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Content Warning: This section of the guide includes discussion of racism, religious discrimination, child sexual abuse, illness, and death.
Nenquimo spends a happy Sunday morning making pancakes with Stephanie. After being baptized, she feels part of the Saints’ family. Stephanie tells Nenquimo that if she continues going to church, she will one day take her to the “Land of Rachel” (93). That night, Nenquimo’s mother, Manuela, gives birth at home to a baby girl. To Nenquimo’s horror, her parents decide to give the newborn to Steve and Ginny Saint, believing they can provide her with a better life. A devastated Nenquimo is forced to carry her infant sister to the Saints’ house.
To formalize the adoption, Nenquimo’s parents travel with Steve, Ginny, and the baby to Quito, the capital of Ecuador, for government approval. However, the Ecuadorian government denies the adoption. The baby, now named Ana Elizabeth, returns home to her biological family. Not long after, Steve and Ginny announce they are leaving the village permanently to return to the “Land of Rachel.” After their plane departs, Nenquimo becomes aware of a new, constant buzzing sound in the distance. Her father, Tiri, identifies it as a pozo—an oil well.
Motivated by a secret desire for the oil company to give her perfect white teeth like those she had seen on a girl from Tiguino, 12-year-old Nenquimo persuades her father to take her to visit his sister, Aunt Nantoke, who lives near the oil company. On their journey through the forest, they find signs left by uncontacted Waorani clans—the Tagëiri and Taromenane—including a red toucan feather, which signals anger. When they reach the road, they meet Babë, a Waorani man who works for the oil company. Babë scoffs at their traditional beliefs, boasting that the company has more to offer than God.
Nenquimo is deeply uncomfortable at Babë’s cement house, where his daughter makes a crude comment about girls with gaps in their teeth and his grandson stares at her. The next day, her father shows her the oil well, a massive machine craning up and down. He explains that it is sucking oil, the blood of our ancestors” (110), from beneath the ground.
They finally arrive at Aunt Nantoke’s traditional leaf-roof home, where she warns them that money has made Babë “unwell in the heart” (112) and that the uncontacted tribes are angry about the noise from the wells. That night, Nenquimo prays to Wengongi, asking him to protect the uncontacted Indigenous people of the forest and for Stephanie to take her to the Land of Rachel.
Nenquimo believes the oil company will give her perfect white teeth if hers are gone. Claiming to have a toothache, she asks Tementa, the village pastor, to pull her molars. The procedure is agonizing and fails; a tooth cracks, leaving a shard in her gum that causes a severe, disfiguring infection. Her grandfather, Donasco, arrives and performs a healing ritual. He warns Nenquimo that the allure of the white world is like a “boa’s tongue” that mesmerizes and disorients Indigenous people. Shortly after her grandfather’s visit, Nenquimo begins menstruating.
A boy from another village tells Nenquimo about a missionary settlement called Damointaro. Still holding onto her Christian faith, Nenquimo dreams that Stephanie Saint is returning to take her to the Land of Rachel; she wakes excited, certain Stephanie will come soon. A plane does arrive days later, but it carries Tementa and another elder, Mincaye. They deliver bad news: Stephanie has died from a brain hemorrhage.
Grieving Stephanie and feeling lost, Nenquimo runs away from home to the missionary village of Damointaro. The journey is ominous; she is whipped by a snake and has a terrifying, supernatural-seeming encounter with a jaguar. At the mission, she is welcomed by the lead missionaries, a married couple named Alfredo and Rosalina. When Rosalina asks for her Christian name, Nenquimo supplies “Inés.” She begins learning to read and write in Spanish and settles into mission life. Her parents visit and express their disapproval, but ultimately leave her there.
The mission becomes a place of horror when, during one of Rosalina’s trips away, Alfredo enters Nenquimo’s room at night and sexually assaults her. Nenquimo is paralyzed by fear and unable to fight back or scream. Another girl at the mission, Daboka, has experienced the same abuse but is too frightened to speak up. Alfredo continues to rape Nenquimo. When Rosalina returns, she finds herself unable to tell her what happened.
After Nenquimo has been at the Damointaro mission for nearly two years, her parents give permission for her to go to a mission in Quito. Rosalina accompanies her on the plane, and they stop for several days in the town of Shell, where Rosalina attempts to teach Nenquimo the ways of “Civilization,” including how to use a toilet, eat with cutlery and buy goods with money. Nenquimo is overwhelmed by the noisy, unfamiliar environment and misses the forest. Alfredo arrives in Shell, comes to Nenquimo’s room and rapes her again.
Alfredo and Rosalina drive Nenquimo to a mission for Indigenous children on a hill outside Quito and leave her there. The head missionary, an American woman named Barbara, is immediately hostile. Nenquimo feels utterly abandoned and afraid among the other Indigenous children. Her new roommate, a Shuar girl, warns her that the missionaries read the private devotional journals they are forced to keep and use a wooden paddle for discipline.
After more than a year of obedient but miserable life at the Quito mission, Barbara tells Nenquimo she must visit her old village to evangelize. Nenquimo returns to Toñampare with Rosalina, feeling alienated in her cowori dress. They present the village children with gifts on the condition that they come to church. Nenquimo then helps the children write letters to their American sponsors. Nenquimo’s Aunt Geca confronts her new beliefs, noting that “wengongi” is the name of a common fish in their tradition. Aunt Geca reveals that Nenquimo’s grandmother had visions warning against the white people.
