward, and the house has no landline. Edward pockets his phone and taunts Matt, suggesting he finish Sam off and embrace his violent nature. As they face each other, Matt is struck by their identical physical features and horrified that he never recognized Edward as his father. Edward challenges Matt to take the phone from him, and Matt lunges forward.
At the Seattle airport, Sanchez receives an urgent text from another detective, Kellogg, asking him to call her. She reveals that the DNA from PJ Wu’s body has been identified as Matt Shank’s. Sanchez realizes that, based on the father-son DNA connection, Matt’s father must be the Butcher.
As his Sacramento flight begins boarding, Sanchez instructs Kellogg not to arrest Matt. He explains that the situation involves Edward Shank and must be handled delicately. He abandons his flight and heads back to personally manage the arrest.
Edward now holds both a gun and Matt’s phone. Sam lies silent on the floor, and Matt fears that she is dying. Edward explains that he orchestrated this confrontation because he knew Matt would eventually turn him in. He refuses to die in prison or a nursing home, preferring a dramatic end. When Edward asks if Matt would kill him to save Sam, Matt admits he would. Satisfied, Edward tells Matt to kill him.
Matt wrestles the gun away, and Edward offers minimal resistance. With the weapon aimed at his grandfather, Matt again demands his phone. Edward refuses, insisting Matt shoot him first. He reminds Matt that it will appear as self-defense since the gun is registered to Edward and bears his prints, as does the cleaver. Edward goads Matt further, recounting all his crimes, including raping Matt’s mother. Matt squeezes the trigger, and a gunshot rings out.
Arriving at Matt’s house, Sanchez hears a gunshot from inside. He calls dispatch to report shots fired, then enters through the unlocked front door. In the kitchen, he finds Sam on the floor with a cleaver in her chest, and Matt crouched beside her. Sanchez draws his weapon and orders Matt away from her.
After checking Sam and finding a faint pulse, Sanchez calls for an ambulance. Matt explains that Edward stabbed Sam and fled after Matt shot at him but missed. He reveals that Edward is the Butcher. Though initially shocked, Sanchez realizes the claim fits the facts.
As paramedics and police arrive, Sanchez issues a BOLO for Edward Shank. Matt provides details about Edward’s vehicle and, under questioning, remembers that Edward owns a hunting cabin in remote Raymond, Washington. He urges Sanchez to do what he could not.
At his cabin in Raymond, Edward waits for the police to arrive, estimating he has about an hour. He reflects on his advanced age and how close he came to being caught in 1985 before successfully framing Rufus Wedge.
In a flashback to April 21, 1985, Edward meets Wedge in a storage unit and promises him $75,000 if he accepts arrest as the Butcher. Edward assures him that the charges will not hold, but the arrest will satisfy public pressure. He reflects on his compulsive urges and how he targeted victims who resembled his daughter Lucy, whom he had sexually abused. After Matt was born, he resolved to stop, framing Wedge for his past crimes to close that chapter.
In the present, Edward hears helicopters overhead. He looks at his aged reflection, picks up his Remington rifle, and prepares for the confrontation.
After more than an hour of searching, Sanchez and a tactical team locate the cabin. When Sanchez calls out, the door opens to reveal Edward in full formal police dress blues, holding a rifle. Sanchez orders him to drop his weapon and surrender, informing him that he is under arrest for 17 counts of first-degree murder. Edward asks about Matt and Sam; Sanchez says that Sam will survive. Edward remarks that while he was neutral toward Sam, it felt good to stab her.
Edward refuses to surrender. He announces that he will raise his rifle, forcing them to shoot him. Sanchez pleads with him not to. Edward says it is too late, raises the rifle, and multiple officers fire simultaneously. Sanchez removes his helmet, looks at the fallen body, and quietly says it is over.
Five days later, Sam recovers in the hospital, watching extensive news coverage of the Butcher case. She has received numerous media inquiries and book-deal offers but rejects all of them, deciding she must properly grieve for her mother before moving forward.
Matt has been arrested for PJ Wu’s murder. Police found traces of PJ’s blood behind Adobo, and Matt confessed, claiming that the killing was accidental, and Edward instructed him to dismember the body. Sam finds the dismemberment hard to reconcile with the person she knew but plans to visit Matt in prison because he saved her life.
