The Butcher

Jennifer Hillier

The Butcher

Jennifer Hillier
59 pages1-hour read
Fiction
Novel
Adult
Published in 2014

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Chapters 10-18Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of physical abuse, emotional abuse, rape, graphic violence, and death.

Chapter 10 Summary

Sam finds herself drawn to Bonnie despite having met her only hours earlier. They sit in Sam’s living room drinking wine, and Bonnie examines a framed photograph of toddler Sam with her mother, Sarah, at Pike Place Market. Bonnie dates the image to August 1987 and recalls calling Sam “Dumpling” as a child.


Bonnie explains that she met Sarah in a McDonald’s bathroom, where Sarah was crying after learning that she was pregnant and abandoned by her boyfriend. Afraid her parents would force her to give the baby up for adoption, Sarah moved in with Bonnie and several other young women. When Sam asks about her father, Bonnie only knows he was from the “wrong side of the tracks” (74). Sam shares that after aging out of foster care, she searched for her maternal grandparents but found they had both died.


The conversation shifts to Sam’s personal life. She recounts her long friendship with Jason Sullivan, a former neighbor who reconnected with her in college and introduced her to her boyfriend Matt. Sam admits she’s proud of Matt’s success as a restaurant owner, but he seems unwilling to commit to anything more serious.


When Sam asks why Bonnie joined the serial-killer forum, Bonnie reveals that her interest is personal: She knows with certainty that Rufus Wedge was not the real Butcher because she met the real Butcher. She describes a tall man who watched Sarah at McDonald’s. Days before Sarah’s murder, he waited in his car for her but left when he saw Bonnie was there. The night Sarah died, Bonnie was babysitting Sam. She delayed calling the police, fearing that social services would take Sam from her underage mother. She still carries guilt over not calling sooner.


Bonnie reveals that the man drugged and abducted her two days after Sarah’s murder. She awoke in the woods with him on top of her. He held a cleaver to her face, and she realized that he couldn’t take her hand because the Butcher was supposedly dead. A bear suddenly appeared, startling her attacker and allowing her to escape. She wears a small gold bear pendant, saying that it felt like divine intervention. After seeing her attacker on television and learning that he was considered a public hero, she fled Seattle immediately and changed her name.


Sam begs for the name, but Bonnie stalls. When Sam mentions that Matt’s last name is Shank and that his grandfather is Edward Shank, the retired police chief credited with stopping the Butcher, Bonnie becomes visibly tense. She abruptly refuses to name the killer, insists on leaving, and urges Sam to drop her investigation for her own safety.


Sam grows angry and tearful, arguing that Bonnie has no right to withhold this. Bonnie hugs her and asks Sam to keep their conversation secret, promising to send photos of Sarah from Sacramento. Sam gives her Detective Sanchez’s business card and urges her to speak with him. Before leaving, Sam asks if the Butcher is still alive. Bonnie confirms that he is.


The perspective shifts to Edward Shank, who has been watching Sam’s house. Through the window, he recognizes Bonnie as the only victim who ever escaped him. Deciding to eliminate this loose end, he follows Sam’s car as she drives Bonnie back to her hotel.

Chapter 11 Summary

At Adobo, Matt Shank is in a bad mood. The restaurant is understaffed, his day manager has been late twice, and PJ wants to speak privately. Matt assumes that PJ will ask for another advance on his pay to cover gambling debts.


Instead, PJ tells Matt that his behavior has created a hostile work environment. Staff members find him unapproachable and feel he doesn’t listen. PJ points out that Matt didn’t seem concerned after PJ’s car accident, and he dealt harshly with day manager Lauryn Kinney, who is dealing with an abusive ex-husband and a custody battle. PJ warns that Matt will lose good employees if he doesn’t change.


Matt leads PJ into the back alley. Enraged, he pokes PJ in the chest, and PJ pushes back with surprising force. Matt punches him in the jaw. PJ falls backward, his head slamming into the pavement with a sickening thud.