Nenquimo returns with Rosalina to the house in Shell, where Alfredo is waiting. There, Nenquimo discovers that Rosalina rewrites the children’s letters to their sponsors, “the Compassionate Ones” (168), to make them sound more pious. That night in the kitchen, Alfredo touches Nenquimo, causing her to drop and shatter a glass and cut her hand. When Nenquimo begins to reveal the truth about what happened, Rosalina cuts her off. Nenquimo finally understands that Rosalina already knew about her husband’s abuse. Screaming that she wants to die, Nenquimo flees the house into the night, resolving to leave the missionaries forever.
This section of the memoir documents Nenquimo’s harrowing transition from a childhood naively drawn to missionary life to a traumatic adolescence that shatters her faith and sense of self. The narrative structure contrasts the seemingly benign surface of Christian assimilation with the deep cultural and personal violence it masks. Chapter 7 opens with a scene of domestic harmony—Nenquimo making pancakes with Stephanie Saint—that represents the peak of her desire to belong in the missionaries’ world. The promise of visiting the “Land of Rachel” symbolizes the ultimate reward for her conversion. This idyllic image, however, is broken by Nenquimo’s parents’ decision to give away her newborn sister, an act that reveals the destructive influence of the missionaries’ perceived superiority on the Waorani family unit. Nenquimo’s forced role in this act transforms her from a happy convert into a traumatized agent of her own family’s disruption. The event initiates a pattern of disillusionment that intensifies throughout these chapters.
The narrative develops a critique of Western modernity by presenting its different facets—religious, industrial, and social—as seductive yet corrupting interconnected forces. Nenquimo’s grandfather, Donasco, provides the central motif for The Deceptive Lure of Civilization, warning that the white world is a “boa’s tongue” that makes Indigenous people “lose our senses” (117). This metaphor connects the spiritual allure of the missionaries to the material promises of the oil company. Babë, the Waorani man working for the company, embodies this corruption. Aunt Nantoke diagnoses him as being “unwell in the heart” (112) as he scoffs at his people’s traditional beliefs while boasting of the oil company’s power. Nenquimo’s desire for perfect white teeth is a further example of the “boa’s tongue’s” mesmerizing effect, leading her to an act of self-mutilation in pursuit of a manufactured ideal of civilization. This pursuit of external validation, whether through new teeth or new clothes from Rosalina, consistently leads to pain and alienation, reinforcing her grandfather’s warning.
Throughout these chapters, the memoir links the industrial violation of the land to the personal violation of the body. The introduction of the distant, buzzing oil well—the pozo—at the end of Chapter 7 is a turning point, signaling the arrival of a new and insidious threat. Tiri’s assertion that oil is “the blood of our ancestors” (110) frames this resource extraction as a spiritual desecration of Waorani history and identity. This large-scale, communal violation echoes the intimate, sexual violence Nenquimo endures from the missionary, Alfredo. The narrative draws an implicit connection between the oil company sucking the ancestral lifeblood from the earth and Alfredo preying on a Waorani girl under the guise of paternal, Christian care. Both are forms of violent extraction that exploit a power imbalance, leaving behind deep trauma. This parallel illustrates the theme of Extractivism as Cultural Erasure, showing that the degradation of the environment and the abuse of Indigenous people are two manifestations of the same colonial logic.
As Nenquimo is drawn deeper into the missionary world, language and communication become tools of control and deception, failing to provide either spiritual comfort or a means of defense. Her prayers to Wengongi are consistently met with silence, deepening her isolation. When she is sexually assaulted, her attempts to speak the truth are either ignored or actively suppressed, culminating in the moment she tries to expose Alfredo to Rosalina. Rosalina’s defensive shutdown transforms her kindness into a form of abusive complicity. This corruption of honest communication is made explicit when Nenquimo discovers that Rosalina rewrites the Waorani children’s letters to their sponsors, replacing their authentic words with fabricated piety. This act shows how the missionary enterprise relies on erasing Indigenous voices to construct a narrative that satisfies its sponsors. The inauthenticity of the colonizer’s language contrasts with the potent, non-verbal warnings of the forest, such as the angry red feather left by the uncontacted tribes.
Through its first-person perspective, the narrative chronicles the psychological toll of trauma and cultural dislocation. Nenquimo’s voice shifts from that of a curious and sometimes defiant child to one of a paralyzed and dissociated adolescent. Her inability to scream or fight back during Alfredo’s assaults is a visceral depiction of trauma-induced paralysis. In the mission in Quito, she becomes an obedient “shadow,” her identity suppressed beneath layers of rules, long dresses, and the constant threat of Barbara’s paddle. She is trapped between worlds, no longer fully Waorani and increasingly alienated from the Western world. Her final, violent breakdown in Shell is the culmination of years of repressed pain, abuse, and alienation. By screaming, “I want to die!” (171) and fleeing into the night, she finally breaks her silence and rejects the false identity the missionaries have forced upon her. She ends this stage of her life with an act of desperate, undirected rebellion.



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