Jason visits with tacos. Looking at him, Sam recognizes the boy she has always loved. After some playful banter, his expression becomes serious, and his hand trembles slightly. Sam asks Jason to kiss her. He teases her briefly, then does.
The climax solidifies the theme of Fighting a Legacy of Inherited Violence by continuing to question whether Matt’s inherited darkness is an inescapable biological and psychological truth. When Sam reveals the father-son DNA link between Bonnie Tidwell’s killer and PJ Wu’s killer, Matt is forced to realize that Edward raped Lucy and is his biological father. The revelation merges Matt’s familial history with the Butcher’s genetic profile, transforming abstract fears into literal lineage. Edward goads Matt during their confrontation, noting their shared physical traits and urging his grandson to shoot him. By taunting Matt to unleash his anger and recounting his history of violence against Lucy, Edward attempts to awaken Matt’s violent instincts, suggesting that brutality is hardwired into their shared bloodline. Matt’s inclination to squeeze the trigger demonstrates how close he comes to fully embracing this violent inheritance, yet his subsequent inability to finish the act hints at a potential different path for Matt, in which he denies Edward’s attempts to draw him into a violent legacy.
During the confrontation in Matt’s kitchen, the cleaver serves as the physical manifestation of the collision between creation and destruction. Edward interrupts the revelation of his paternity by striking Sam in the chest with the heavy kitchen tool. When Matt attempts to help her, Edward advises him to “drive the cleaver all the way in” (307). Previously an instrument of Matt’s culinary art and positive identity, the cleaver is violently reclaimed by Edward to enact his signature brutality in a domestic space. Edward’s encouragement for Matt to finish the kill with the same tool underscores his desire to pass down his legacy of murder. Furthermore, Edward weaponizes the object’s history by reminding Matt that his fingerprints are on the cleaver and the gun, inextricably linking father and son through the implements of violence. As the cleaver rests embedded in Sam, it visually and physically destroys the safe, nurturing environment of Matt’s restaurant-honed skills. However, Matt’s immediate attention to Sam, his choice not to shoot Edward, and his commitment to saving her life all illustrate how Matt, in the end, walks away from Edward’s legacy.
The resolution of Edward’s storyline deepens the theme of The Corrupt use of a Heroic Facade. Fleeing to his remote cabin in Raymond, Edward dons his formal police dress blues and arms himself with a rifle, telling Matt earlier that he wants to die “[s]pectacularly” rather than in prison. He deliberately forces the tactical team to shoot him by raising his weapon instead of surrendering. By staging his own death by suicide while wearing his decorated uniform, Edward attempts to dictate the terms of his demise and preserve a twisted semblance of his heroic persona. He leverages the visual markers of law enforcement authority to mask his monstrous nature until the very end, utilizing the emblem of his office to orchestrate his own execution. The historical context of the 1980s Pacific Northwest serial killer panic—which initially elevated Edward to hero status for supposedly ending the Butcher’s reign—frames his final act as a manipulation of the same system that empowered him. When Sanchez repeats the exact phrase Edward used over Rufus Wedge’s body decades prior—“No more now” (327)—the narrative fully transfers the moral authority back to the genuine pursuit of justice, finalizing the subversion of Edward’s fabricated legend.
The epilogue resolves the theme of The Blurred Lines Between Justice and Vengeance by charting Sam’s withdrawal from her true-crime fixation toward genuine healing. Recovering in the hospital, Sam refuses lucrative book-deal offers to write about the Butcher, deciding she must properly grieve her mother instead. Throughout the narrative, Sam presents her investigation into her mother’s death as a professional venture when, in fact, it is a deeply personal, dangerous obsession that nearly costs her life and blinds her to the immediate threats in her environment. Her rejection of the publishing offers signifies her commitment to creating a conscious divide between her personal life and career. Furthermore, the introduction of fast-food tacos, brought by Jason in the final scene, reinstates the idea of food as nourishment and nurturing, shifting the context away from Matt’s fraught culinary legacy and aligning it with Jason’s steady, stabilizing presence. This shared meal provides a contrast to the violence of Matt’s kitchen, illustrating that Sam has survived her descent into the Butcher’s orbit and is ready to rebuild her life through connection rather than vengeance.



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