Matt begins to panic because a previous bar fight resulted in an agreement with the assistant district attorney: Any future assault charge would carry a minimum one-year jail sentence. When he tries to rouse PJ, he discovers blood pooling beneath his head from a jagged rock underneath. After a final moan, PJ goes still. Matt checks for a pulse and finds none.


Terrified of losing everything, Matt decides to hide the body and hefts PJ into the nearby dumpster. A prep cook emerges with trash, and Matt claims he sent PJ home. He offers to throw the trash into the dumpster to cover the body. He realizes that trash pickup is the next morning and calls his grandfather. He says he’s messed up badly and needs help.

Chapter 12 Summary

Jason waits on Sam’s porch with takeout tacos and wine when she returns from dropping Bonnie at her hotel. They settle on the living room floor, eating and watching football. Sam recounts her meeting with Bonnie, and Jason questions whether Bonnie is trustworthy, pointing out that it’s suspicious she traveled from Sacramento only to withhold the most critical detail. He urges Sam to verify her story and reminds her that everyone has an agenda.


Jason asks about Sam’s current book project. Sam explains that she’s struggling to present the Seattle PD’s case against Rufus Wedge as potentially flawed without seeming accusatory. Jason suggests she discuss it with Edward, but Sam promised Bonnie that she wouldn’t reveal anything until Bonnie is ready to talk to Detective Sanchez.


Jason points out what’s at stake: If Wedge was innocent and another person is the real Butcher, then Edward’s task force shot an innocent man. That would tarnish the Chief’s reputation and, by extension, damage Matt’s business prospects and his upcoming television deal. Jason reminds Sam that Matt will never forgive her if she harms his career. Sam realizes he’s right—Matt’s success means more to him than anything, and the more successful he becomes, the more distant they grow. Jason tells her that she needs to put herself first, as Matt does.

Chapter 13 Summary

Edward arrives at Adobo after Matt’s frantic call. The staff has gone, and the restaurant is dark except for the kitchen. Edward asks what happened but then interrupts to say that he already knows: Matt killed someone. He tells Matt to get to work. They remove the body from the dumpster and take it back to Matt’s house.


Edward produces a chainsaw and instructs Matt to dismember PJ’s body. Matt recoils, saying that he can’t do it, and he should turn himself in. Edward counters that even if Matt avoids prison, the publicity would destroy his restaurant and television deal. Reluctantly, Matt gets to work. He spends the next hour and a half dismembering the body, vomiting partway through. When he finishes, PJ’s remains fill three garbage bags.


Edward tells Matt to load the bags into his supply van—he’ll dispose of them himself. He instructs Matt to return to the restaurant, search everywhere for PJ’s keys, which aren’t in his pocket, and spray down the alleyway with bleach. Matt asks where Edward is taking the body, but Edward replies that he doesn’t want to know.


Before leaving, Edward tells Matt to thoroughly clean the garage with bleach—and smiles, noting he keeps bleach there for times like this, revealing this isn’t the first body he’s helped dispose of.

Chapter 14 Summary

Sam meets Sanchez at a coffee shop in Ballard, outside Seattle. Sanchez shows her a California driver’s license in the name Bonnie Tidwell, and Sam confirms that it’s the woman she met. Sanchez reveals that the name is likely false—he remembers questioning a woman named Joyce Kubacki the morning after Sarah’s murder.


Pressed about why she’s asking, Sam admits that Bonnie contacted her through a serial-killer website and met with her recently. Sanchez is alarmed but listens as Sam explains Bonnie’s claim: She knows the Butcher’s real identity because he tried to kill her two days after Sarah’s death.


Sanchez reveals that a background check shows that Bonnie Tidwell has no history before 1988, suggesting Joyce changed her name after fleeing Seattle. Her life since has been ordinary—working as a commercial photographer, two divorces, no criminal record.


