The Third Policeman

Flann O'Brien

52 pages 1-hour read

Flann O'Brien

The Third Policeman

Fiction | Novel | Adult | Published in 1967

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Chapter 11-Publisher’s NoteChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence and death.

Chapter 11 Summary

The narrator wakes up blindfolded in the kitchen. He is surprised to see that the Sergeant’s bicycle has moved from its previous position in the hallway by itself. He decides not to be afraid, because he cannot “afford to be frighted of anything which could assist” (176) him in his escape. He observes the bicycle’s beauty and decides that he likes it, “even better than I had liked some people with two legs. I liked her unassuming competence, her docility, the simple dignity of her quiet way” (177). The narrator realizes he and the bicycle are both afraid of the Sergeant, and that they have to help each other.


He takes the bicycle outside and they ride off toward the right, away from eternity and the direction the Sergeant and MacCruiskeen went. He knows the battle must be over and the one-legged men must have lost their faculties as a result of seeing the painted bicycle. He and the Sergeant’s bicycle are attuned and the ride is pleasurable. He realizes he has arrived at old Mathers’s house and is near home.


The narrator is startled to see a light in the upstairs window. He searches the house and doesn’t find anyone, but is left with the sense that there is “someone unspeakably inhuman and diabolical” inside (184). He goes back outside to the bicycle but can’t decide what to do. He decides to throw a large stone through the window. He does, and a shadow appears at the window. 


He hears sound behind him and turns around to see a large policeman. The policeman asks the narrator to follow him for a private conversation. The policeman climbs through a window into Mathers’s house and the narrator follows. They go through a narrow passage and the narrator realizes he is in a tiny police station inside the walls of the house.


The narrator realizes the policeman has the head of Mathers. He says he thought Mathers was dead, and the policeman says he also thought the narrator was dead. The narrator says he escaped, and the policeman asks if he is sure. He isn’t.


The policeman introduces himself as Policeman Fox, and asks what the narrator thinks of his station. The narrator replies that it is nice but wonders why it is inside the walls of another house. Fox says it’s to save money on the rental rates. The narrator prepares to leave, planning to go to his own house, but first asks if the policeman knows where the money box is. Fox asks the narrator if he likes strawberry jam, then about his thoughts on the “underground paradise” he visited with MacCruiskeen and the Sergeant (193). The narrator replies that he thought it was miraculous, and Fox says there is a simple explanation for it. He elaborates that he found the money box; it is what made the miracles of “eternity” work because it contained four ounces of omnium. The narrator thinks of all the impossible things he can do with the omnium, which Fox says is back at his house now. He again moves to leave and go home.

Chapter 12 Summary

The narrator briefly worries the bicycle has been stolen, but her handlebar suddenly appears in his hand. He knows it is not where he left the bicycle. He is excited as he rides home, thinking about what he will be able to do with the omnium: “[E]xtravagances of eating, drinking, inventing, destroying, changing, improving, awarding, punishing and even loving” (200). When he enters, he sees Pegeen Meers, whom Divney had hoped to marry, pregnant in the kitchen. Divney is also there, but aged significantly from when the narrator saw him last.


Divney sees the narrator and screams, then falls to the ground with his face “twisted in a revolting grimace of fear” (202). The narrator offers to help, but Pegeen ignores him. Divney continues moaning in fear, then saying that the narrator cannot be there because he has been dead for 16 years. Divney says that he put a bomb into the floorboards of Mathers’s house, which went off when the narrator touched it. Pegeen shouts that Divney is dying.


The narrator turns and leaves the house, feeling numb. The narrator sees a strange building he realizes is a police station, exactly as he did the first time he encountered the police barracks in Chapter 4. He hears footsteps behind him, and Divney appears beside him. They walk into the police station together.

Publisher’s Note Summary

The novel concludes with a one-page publisher’s note that appeared in the original edition. It quotes a 1940 letter from the author that describes the conceit of the book: “[W]hen you get to the end […] you realize that my hero and main character […] has been dead throughout the book and that all the queer and ghastly things which have been happening to him are happening in a sort of hell he earned for the killing” (207). The author also explains that the novel is supposed to be humorous and that its hell setting produces scope for comedy.

Chapter 11-Publisher’s Note Analysis

This section of the novel introduces the titular third policeman, Policeman Fox. That the narrator sees old Mathers’s head atop the large policeman’s body reflects his persistent guilt about the murder he committed, and is one of the more intense and explicit symptoms of it throughout the book. The primary representation of the narrator’s guilt is not in his direct thoughts, but rather in his continuing focus on Mathers and the money box, suggesting his enduring guilt.


Although there is growing evidence that the narrator is already dead, it is not until this section of the novel that the details of the event are confirmed, bringing Unknowability as Part of the Human Experience to its culmination. Rather than exposition, this reveal is through dialogue from the shocked and also dying Divney:


He sobbed convulsively where he lay and began to cry and mutter things disjointedly like a man raving at the door of death. It was about me. He told me to keep away. He said I was not there. He said I was dead. He said that what he had put under the boards in the big house was not the black box but a mine, a bomb. It had gone up when I touched it. He had watched the bursting of it from where I had left him. The house was blown to bits. I was dead. He screamed to me to keep away. I was dead for sixteen years (203).


Repetition and doubling is significant throughout the novel, particularly in its conclusion. Divney experiences similar guilt to the narrator’s upon seeing old Mathers. When Divney sees the narrator, he is haunted and horrified. The detail of the explosive device also clarifies the surreal moment when the narrator reached for the money box and experienced a change that was “indescribably subtle, yet momentous, ineffable” (24).


Most importantly, the novel concludes with an extended passage that is repeated almost exactly from its earlier iteration the first time the narrator encounters the police barracks, reflecting The Agony of Banality and Bureaucracy. Numerous paragraphs in a row are exactly the same, with several of the last sentences only changed from the first-person singular “I” to the first-person plural “we” to reflect that Divney has also died and is now with the narrator. The repetition makes clear that the narrator is not only dead, but is also experiencing a hell of repeating the same events over and over again.

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