We Will Be Jaguars: A Memoir of My People

Nemonte Nenquimo, Mitch Anderson

We Will Be Jaguars: A Memoir of My People

Nemonte Nenquimo, Mitch Anderson
55 pages1-hour read
Nonfiction
Autobiography / Memoir
Adult
Published in 2024

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Part 1, Chapters 1-6Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of racism, religious discrimination, graphic violence, child abuse, animal death, illness, and death.

Part 1, Chapter 1 Summary

In her Waorani village of Toñampare in the Ecuadorian rainforest, six-year-old Nemonte Nenquimo is the first to hear an approaching plane, or ebo. Ignoring her mother’s instructions to stay away from it, she takes her younger brother, Victor, to the landing strip to see the cowori (outsiders) arrive. Her uncle, Nënëcawa, who uses a wheelchair, warns them that the plane is dangerous. However, Nenquimo is motivated by the hope of receiving a brightly colored dress from Rachel Saint, an American missionary who distributes gifts to believers who attend church on Sundays. Nenquimo’s family, who do not attend, have few clothes.


Nenquimo follows Rachel and the visitors to a beach, where Waorani pastors, Mincaye and Yowe, lead a prayer service. Before Nenquimo was born, Mincaye and Yowe killed Rachel’s brother and four other Christian missionaries when they arrived to “save” the Waorani. The missionaries died on the same beach where the prayer service is presently being conducted. After the deaths, Rachel arrived and converted many of the Waorani to Christianity, including Mincaye and Yowe. She also criticized the Waorani people for their nakedness, urging them to wear Western clothes. During the fervent prayers, Victor suffers a seizure. 


After the event, when Victor continues to have seizures, Nenquimo blames herself, connecting his illness to their covert visit to see the plane. These fears intensify when Nënëcawa tells her the story of how he became a wheelchair user. He recounts how his clan was devastated by sickness after moving to Rachel Saint’s mission village and coming into contact with the missionaries.


Victor’s seizures worsen, and he refuses traditional herbal remedies. Manuela is forced to ask Rachel for sugar and Western medicine, promising in return that the family will attend church. Nenquimo receives her coveted blue dress, and Victor’s attacks temporarily subside, but then occur again in public. Desperate, Manuela summons Mengatowe, a revered jaguar shaman. He performs a healing ritual and explains that Victor’s illness is the result of sorcery from envious villagers. To protect the boy from further attacks, the shaman gives Victor his own name, instructing the family to call him Mengatowe from then on.

Part 1, Chapter 2 Summary

One night, Nenquimo’s father, Tiri, explains the Waorani belief that their ancestors become jaguars after death. When Nenquimo asks about the missionaries’ God, Tiri dismisses it as useless in the forest. He recounts his childhood memories of the polio epidemic that devastated the Waorani.


Though the family stops attending church, Nenquimo is sent to Sunday school, where Rachel gives her the Christian name Inés. Rachel shows the children a picture of a dark-skinned, hairy devil who resembles Nenquimo’s grandfather, Donasco, a Záparo shaman whose mother was Kichwa. Shortly after, Donasco visits and performs a ritual with a toucan’s tongue and honey to give Nenquimo a “sweet tongue” for making good chicha, a traditional fermented manioc drink. Victor, now called by his new name, Mengatowe, is no longer having seizures. 


Dayuma, a Waorani woman who assists Rachel, visits their oko (longhouse) to announce the impending arrival of men from an oil company. When the white men arrive in a helicopter, Nenquimo and Mengatowe eavesdrop on Rachel’s meeting with them. They talk about sending the male Waorani away to work for the oil company. 


Afterward, Nenquimo’s mother reveals how Tiri worked away for Texaco for the entire duration of her pregnancy. Tiri explains that Rachel ordered him to intervene with uncontacted family members of the Tagëiri clan who had killed oil company workers. He left in a helicopter with the white men and saw how they were devastating the landscape through deforestation. While pretending to cooperate with the cowori, Tiri secretly left machetes and axes in the forest to help his Tagëiri relatives.

Part 1, Chapter 3 Summary

Rachel Saint holds a village meeting to endorse a Christian-led oil company, Maxus. She assures them that the company wants to help the Waorani people and warns against “communists” who oppose it. Nenquimo later sees Amo and Moi, young men rumored to be communists, kindly helping her uncle, Nënëcawa. Moi expresses fear that the oil company will contaminate the river and destroy their way of life. Soon after, Nenquimo’s father, Tiri, leaves to work for the company.