Sam recounts Bonnie’s story, but Sanchez remains skeptical, asking why Bonnie never reported it and why she’s coming forward after 26 years. The detective agrees to track Bonnie down, though he doesn’t believe Rufus Wedge was innocent. He maintains that whoever killed Sarah and attacked Bonnie—if Bonnie is telling the truth—was a different killer, not the Butcher. Sam makes him promise to keep an open mind, and he asks the same of her.

Chapter 15 Summary

Matt is rattled after a late night with Fresh Network producer Karen Burgundy, where he came dangerously close to cheating on Sam. His day manager Lauryn asks about PJ’s absence; Matt feigns concern and says he’ll call PJ’s parents.


Matt then meets with Karen and her colleague Bernard. They’re enthusiastic about featuring Edward Shank for his commanding presence and want to include Sam to generate romantic drama. Matt is noncommittal but agrees to consider it. The meeting leaves him feeling triumphant, convinced he’s on the verge of stardom and that he was right not to turn himself in.

Chapter 16 Summary

Edward rides a retirement community bus to Tulalip Casino with fellow residents. While the other residents head into the casino, Edward turns away, planning to find a young woman. His mind drifts to a memory from August 1983. In a bar on a reservation, he met a 15-year-old girl named Agatha, who approached him for drinks. Using an alias and claiming to be a traveling salesman, he bought her whiskey, and she offered to have sex with him for $200.


He took her to McDonald’s, where she ate hungrily, then lured her toward a remote wooded area with promises of a friend’s cabin and extra pay. She agreed, excited by the prospect of regular income. Four hours later, Edward was back in Seattle with all traces of Agatha removed from his car, the song she had chosen still playing on the radio.

Chapter 17 Summary

Sam reads a Seattle Times article about two bodies found in the Seattle area: a young woman discovered in the woods near Marysville, and a 45-year-old California woman found behind a restaurant in Capitol Hill. Police ruled both deaths homicides but stated that they weren’t related.


Sam calls Detective Sanchez, who confirms that the older victim is Bonnie Tidwell. She was stabbed once in the chest with what appears to be an ice pick and died from blood loss. He explains that the other victim was a 17-year-old from Tulalip, last seen leaving the casino with an older man. She had been raped with a blunt object and strangled. He then reveals a confidential detail: Her left hand had been severed cleanly below the wrist. When Sam raises the Butcher connection, Sanchez admits he’s starting to think she might be right.


Sanchez mentions he’s heading to Matt’s restaurant about a missing persons report for PJ Wu. Sam is shocked—Matt never mentioned it. Sanchez explains that PJ’s parents filed the report and that he offered to handle it since he knows Sam and Matt.


After hanging up, Sam processes Bonnie’s death and the loss of ever learning the Butcher’s identity. If he’s between 60 and 80 years old and still active, she needs expert insight. She resolves to speak with Edward Shank.

Chapter 18 Summary

Matt arrives at Adobo to find Detective Sanchez waiting at the bar. He ducks into his office to compose himself before greeting him. Sanchez explains he’s there about the missing persons report for PJ Wu. They sit down, and Matt lies, claiming he sent PJ home after a disagreement about punctuality and suggesting PJ may have skipped town due to gambling debts and problems with his estranged wife.


Sanchez accepts the story for now and asks to interview other staff members. Relieved, Matt agrees and retreats to the kitchen, his mind on what his grandfather did with PJ’s remains.

