45 pages • 1-hour read
Dan GemeinhartA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: This section of the guide includes discussion of death.
The box containing the ashes of Coyote’s mother represents the gravity of the past and emphasizes Coyote’s love and attachment to her deceased mother, thereby highlighting the novel’s examination of The Past’s Hold on the Present. Coyote and her father’s adventure to release the ashes becomes a deeper process of releasing their own emotional knots, but Coyote can only reach this point after working on Gaining Perspective With Maturity. Rodeo, as an adult who has already confronted many of his own issues, is more open to letting go of the ashes than Coyote is. She carries the ashes with her throughout this latest road trip, talking to them as though her mother is present.
When Coyote first discovers the ashes, she reacts with shock, and the chaos of her narration reflects her emotions when she states, “Looking at what was in that box made me feel all sorts of weird and sad and confused and, quite frankly, nauseous. Not nauseous because of what it was, but because of how it made me feel. An emotional nausea, I guess” (6). Along with the discovery of the ashes, which have been hidden in the bus for years, Coyote discovers that her father has been keeping a major secret from her. Her resentment builds until she finally lets it out near the end of the trip. Later, Coyote and her father share a bonding moment as they release the ashes over a pond that the family used to visit when Coyote was very young. In this moment, Coyote realizes that she can let go of the ashes because the memories and love that her mother gave her will always be with her.
Yager is the name given to the former school bus that Coyote and Rodeo lived in for five years and which they still rely on as a source of transportation, adventure, and connection. On both a practical and a philosophical level, Yager brings Coyote and Rodeo exactly where they need to go, and different aspects of its interior also serve important symbolic purposes. The driver’s seat is referred to as the “throne,” and there is an entire private quarter at the back that Coyote has claimed as her room. The “Attic” of Yager is the roof, which is fixed with a railing so that people can ride up there while the bus is in motion. Yager’s presence in the novel reflects the importance of Appreciating the Journey, because wherever the bus takes the family, they have opportunities to meet new people, such as Doreen and Wally.
As each new friend influences the family’s mindset, Coyote indulges in the habit of personifying Yager. As she says, “It could be some folks don’t see the need to name a bus. Then again some folks haven’t had the chance to get to know a bus as well as I have” (2). Yager was her home for many years, and it holds a significant place in her mind and heart. In the story’s conclusion, Coyote compares Yager to life itself, noting, “Life is like this bus. […] And here we are on it together. We weren’t always on it together. And we won’t always be on it together. But we are right now. And that’s pretty freaking awesome” (273-74). The vehicle thus becomes a metaphor for Coyote’s newfound gratitude as she reflects on the people she is lucky enough to know.
Red Bird, by Mary Oliver, is a book that Coyote’s mother once owned, and this object has a key role in the protagonist’s emotional and physical journey. Coyote sets out with her father and her best friend in an effort to recover this book, which she lost during their previous adventures on the road. To Coyote, this book symbolizes a vital connection to her mother. As she explains in plain language, “We weren’t just looking for a book. We were looking for that book” (85). Her desperate need to find this book at any cost indicates how strongly she associates it with her mother, remaining fixated on The Past’s Hold on the Present. This desperation leads Coyote into engaging in equally desperate acts, as when she lies to her father and breaks into a closed thrift store. When she finally does recover the book, however, she discovers a gift she did not expect: a final message of love from her mother. She hears her mother’s voice “for the first time in way too long” (234) and experiences cherished memories that she had been repressing. The book also connects Coyote to a new friend, Doreen, who shares in her experience of grief and teaches Coyote about the importance of gratitude.
Storytelling and books are used as a motif in the story through the repeated use of a “once upon a time” game between father and daughter, and through the way Coyote often compares her own life to a story in a metafictional way. Throughout the story, Coyote and her father use stories to handle dark times and comfort one another, as when Coyote tells Rodeo the story of the trapped badger and describes how his pup helped him to escape the trap. She reminds Rodeo that “they were strong enough, together” (118). Similarly, she stresses that they both need to let go in order to move on and embrace the new possibilities that life holds for them. Even with this piece of advice, she maintains the metaphor, stating, “You can’t start the next story ‘til you finish the one before” (118). In this way, the novel uses the concept of stories to examine The Past’s Hold on the Present. As the journey continues, Coyote begins to understand that finishing this “story” by scattering her mother’s ashes is a necessary step on the path to beginning a new chapter in her life.



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