At school, Nenquimo receives a letter from an American pen pal and becomes fascinated by the red lipstick the girl is wearing in her photograph. She and her friend Mimaa sneak off to the compound. There, they witness the sorcerer, Äwä, in a trance, communing with jaguar spirits to locate game and strategize against the oil company. The girls steal Mimaa’s sister’s lipstick, which was a gift from Dayuma. They use the lipstick to paint stripes across their faces.


As punishment for stealing the lipstick, Nenquimo’s mother, Manuela, pours chili-pepper water into her daughter’s eyes, blinding her for three days. When Tiri returns, he carries a baby parrot whose nest was destroyed by the oil company’s chainsaws. He tells the family he has found a place downriver where they can build a new village, away from the changes in Toñampare.

Part 1, Chapter 4 Summary

A plane arrives in Toñampare carrying the coffin of Amo, the young “communist” Nenquimo had befriended. He was shot and killed by cowori after going to spear-kill cattle grazing on Waorani lands. His father, Moipa, mourns that his son died in a conflict fueled by money and the oil company.


Soon after, Rachel Saint organizes a large celebration to formalize an agreement with the Maxus oil company. Waorani men perform traditional dances for visiting dignitaries, including the daughter of Ecuador’s president. Nenquimo’s father is deeply troubled by the deal, fearing for the uncontacted Waorani clans living in the territory now open to drilling. He also fears that the oil company will leave no animals to hunt in the forest surrounding Toñampare, reinforcing his decision to leave and start a new village. Nenquimo is devastated when rats kill her pet baby birds in the night. Tiri states that rats only became a problem when white people came to the area. Rodents are attracted to cowori food staples like rice and sugar. 


One day, the village elders begin a spontaneous traditional celebration, which Rachel furiously shuts down, calling their naked dancing “the devil’s fire” (61). Shortly after this confrontation, she leaves the village. Without Rachel’s presence, the Waorani return to their customs, hunting on a Sunday without fearing admonition.


Months later, Rachel dies from an unspecified illness, and a plane returns with her body. At her funeral, her assistant, Dayuma, promises Rachel’s belongings to those who mourn the loudest, prompting performative wailing. Nenquimo feels only relief. Among Rachel’s possessions, the villagers discover a box full of money, which Moipa states was a payment from the oil company to Rachel for access to their lands. They agree it is “worthless” and burn it.

Part 1, Chapter 5 Summary

Following Rachel Saint’s death, Tiri predicts that the Waorani pastors will invite her nephew, Steve Saint, to live with them. The village of Toñampare becomes increasingly disorderly, solidifying the family’s decision to leave. Tiri returns from trading with the cowori for supplies and a radio, which he obtained by giving away their monkey, Amonka. The family then travels by canoe to a new site downriver, which they name Nemonpare.


Nenquimo’s family are greeted by Steve Saint, who is overseeing the clearing of a new landing strip. Steve hands Tiri a rifle and pats him on the back. While the family initially sleeps under a plastic tarp, Tiri and another pastor, Tementa, begin constructing a large, two-story wooden house for Steve and his family. Steve provides tools and goods from “Civilization,” and the family’s mornings are soon filled with the sound of the radio rather than the traditional sharing of dreams.


When the house and landing strip are nearly finished, Steve’s wife, Ginny; their three sons; and their daughter, Stephanie, arrive. Nenquimo, who has seen pictures of the blonde, smiling family, is eager to meet them.

Part 1, Chapter 6 Summary

Nenquimo is immediately captivated by Stephanie Saint and seeks her friendship. The new village of Nemonpare grows as more families arrive, and Steve Saint begins making plans to bring Christian tourists to the community. Nenquimo’s family spends their evenings at the Saints’ generator-powered house, watching television and getting a glimpse of the outside world.


The exposure to Western life makes Nenquimo self-conscious about her appearance, and she begins to wish for Stephanie’s white skin and blue eyes. Her mother, Manuela, senses her insecurity and lovingly washes her hair with traditional forest plants. At a church service, Steve Saint speaks of the Waorani warrior Mincaye who killed his own wife’s father, and also killed Steve’s missionary father. Steve claims that Mincaye has had the “black stains” on his soul “whitened” through his belief in Wengongi (the Waorani name for the Christian God). Nenquimo worries that her own soul might be stained.


When the first group of tourists arrives, Nenquimo and Victor sneak up to their camp and join a traditional dance. The next day, she watches the tourists get baptized in the river. Nenquimo reasons that if she is baptized, Stephanie will give her clothes and teach her keyboard. The pastors immerse her in the water, praying for her soul to be cleansed. However, when the ritual is over, Nenquimo feels nothing has changed and is confused by the emotional tears of Stephanie and the other white people.