Chapters 10-18 Analysis

Matt’s accidental killing of PJ Wu and the subsequent cover-up draw him closer to Edward’s legacy, erasing the psychological boundaries between the patriarch and his descendant and developing the theme of Fighting a Legacy of Inherited Violence. After Matt punches PJ during a heated argument and inadvertently causes his death, he instinctively summons Edward to the restaurant. The former police chief orchestrates the disposal, commanding Matt to use a chainsaw to dismember his friend’s body. Edward does his best to convince Matt that his fatal lack of control stems directly from the intense anger he previously identified as a shared, inherited trait. By forcing Matt to take charge of the physical dismemberment, Edward coerces him into brutal violence that echoes his career as the Butcher, an attempt to strengthen the bond between them with Matt’s complicity. The act of tearing apart a body echoes the horror of the videotape Matt found in the crate, effectively binding Matt to his family’s dark history. By trading the precise tools of a chef for an industrial saw, he shifts from creation to destruction, away from his grandmother’s legacy and toward his grandfather’s. Matt steps fully into the violent pattern that defines Edward’s life, allying himself with his serial killer grandfather and surrendering his moral autonomy to ensure his own self-preservation.


To protect himself, Matt falls back on his persona as a renowned chef. As he grapples with PJ’s death, Matt meets with television producers who wish to amplify his aggressive culinary persona, an image that uncomfortably mirrors his brutality toward PJ. Later, when Detective Sanchez visits Adobo to investigate PJ’s disappearance, Matt calmly lies about his employee’s whereabouts and then feeds the detective his grandmother’s fried lumpia to deflect suspicion. He consciously uses the culinary skills inherited from Marisol—skills meant to represent a positive, life-affirming legacy—to disguise the destructive consequences of Edward’s influence. The kitchen, once Matt’s sanctuary for creativity and sustenance, becomes the literal and psychological staging ground for a cover-up. By serving Sanchez the very food that defines his wholesome public persona, Matt manipulates his maternal heritage to shield his paternal criminality. This corruption demonstrates how deeply Edward’s monstrous pragmatism has currently infiltrated Matt’s psyche.


Edward’s actions during these chapters deepen the theme of The Corrupt Use of a Heroic Facade, illustrating how societal trust in authority figures enables predatory behavior. Edward confidently reassures Matt during the disposal of PJ’s body that the police will never question him, noting, “Not that they’d dare ask me anything. I am the Chief, after all” (109). A flashback to 1983 reveals Edward leveraging his financial resources and the false identity of a traveling salesman to lure a marginalized 15-year-old girl, Agatha, out of a bar before murdering her. In the present timeline, Edward returns to this methodology from a slightly different angle, using his status as an unassuming octogenarian on a retirement home day-trip to the Tulalip Casino to slip away and resume hunting for young women. Edward relies on the unquestioned respect afforded to his various public roles to manipulate vulnerable individuals and bypass legal scrutiny. His authoritative title and senior citizen status operate as shields, rendering him invisible to the law while allowing him to curate an image of unassailable integrity. By portraying a celebrated law enforcement figure as a calculating predator, the text actively dismantles the traditional hero cop trope, emphasizing that institutions tasked with protecting the public can harbor its greatest threats if their authority is used to mask violent and criminal acts.


As Sam intensifies her investigation, her trajectory underscores the theme of The Blurred Lines Between Justice and Vengeance, highlighting the collateral damage of her truth-seeking. Sam’s contact with Bonnie Tidwell leads directly to the woman’s murder by Edward, as the former chief recognizes and tracks Bonnie from Sam’s residence. Jason explicitly warns Sam that exposing the real killer will destroy the Chief’s historical reputation and decimate Matt’s burgeoning television career. Sam’s initial, noble goal to vindicate her mother shifts into a fixation that endangers her and those around her, threatening her closest relationships. Her refusal to heed warnings from Bonnie and Jason demonstrates how her pursuit of answers supersedes her concern for personal safety or familial stability, highlighting how her personal emotions are driving her professional investigation. The subsequent discovery of Bonnie’s stabbed body proves that Sam’s true-crime research, which in the past has always been about past crimes, has triggered deadly, real-world consequences in the present. Rather than acting as a detached observer interested in the truth and bringing closure to a community, the writer’s investigation becomes a catalyst for further violence, proving that the exhumation of buried secrets can extract a devastating personal and ethical toll.

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