The Long Game

Elena Armas

The Long Game

Elena Armas
52 pages1-hour read
Fiction
Novel
Adult
Published in 2023

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Symbols & Motifs

Content Warning: This section of the guide references cursing, sexual content, bullying, and mental health concerns.

Sparkles the Mascot

Sparkles, the Miami Flames’ mascot, acts as a symbol of the impersonal corporate world that betrays and devalues Adalyn, highlighting The Challenges to Women’s Authority in Male-Dominated Spaces. Her viral outburst and decapitation of the mascot costume symbolizes her rebellion against the system that has just shattered her professional and personal life. By attacking the team’s smiling, feathered representative, she targets the organization to which she had devoted her life, one that disrespected and shamed her rather than protecting her. 


The attack on Sparkles shatters the carefully constructed professional facade she’s maintained, unleashing genuine pain that sets the entire narrative in motion. Her father dismisses the complex emotions that motivated the incident by calling it “Unacceptable. Everyone in this room knows that. Adalyn’s outburst was inexcusable” (9), criticizing her lack of professionalism rather than investigating what prompted her actions. As the video of the incident goes viral, the mascot becomes a public emblem of Adalyn’s instability, used by the media as an example of unhinged female rage. The gendered criticism of the incident reinforce the institutionalized sexism intrinsic to her job with the Miami Flames.

Heels vs. Hiking Boots

Adalyn’s choice of footwear acts as a recurring motif that tracks her internal transformation from a rigid corporate executive to a more grounded and authentic individual. Initially, her insistence on wearing impractical high heels in rural North Carolina represents her desperate attempt to cling to her Miami identity and, by extension, the professional goals she’s spent her life pursuing. Upon her arrival in Green Oak, Cameron points to her impractical shoes as a clear sign that she is out of place and ill equipped for her new environment, observing “her button-down shirt, pencil skirt, and heels. Everything about this woman […] reeked of entitled big-city life” (22). In this way, Armas positions the heels as a protective but restrictive armor, representing an identity that no longer serves her but which she is afraid to shed.


Her journey to divest from her father’s prescribed corporate legacy is mirrored in the failure of her footwear. After a stiletto heel snaps, it forces her to confront what she really wants from her life and career. Cameron’s gift of new clothes, including practical hiking boots acts as an invitation to embrace her a new, more expansive vision for her life. Her decision to wear the practical work boots—which she admits “are actually, shockingly comfortable” (238)—symbolizes her embrace of Green Oak and her life with Cameron. In the novel’s epilogue, Adalyn dons sneakers kick the ball around with Cameron on the soccer field, underscoring her successful integration into her new life and community.

The Green Warriors’ Uniforms

Armas uses the Green Warriors’ team uniforms as a motif that reflects the team’s transformation. When Adalyn arrives, the girls are wearing dated, hand-me-down pink outfits that she notes look like they belong at an “eighties theme party” (134). These initial uniforms underscore the team’s lack of resources, confidence, and discipline. They represent a well-meaning but amateur effort, a project that Adalyn is uniquely positioned to improve. By taking charge of the uniforms, Adalyn begins to exercise her authority in a new, more meaningful context.


The gift of the new uniforms underscores Adalyn’s integration into Green Oak, highlighting The Restorative Power of Community as a central theme in the narrative. The new, modern uniforms represent a tangible investment in the girls’ self-esteem and a validation of their athletic ambitions. Her attempts to make the uniforms personal to the girls emphasizes her growing attachment to them: “The shirts were charcoal black and mint green, with every player’s name and number printed in pastel pink on the back […] I’d ordered shorts and socks in green and black, so the girls could pick. And I’d gone as far as getting a skort that resembled a tutu for Chelsea” (242). The girls’ overjoyed reaction solidifies their trust in her and they begin to see her as their dedicated and capable leader rather than an intimidating outsider.

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