Part 1, Chapters 1-6 Analysis

The opening chapters of We Will Be Jaguars establish the memoir’s central conflicts through the naive yet perceptive eyes of a child narrator. This authorial choice filters the complex forces of colonization, religion, and resource extraction through a tangible, sensory world of pet monkeys, forest sounds, and family relationships. Nenquimo’s perspective deconstructs the hagiographic narrative of Western missionaries’ experiences in the Amazon, such as Elisabeth Elliot’s Through Gates of Splendor (1957). Rachel Saint’s use of the pejorative term “aucas” (savages) and her fury at the villagers’ traditional naked dancing, which she calls “the devil’s fire” (61), reveal the missionary’s deep-seated intolerance for Waorani culture. Rachel presents the story of the warriors Mincaye and Yowe, who killed her brother and then became her primary converts, as an example of her own Christian forgiveness. However, Nenquimo’s dislike of Rachel demonstrates a child’s instinctive ability to see the authoritarianism beneath her charitable Christian rhetoric. Nenquimo’s confusion over the Christians’ fervent beachside prayers reflects her inability to relate to the abstract sky-dwelling God of the missionaries, whose favor is tied to unfamiliar rituals. Victor’s subsequent seizure portrays the missionary presence as a deeply disruptive force that upsets the community’s spiritual and physical equilibrium.  


The narrative uses this childhood lens to introduce the theme of The Deceptive Lure of Civilization. The author illustrates the subtle mechanics of assimilation, as Nenquimo’s desire for unfamiliar objects becomes leverage for religious conversion and behavioral compliance. Despite her distrust of Rachel Saint, she also perceives her as a distributor of coveted material goods, such as the brightly colored dress that motivates her first significant transgression. The villagers’ performative wailing at Rachel’s funeral, prompted by the promise of her belongings, further exposes the transactional nature of the missionary’s influence. Nenquimo conveys how the introduction of these commodities creates new dependencies and severs traditional patterns of life. For instance, the passive activity of consuming radio broadcasts replaces the Waorani communal morning ritual of sharing dreams, establishing the importance of Storytelling as Cultural Survival


The discovery of the money Rachel Saint received from the oil company, Maxus, links her evangelism to the forces of Extractivism as Cultural Erasure. The financial incentive cements her role as a broker between the Waorani and exploitative industries. After her death, Steve Saint’s arrival marks a more modern and seemingly gentler version of Western encroachment. Unlike Rachel, he is friendly and learns Waorani customs. Nevertheless, his presence accelerates assimilation by introducing Western technology, a cash-based logic, and the concept of turning culture into a spectacle for Christian tourists. While Rachel imposed a rigid, artificial order, Steve fosters a more insidious form of integration that blurs the lines between cultural exchange and commodification.


Throughout this section, the body is presented as a primary site where cultural integrity is contested and violated. The physical ailments that afflict Nenquimo’s family are directly linked to the corrosive influence of the cowori. Her uncle Nënëcawa’s withered legs, a result of the polio epidemic that followed missionary contact, become a symbol of this devastation. Nënëcawa’s observation that “These legs of mine are like our people” (13) frames his disability as a collective trauma inflicted on the Waorani. Similarly, Victor’s mysterious seizures begin immediately after exposure to the missionaries’ intense, alien worship, suggesting a physical manifestation of cultural shock. While Western medicine fails to cure him, Mengatowe, the jaguar shaman, offers a direct, tangible healing rooted in the forest and Waorani cosmovision. Nenquimo’s body also becomes a battleground when her mother, Manuela, punishes her for using lipstick by pouring chili-pepper water into her eyes. This brutal act is born of Manuela’s deep fear that adopting Western aesthetics invites spiritual danger, highlighting the high stakes of cultural permeability.


Nenquimo’s personal journey becomes a microcosm of the larger cultural struggle of Indigenous people. Her initial desire for a dress evolves into a deeper self-consciousness as her wish to look like Stephanie reflects a painful internalization of Western beauty standards. Her mother’s loving hair-washing ritual, using traditional forest plants, acts as a counter-narrative, an attempt to instill pride in Waorani identity and knowledge. This internal conflict culminates in Nenquimo’s baptism, a decision driven by a child’s logic of transaction rather than religious faith. She hopes the ritual will grant her access to the things Stephanie possesses, from clothes to a place on the plane. The spiritual emptiness of the experience—her feeling that absolutely nothing had happened—emphasizes the hollow nature of a religion imposed from the outside. The baptism’s failure to connect with her inner world shows the unbridgeable gap between a belief system rooted in the forest and one that demands she see her own soul as having “black stains” in need of whitening.

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